Theremin v1.4 WiN MAC

Team DECiBEL | 16 Apr 2020 | 4.3MB-7.2MB each

…::: AAX, AU, VSTi, x86, x64 :::…

The theremin is an electronic instrument patented in 1928 by Leon Theremin. The typical theremin users two oscillators – one producing a static frequency, one variable – and amplifies the difference of these two signals to produce sine waves at different frequencies, thus creating different pitches. A theremin uses a secondary circuit to control amplitude. You can control pitch/volume with your hands by adjusting the position of your hands in relation to the two antennas of the theremin, thus making it one of the only instruments in the world that you play but never touch! The tone of the theremin is well known, and can be heard in countless horror scores because of its somewhat unnatural and haunting tone. Theoretically, a theremin produces a fundamental pitch as a pure sine wave, and pure sine waves sound unnatural because most sounds in nature come with magesy overtones. The theremin is considered to be one of the worlds most challenging instruments to play. Not only is a theremin “fretless” like a violin, but even stringless, and the tone it produces is not stopped by inaction or through natural decay, but rather by manually decreasing the volume. In other words, to produces staccato notes, one must control not only the attack and hold, but also the decay. This is counterintuitive to how almost every other instrument works.

Redmix v1.02 VST x86 WiN

HY2ROG3N | 11.11.2016 | 1.70 MB

Place your sound in a virtual stage with Redmix, a powerful 2-dimensional panner that lets you move your sound from left to right and front to back! Redmix makes effective use of the Haas effect and spectral shaping to position the sound. As you move different tracks into their own space they are automatically equalized so everything sits better in the mix, saving you lots of time.

ROWDY v2.1.1 macOS

MORiA | 03 March 2021 | 3.6 GB

PLATFORM: AU/VSTi/AAX/64Bit

..:: Virtual Bassist ::..

Introducing ROWDY – Your loud-mouthed, rebellious and high energy bassist with bite! ROWDY confidently delivers picked overdriven electric bass sounds suitable for a variety of styles, ranging from powerful punk to red-hot rock and modern metal. If your bass needs to cut through heavy drums and a wall of guitars, then ROWDY is the perfect solution.

Beatmaker DOPE v2.1.2 macOS

Team R2R | 26 September 2020 | 44.2 MB

PLATFORM: AU/VSTi/AAX/64Bit

Street-credible Hip Hop tracks

Introducing Beatmaker DOPE – your fast-track ticket to the underground world of slick Hip hop beat production. There’s no longer any need to search through all that dusty vinyl at the local record store hoping to find the perfect sampled beat. Boom Bap, Hip Hop & Rap: DOPE is already locked and loaded with the most authentic sounding and satisfying electronic hits, beats and grooves for Boom bap, Hip-hop and Rap styles. Dirt Keeps the Funk Alive: With over 50 different styles containing a total of 1180 different phrases, creatives from all across the musical spectrum can enjoy the 10 meticulously recorded drum kits contained within. The simple controls and amazing genre appropriate sounds mean that both beginner and professional producers will be comfortable and at ease using Dope in a flash. Choose from over 50 different styles containing 1180 different rhythmical phrases for instant song intros, fills, verses, choruses, breakdowns and endings.

FRQ Shift v1.0.0 x64 WiN

Team R2R | 11 May 2020 | 7.7 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

FRQ Shift is an ultra clean sounding, artefact free, dual frequency shifter engine. Capable of everything from subtle modulation and stereo enhancement to more extreme atonal effects perfect for building tension and creating atmospheric backdrops.

Tube-Tech PE 1C WiN

TEAM AiR | 10/2010 | 13.21 MB

The Tube-Tech PE 1C is a passive, tube-based equalizer suitable for many different sources ranging from bass drums and guitars to vocals. The equalizer features a Low Frequency section made up of two low shelf filters which can be combined to attenuate and boost at the same time. These filters are actually bit apart in frequency even if they are controlled by the same frequency selector. The High Frequency section has a peak and shelving filter working in parallel, which provides a smooth top end while not getting too bright.The ability to combine the different filters and sections is what gives the PE 1C its characteristic sound and is something which plays a crucial part in explaining the classic Pultec sound.

Tube-Tech PE 1C MAC

UNPACED | 30/06/2010 | 162.12 MB

The Tube-Tech PE 1C is a passive, tube-based equalizer suitable for many different sources ranging from bass drums and guitars to vocals. The equalizer features a Low Frequency section made up of two low shelf filters which can be combined to attenuate and boost at the same time. These filters are actually bit apart in frequency even if they are controlled by the same frequency selector. The High Frequency section has a peak and shelving filter working in parallel, which provides a smooth top end while not getting too bright.The ability to combine the different filters and sections is what gives the PE 1C its characteristic sound and is something which plays a crucial part in explaining the classic Pultec sound.

Weave AU VST x64 WiN MAC

Team DECiBEL | 11 November 2020 | 31.6 MB

Weave | Buffer Drone & Space Machine

Experimental duo Larum – known for their signature tape drones and dreamy, ambient soundscapes – invite you into their world with a complementary plugin. Alongside the album, they have also released Weave – a buffer manipulator, space and soundscape machine inspired by drone and tape music. Now Larum have made this tool available for you to use your studio too!

Kristall AU VST x64 WiN MAC

Team DECiBEL | 11 November 2020 | 25.2 MB

Kristall | Sound Echo Prism

Kristall – a plugin inspired by Arovane’s Gestalt, out now on Tapes. Kristall is a unique delay device that creates “prisms” of echo patterns. It sends audio through a delay feedback line and resamples the output into 2 discrete branches. You can then manipulate each branch independently and adjust playback locations for each channel. Use Kristall as a simple delay or create segmented repetitions from the feedback buffer that modulate and overlap. The result creates complex patterns that augment the delay feedback in unconventional ways, uncovering myriad possibilities for sound experimentation.