• Borealis v1.0.2 AAX VST3 x64 WiN-MOCHA
    April 21st, 2025 ⚡
    Categories:

    Borealis v1.0.2 AAX VST3 x64 WiN-MOCHA-MaGeSY

    Borealis v1.0.2 WiN

    MOCHA | 21 April 2025 | 38.4 MB

    BOREALIS is a dynamic reverb plugin designed for the studio, stage, and beyond. It transcends conventional reverb plugins by allowing you to create an interplay between your dry input and its wet output, using its envelope follower and unique modulation possibilities. BOREALIS offers an array of 14 unique reverb algorithms, from lush convolution reverbs sampled from epic spaces to shimmering algorithmic reverbs and vintage diffused delays. The plugin’s extensive modulation capabilities, including complex non-linear modulators and a deep envelope follower, enable access to highly responsive and organic results. We have also included a mastering section in BOREALIS that allows you to shape both dry and wet signals, fine-tune your sound and makes it an essential tool to inspire and transform your musical creative process.


    Viewed 5355 By Music Producers & DJ´s.


  • Beatgrader v1.1.4 AAX VST3 x64 WiN-MOCHA
    April 21st, 2025 ⚡
    Categories:

    Beatgrader v1.1.4 AAX VST3 x64 WiN-MOCHA-MaGeSY

    Beatgrader v1.1.4 WiN

    MOCHA | 21 April 2025 | 4.7 MB

    Beatgrader is the quickest route to Lo-Fi.

    Select a resample rate to quickly remove high end detail. Beatgrader’s algorithm models off-line resampling techniques to deliver a unique lo-fi, underwater sound in real-time. Includes a saturation control to add weight. Beatgrader is good for removing the high end to make room for vocals or other elements. It can be applied to beats or works equally well on musical elements. It’s also useful as a sound design tool. Beatgrader’s algorithm models off-line resampling techniques typically used to deliver a unique lo-fi, underwater sound. Beatgrader does this in real-time with low latency and CPU so it can be dropped into any channel. The UI is high definition and resizable. Beatgrader works natively on M1 Macs, Intel Macs and Windows.


    Viewed 4484 By Music Producers & DJ´s.


  • BLEASS Tides v1.1.0 VST3 x64 WiN READ NFO-BUBBiX-MaGeSY

    Tides v1.1.0 WiN

    BUBBiX | 21 April 2025 | 13 MB

    BLEASS Tides washes away the dry, uninspiring echoes of conventional delay processors with wave after wave of richly characterful reflections. The plugin’s fluid approach to delay processing means delay times can be altered without the unpleasant warping results produced by other delay processors, with the option of a controlled tape-like timing shift, or a simple crossfade between differently timed delays. Better still, with an enhanced modulation system provided by BLEASS’ latest plugin technology, you can take full advantage of this delay time fluidity with stereo LFOs, envelope followers and macro controllers that allow you to explore new horizons of exciting delay effects. There’s more to creating unique and enthralling delay lines than timing alone, and so BLEASS Tides provides many different ways of shaping and adding character to its repeats. An input filter combining low- and high-pass resonant bands allows you to easily mould the incoming signal and thereby sculpt the resulting echoes. Then, for even deeper and more exhilarating shaping, Tides’ feedback path features five insert points into which any of 11 different effect processors can be loaded. These include distortions, filters, pitch and frequency shifting, ring modulation, and even an additional delay processor, all of which can be brought to life with the plugin’s stereo modulators.


    Viewed 10832 By Music Producers & DJ´s.


  • Synestia FX v1.0.0 macOS-HCiSO
    April 21st, 2025 ⚡
    Categories:

    Synestia FX v1.0.0 macOS-HCiSO-MaGeSY

    Synestia FX v1.0.0 macOS

    TEAM HCiSO | 28 November 2024 | 40.79 MB

    Synestia is an advanced multi-effect plugin for the utmost in creative sound processing. It combines 8 inspiring effects: physical-modeled resonators, filters, modulated delays, distortion and more. Modulation lies at the heart of Synestia, generating complex rhythmic patterns and evolving atmospheric soundscapes. All parameters can be controlled by any combination of a wide range of dynamic modulators. Synestia’s Sympathetic resonators can be played by MIDI control, with MPE and microtuning support. And all modulators can be triggered by MIDI notes, opening all kinds of possibilities for rhythmic effect control. A flexible and unique approach to patching opens unexpected possibilities, and brings signal routing under the control of dynamic modulation.


    Viewed 54652 By Music Producers & DJ´s.


  • APU Loudness Limiter v3.6.2 WiN MAC-BTCR
    April 21st, 2025 ⚡
    Categories:

    Loudness Limiter v3.4.3 WiN MAC-BTCR-MaGeSY

    Loudness Limiter v3.6.2 WiN MAC

    Team BTCR | 21 April 2025 | 56.8MB

    PLATFORM: AU/VST2/VST3/AAX

    The APU Loudness Limiter is a real-time limiter designed to support multiple loudness types simultaneously. The limiter can be configured to use LUFS, True Peak, RMS, and/or Peak loudness types. This allows you to target multiple requirements simultaneously, such as a specific LUFS target and a specific True Peak target. Internally, the ballistics of the limiter are adjusted to accommodate the different loudness type limiter settings.


    Viewed 60850 By Music Producers & DJ´s.


  • APU Loudness Compressor

    APU Loudness Compressor v3.6.2 WiN MAC

    Team BTCR | 21 April 2025  | 57.3 MB

    The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical compressors operate using only RMS and/or Peak units of measurement. But technology has come a long way since then and we’re overdue for an upgrade.. This compressor uses modern industry standard LUFS units of measurement to provide a far more transparent response which is connected to the way humans actually experience loudness. The entire signal flow of the compressor operates within this more precise understanding of loudness. The plug-in user interface provides a more flexible alternative to traditional threshold-and-ratio style of compressor controls. Instead, source and target ranges of loudness can be configured and the compressor will either compress or expand as needed.


    Viewed 184223 By Music Producers & DJ´s.


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