Cloudburst produces some of the most gorgeous ambient reverb tones and soundscapes you’ve ever heard, including a whole range of captivating sounds never previously available from a plugin. But how could a reverb plugin deliver something truly new? The answer is Cloudburst’s breakthrough Ensemble engine.
Feed audio into El Capistan, and all the warm and distinctive qualities and subtle nuances of vintage tape echo instantly combine to create an unmistakable atmosphere. Everything from classic slapback echoes to psychedelic feedback explorations have stunning richness and depth, responding to each note and each turn of a knob in a musically-inspiring way. Turn up the repeats for organic delay feedback with just the right amount of grit, or dial in some spring reverb to further enhance the sense of space.
Mixing should feel like making art, not solving a puzzle. With Dynamic Grading, you can dive straight into creative decisions, exploring and navigating your mix’s dynamic range with confidence and intention. Sculpt punch, shape body, and carve out space without getting lost in endless parameters. When inspiration strikes, Dynamic Grading keeps distractions out of the way, letting you focus on what matters: making your mix come alive. Dynamic Grading isn’t just another compressor—it’s a fresh approach to mixing that keeps you in the creative flow. Whether you’re refining a vocal track or sculpting a full mix, this tool delivers results that inspire.
Aalto is a semi-modular software synthesizer with an innovative, patchable UI, distinctive sounds, and a charming personality. Aalto’s sound engine lets you create sounds that have been difficult or impossible to make with softsynths before now. The heart of Aalto is a Buchla-inspired complex oscillator, with FM, timbre and waveshape controls that enable a wide range of expressive sounds. These sounds are uniquely malleable and alive, in part because they are made with dynamic calculation, not static wavetables. Aalto is designed as much for sequencing patterns as for playing individual notes. Each voice has a separate, built-in sequencer with a patchable, independently controllable rate and offset that make it easy to achieve evolving, chaotic textures.
Aaltoverb is a reverberator designed with a focus on completely smooth tweakability. Any of its controls including the reverb size can be adjusted without making clicks. This feature can bring fresh sounds to a mix, and particularly shines in a live performance setup. Our new popup UI in version 2.0 gives you access to MIDI learn and to an individual, syncable LFO for each main parameter.
Kaivo is a semi-modular software synthesizer that combines two powerful ways of making sound: granular synthesis and physical modeling. Kaivo brings some of the latest academic research in physical modeling to a patchable package for the first time. Mathematically speaking, its finite difference time domain (FDTD) models let the player reach inside the instrument and affect the internal vibrations at any point. This allows for a fine degree of realistic detail, like the bridge rattles on a “gut string” model, for example. And while Kaivo is capable of making very realistic sounds, it is also designed to apply this subtlety to abstract creations.
From the designer of P42 Climax comes P44 Magnum carrying the signature saturation of P42 but with new designed circuits; meet Oomph, Poomph and Sweet! Add to all this, a clipper that will send most clippers into early retirement.
P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.
Though it has gone by many names, turquoise get its current name from French pierre tourques, or “Turkish Stone.” This phrase refers to the Turkish traders who introduced the gem to Europe via the Silk Road in the 13th century. Ancient Persians believed that turquoise could prevent them from harm and covered their daggers and bridles with it. They referred to turquoise as pirouzeh, which translates to “victory.” The Native Americans Apaches wore turquoise as talismans and believed that attaching it to weapons and bows made for better aim. Aztec chiefs wore turquoise jewelry as a mark of authority. P422 Fairuz will bring out the natural resonance and richness of the instrument you are EQ-ing. Even at extreme boosts or cuts, the integrity of the sound is maintained.
Scanner Vibrato is a virtual effect plug-in that aims to recreate the scanner-vibrato effect from a well-known tonewheel organ. The original scanner-vibrato was developed in the 1940s, and was an analog, electromechanical device, consisting of an analog delay line and a mechanical rotor (“scanner”). The rotor was driven by the organ’s internal motor, and therefore its rate was fixed at about 6.9 Hz. The original scanner-vibrato could produce both chorus and vibrato effects, and it offered three depth presets. Read more about the history of the Scanner Vibrato.
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