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  • Legendary Music ACiD WAV MiDi FLP
    Posted by Magesy.Blog On: 26 February 2014


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    Legendary Music ACiD WAV MiDi FLP

    DISCOVER | 25 FEBRUARY 2014 | 382 MB

    ‘Legendary Music’ is the newest edition lineup of top quality sample packs. It features five hard-hitting Construction Kits inspired by the music of top Hip Hop artists such as Jay-Z, A$AP Rocky, Nas, Kendrick Lamar and producers such as Timberland and Pharrell. Packed with over 800 MB of big drums, eclectic synths, rich pianos and strings, this pack is a must-have for today’s Hip Hop and R&B producer. All sounds have been processed by the latest top-of-the-line Waves plug-ins for that album and radio-ready sound. This pack includes ACIDized WAVs at 24-Bit, 44.1kHz quality, either as perfect loops or one-shot files which allow the tails of reverbs and delays at the end.


    5902 Views

  • Cassette Deck 1 For Nebula
    Posted by Magesy.Blog On: 20 February 2014
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    Cassette Deck 1 For Nebula

    Team MAGNETRiXX | 19 February 2014 | 454 MB

    The Tascam 122 mkIII deck was used, along with 14 tapes, to create this set. Some tapes were sampled two or three times, at slightly different speeds and with different noise reduction settings (B, C, and none). Most of the tapes are/were highly regarded among cassette enthusiasts (they’re still out there!). There are type I, II, and metal type IV tapes. The deck has a rich history and is very well known for it’s reliability and performance.


    5820 Views

  • E-M-Eye preamp for Nebula 192 khz
    Posted by Magesy.Blog On: 5 February 2014
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    E-M-Eye preamp for Nebula 192 khz

    Team MAGNETRiXX | 05 February 2014 | 469 MB

    Part of the proceeds of this work support my chosen charity, this is an orphanage that I am the patron of in my native Zimbabwe.
    Full commercial package size is 500 MB. 21 Presets. Provided at 192 khz, 96 khz and 44 khz.Please note that these require a fully licensed Nebula Pro license to enjoy. This piece is based on a genuine vintage EMI microphone amplifier section that I managed to track down. A custom made and modified unit optimised for modern recording, it has a 50 Ohm /200 Ohm preamp section and a DI/Line level input. Making your audio full,warm and with a subdued high end to cure harsh highs if you’re looking for something really close to the EMI REDD 47 preamps/ amplifiers, then this may help you get a little closer. The magic is in the transformers. Pair this with Waves REDD plugin to get close to the mojo of the real unit – errr perhaps. Either way, you will love what it does to your audio – especially vocals.


    8542 Views

  • Synapse Audio Plucked String VSTi v4.0 x86/x64
    Posted by Magesy.Blog On: 29 January 2014
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    Synapse Audio Plucked String VSTi v4.0 x86/x64

    TEAM ASSiGN | 03 MAY 2011 | 3.19 MB

    The Plucked String is a physical modelling string instrument with a warm and pleasant sound, which includes five different string models. The type of sounds range from fuzzy, metallic guitar strings, over smooth nylon strings, to big and fat floorbass. It is also capable of more imaginative sounds with less resamblance to any real-world instruments. A selection of four different wavesets (also called models) is available. In the latest version, a fifth model was added – the “acoustic” model, which is even more lively and real sounding than any of the other models.


    15976 Views

  • SWA Fast Approach to Z3TA+2 TUTORiAL
    Posted by Magesy.Blog On: 26 January 2014
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    SWA Fast Approach to Z3TA+2 TUTORiAL

    Team MAGNETRiXX | 25 January 2014 | 264 MB

    In these tutorials Streamworks Audio instructor Walt Hunnicutt gives you a comprehensive look at Cakewalk’s ZETA+2, a legendary soft synth who’s distinctive sound has become a staple of electronic artists the world over. But Z3TA’s complex sounds come from a surprisingly straight forward architecture and intuitive user interface. In these videos Walt explores the basics of waveshaping, provides a complete tour of the instrument and works through each of the systems in Z3TA+2. Walt wanted to craft a tutorial that that would “help the customer start making music quickly” and he has! In under an hour these tutorials will show you everything you need to know to get Z3TA under your hands.


