MH CGII v4 WiN

Team R2R | 05 November 2025 | 22MB

CGII: Make it Good & Loud!

CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Limiting stage, DC blocking and dither with LUFS/true peak metering via spiffy tube filament displays, all operating at up to 16x over-sampling (or none at all – depending on your tastes). The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight and definition without diminishing spatial depth and visceral impact the way traditional dynamics processors often do. Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.

Monster 4000 v1.0.2 WiN

Team R2R | 21 November 2024 | 74.9MB

Monster 4000 The classic, reimagined.

Monster 4000 is an essential mixing tool, modelled after the well-known console compressor used as a mixing “glue”. Now with extra saturation. Add more punch, make the record tighter, smooth out the mix – it handles all of that. External sidechain gives you even more flexibility, while dual-mono feature gives you more control. It’s that final something needed for every recording.

Plasmonic v1.2.7 WiN

Team R2R | 13 December 2022 | 22.7 MB

Beyond Physical Modeling

Plasmonic captures the complex acoustic resonances of Physical Modeling, expands on it with more familiar elements of Subtractive Synthesis, and adds a few unique twists. From plucked strings with an acoustic presence, to vast imaginary soundscapes, to gnarly leads and complex rhythmic textures, Plasmonic will go wherever your imagination takes it.

Collective v2.0.2 WiN

Team R2R | 05 November 2025 | 24.7MB | LiBRARY: 2.07GB

Collective is a powerful sampler and synthesizer capable of generating a wide variety of instrument sounds. Developed to accompany the new music composition tools, Collective allows you to immediately start creating diverse musical styles. Quickly select from over 600 presets and deep dive to surgically craft your unique sound. Pull from the included sample library or load your own, combine with synthesis or cherish the supreme quality of traditional samples. One instrument to rule them all.

OP-X PRO-3 WiN MAC

Team R2R | 05 November 2025 | WiN: 23.2MB | MAC: 50.9MB

OP-X PRO-3 is a 12-voice semi-modular virtual analog synth based on OP-X PRO-II which includes all sounds and features of OP-X PRO-II and fullfills virtually all requests and wishes from users collected over the recent years. Due to its massive features and flexibility OP-X PRO-3 is able to emulate the typical sounds of almost ANY analog synth of the late 70s and 80s including OB-X, Matrix-12, Jupiter-8, Prophet-5 and even Minimoog. The same as its precedessors did since 2006 the synth engine of OP-X PRO-3 exactly clones the inner working of real voltage controlled polyphonic analog synths of the late 70s and 80s in every tiny detail. This includes that each voice is a completely independend mono-synth sitting on a separate circuit board or in a separate circuit section on a common board and features tuning trimpots to wipe-out the differences caused by device tolerances which usually was done by a technician prior to shipping. For the user the synths usually offered an autotune function which sent an offset voltage to the voice boards to flatten differences which again could arise caused by warm-up drift and thermal shifting of the trimpots and devices. Early synths only offered this for oscillater pitch, but later synths like Matrix-12 also for filters and other parameters. This is offered too in OP-X PRO-3 and the same as in the originals you usually manage the tuning only uning the atotune unit and not by tweaking trimpots everytime which would be cubersome, but with the advantage that you can go forth and back (so tune and detune again) and even can tune or detune seamlessly, so seamlessly blend between the tuned and detuned state.

Stringer v3.4.0 WiN MAC

Team R2R | 05 November 2025 | WiN: 45.5MB | MAC: 130.8MB

Stringer contains sample sets of the ARP Omni II, the Logan String Melody II and the Welson Symphony in two engines that can be mixed and layered: The sonic result of a sample based instrument is highly dependent on the way the samples have been converted, recorded, cut and looped. You’ll never gain back what you lose e.g. using a bad clock. For the Stringer, every key of the original instruments was sampled using top notch Apogee converters. The samples were recorded at full 24-bit/44.1kHz depth to capture every detail. A lot of time went in the perfect restoration and looping of the 241 samples – the loop lengths are up to four seconds and preserve the original beats. The sonic result is outstanding and nearly indistinguishable from the original. The real string machines that were sampled for this project are highly sought after and are rare and expensive on the used market.

Stringer v2.0 VSTi x86 WiN

Team R2R | 05 November 2025 | 43.8MB

The Stringer contains top notch quality sample sets of the ARP Omni, the Logan String Melody II and the Welson Symphony in two engines that can be mixed and layered. The real devices | The real string machines that were sampled for this project are highly sought after and became rare and expensive on the used market. The Logan String Melody II was built 1978 in Italy and distributed in Germany by Hohner. It has a very middy fat and exciting sound. The ARP Omni II is the successor of the Omni I and the Solina. The Solina string sound was THE string sound of the seventies and eighties, used on every stage and record. The Welson Symphony is a very rare Italian made String machine. It was built by WEBO electronics. more info

Ozone 12 Advanced v12 MAC

MORiA | 04 September 2025 | 575MB

Go beyond the limits of mastering with an all-in-one suite of 20 pro modules. Ozone is an all-in-one suite of 20 pro tools designed for modern mastering, accelerated by a time-saving, AI-powered assistant. Building on over two decades of award-winning, cutting-edge innovation, Ozone 12 keeps you in full control while offering previously impossible mastering workflows. Whether it’s your first track or the latest in a long line of hits, this is everything you need to bring your creative vision to life.

Submerge v1.0.5 MAC

GUiSEPPE | 03 September 2025 | 37.86MB

Make Your Music Pump with Precision

Submerge is an advanced automatic sidechain plugin that is designed to create unique, exciting ducking and pumping effects. With three different Trigger modes, eight effect types, customizable control curves and more, Submerge is an incredibly flexible sound design tool that adds a touch of modern magic to a classic production technique.