Nu School Deep and Garage WAV REX2 MiDi

TEAM MAGNETRiXX | 15 October 2013 | 592 MB

Nu School Deep & Garage samples, a brand new royalty free sample collection inspired by such superstars like Maceo Plex, Gus Gus, Luciano, Gui Boratto, John Digweed, Guy Gerber and more. Expect to hear shuffled deep grooves, Nu school chords, stabs, analogue basses and a huge amount of sound FX. Nu School Deep & Garage weighs in at nearly 745 MB and includes 180 Loops at 120 BPM plus 120 Single Shot Samples. In detail producers should expect to find 745 Mb of 24 Bit Quality Samples including 70 Bass Loops, 70 Synth Loops, 40 Drum Loops, 40 Sound FX, 80 Drum Hits, 140 Midi Melodies and 180 Rex2 Files. Inspired by artists such as Maceo Plex, Gus Gus, Luciano, Gui Boratto, John Digweed, Guy Gerber, Dusky, Huxley, Medlar and James Dexter.

Sub Loops WAV

TEAM MAGNETRiXX | 15 October 2013 | 37 MB

Up 100 sub loops, ready to rock those low end frequencies and add fullness to your productions. The bass, and mostly low frequencies below 100Hz are responsible for the worldwide success of electronic music. Thanks to big club sound systems, even a simple kick and a perc or bass can sound heavenly and make you move. Just choose your loop and add it to an existing groove that lack’s low end and tightness, or you can start from scratch with a simple kick and any of the provided loops. All samples are presented as 24-bit Wav files and all loops are tempo-synced at 128bpm.

Aly & Fila – Rosaires (Ableton Remake)

Rosaires | Ableton Remake | 120.27 MB

Computer Music – November 2013

English | 114 pages | True PDF | 38.00 Mb

Computer Music Special is a bi-monthly magazine from the creators of Computer Music. Computer Music Specials help you get to grips with wide ranging music topics, including top production techniques, sampling, popular software, sequencers, and tips on how to make it in the music industry. Computer Music Specials surrounds you in musical knowledge and inspiration from all genres, whether you DJ or play guitar and no matter your level, you’ll find invaluable tips to help you create your best music yet.

JayPea KONTAKT

SYNTHiC4TE | Oct 14 2013 | 11.98 MB

Some years ago, an old friend of mine – Dan McCullough (not to be confused with Dan, Dan, the Novachord man) – sent me some samples from a brightly coloured, 8-voice analogue polysynth, made in Japan and named after a planet (sorry to be vague but although it’s perfectly kosher to sample an analogue synth, one has to be be very careful with regard to manufacturer and products names – I am sure you get the gist though!). I call it JayPea

STRINGODYNE KONTAKT

SYNTHiC4TE | Oct 14 2013 | 44.75 MB

There are PWMs, sawtooths and ramps in there with some detune. We added a hint of ‘iSaw’ from Techtron and a smattering of half speed ‘Tron creating a huge sound which was re-sampled into a composite. This was then thrown at the MLM ‘Lite’ GUI. With a few tweaks (replacing Cronk’s All-Pass filter with a lowpass filter, for example), it made some nice sounds and so Stringodyne came to being. It’s something of a ‘one trick pony’ in a way but there are mighty sounds to be had that are wide and expansive, capable of big and lush strings, smooth ‘Last Temptation Of Christ’ Peter Gabriel style Prophet 5 (through his Boss CE1 chorus) pads and drones, spacey Tomita sweeps and, with everything wide open, big, anthemic techno stabs, hits, pads and leadlines. And all this passes to a comprehensive effects section…

Claps and Stacks MULTiFORMAT

TEAM MAGNETRiXX | 14 October 2013 | 53.2 MB

Introducing Claps & Stacks, our ‘go to’ library for high-quality claps and layered stacks! Claps & Stacks offers a diverse collection of layered claps, synthetic snaps, processed machine claps, filthy lo-fi sounds, dusty noise hits, layered snare/clap ensembles and much more… Each and every sound has been built from the ground up by creatively blending multiple electronic and acoustic sound sources which have been further shaped to perfection using an array of high end outboard processers. Claps & Stacks serves up 562 cutting edge clap and percussive sounds, specifically designed to work ‘straight out of the box’ and mix perfectly with drum tracks in any modern genre. To add additional character, we have taken all of the processed sounds and cut them to a 12” acetate dubplate. This has been done to take advantage of the physical properties of Acetate which wears out after multiple plays.