    9334 Views

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  • whiteLABEL d:SHIFT v1.0 VST WiN RETAiL
    Posted by Magesy.Blog On: 25 January 2014
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    whiteLABEL d:SHIFT v1.0 VST WiN RETAiL

    HY2ROG3N | WiN | VST | x86 | 6.22 MB

    A stereo pitch-shifter piles head-long into an echo box with filters bit-crusher and waveshaper. To pour acid in the wounds : modulators attack both pitch and delay time. “This oh-so desirable effect combines pitchshifting and delay to produce lush choruses, swirling echoes and some dynamite vocal doubling” With delay times ranging from 2 milliseconds right the way up to five seconds, the feedback path is the most important part of this effect … that’s where you’ll find a pitch-shifter, a bit-crusher, a wave-shaper and a shelving filter. A wide variety of effects can be generated from subtle chorus-type sounds to nasty smashed-up swooping loops, clean slap-delays to evil bad-guy voice effects.


    14231 Views

  • Ultimate Trap Producer MULTiFORMAT DVDR
    Posted by Magesy.Blog On: 22 January 2014


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    Ultimate Trap Producer MULTiFORMAT DVDR

    DISCOVER | 23 SEPTEMBER 2013 | Separate Formats!

    WAV:302MB | REX:391MB | LiVE:310MB | AiFF:293MB | REFiLL:828MB | MPC:667MB

    1GB+ of Trap shockwaves! Featuring crisp & phat 808 one-shots, sub basslines, electric lead synths & chords, drum stems & loops.
    Tangled up in Trap music? Don’t fight it! Ultimate Trap Producer is the definitive Trap sample pack, constructed by Prime Loops’ own audio engineers to take on this mixed-breed mongrel of genres! This sound pack is loaded to the brim with a massive selection of samples designed to send shockwaves across the Trap terrain!


    12099 Views

  • Vember Audio SURGE v1.5.2.VSTi-DYNAMiCS
    Posted by Magesy.Blog On: 22 January 2014
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    Vember Audio SURGE 1.5.2 VSTi WiN

    TEAM DYNAMiCS | 2009 | 14,21 MB

    Picos es un instrumento capaz de generar secuencias realmente hermoso de números. Sus orejas estarán de acuerdo con nosotros. Una grabación digital es sólo una secuencia de números. Fácilmente cuantificables como ceros y unos, almacenada en soportes físicos, combinados juntos en grandes números para formar un flujo continuo de datos. Hasta que la escuchan. Entonces se convierte en realidad.


    10442 Views

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  • BaddASS MK v1.0 VST WiN-NEMESiS
    Posted by Magesy.Blog On: 16 January 2014
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    BaddASS MK v1.0 VST WiN-NEMESiS

    TEAM NEMESiS | 24/06/2008 | 1.81 MB

    4 waveshapes || gating || distortion || bit-crusher || E.Q. || MIDI Triggering

    baddASS : Bass drum fortification device

    baddASS is designed for sorting out weak bass drums. It can be used to gate the incoming bass drum and reduce spillage, but thats just the start. From storming bottom end to (even more) evil cutting distortion, baddASS’s drive, crush and EQ sections give you plenty of scope for re-inventing your kick. Add click for more attack, and re-inforce sub-bass content with pure waves, Parameters for badd, ass, and mix allow full control over the original bass drum, low-end reinforcement, and distorted nastiness – without using any compression.


    11172 Views

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  • SonicCouture Abstrakt Bass KONTAKT DVDR-DYNAMiCS
    Posted by Magesy.Blog On: 8 January 2014
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    SonicCouture Abstrakt Bass KONTAKT

    06.10.2008 | DYNAMiCS | RAR SIZE 775 MB

    FORMAT….: KONTAKT

    A One-Stop Bass shop – Electrics, Upright, Drones, Dub basses, dry snappy synths, massive snarling filter sweeps, evil distorted groans and moans – all in one package. Every type of Bass sound is covered in the Library, making it incredibly simple to load up the exact bass you need in seconds – or scroll through instruments to try out lots of different basses in your track. Each of the 140 Kontakt instruments offers a huge range of control over the sound. Each instrument is a mini-synthesiser in itself! 8 control knobs are instantly accessible in the rack view of Kontakt, allowing you to simply tweak the attack time or filter cutoff, or to completely re-shape the entire sound – it’s up to you.


    13241 Views

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