Play By Ear 3: Use My 3 Chord Trick to

Harmonize C Key Songs TUTORiAL

TEAM COMPRiSED | 2015.03.22 | 426 MB

Play songs by EAR & recognize places where chord changes in songs. Move your heart into the music & love piano & playing Play by Ear Method Level 3: Learn to harmonize songs by EAR with my 3 Chord Harmony Trick. Are you bored to tears playing piano? As I am writing out this page, I just received the following message from my student Barbara who has been taking my piano courses one after another: “We are on fire with the need to accomplish goals and you are a God given teacher!! :) I seem to be having a love affair with my piano now….can’t get enough and want to be with the keys all day. It’s a wonderful feeling. I praise God for all the knowledge and you for sharing your talent.” Start picking up the Skill to PLAY by EAR and your piano playing is going to take off like it has for my student here. You will be in love with your piano, playing your music, making music at the piano ALL day! Believe me, I see this happening to students all the time. Learn to play by EAR and learn how to harmonize songs by EAR! It is a very comprehensive in-depth study so that you will be able to pick up this skill IMMEDIATELY.

Korg 01/WFD PIANO SAMPLES

P2P | 24 August 2011 | 243.46 MB

Korg’s 01/W workstation synthesizer debuted in 1991 as the follow-up to the popular M1. The O1/W was the second chapter in Korg’s workstation legacy, which goes on to this day with the Triton and Oasys series. The O1/W was geared towards beginning home studio enthusiasts that wanted to take a step further into a more professional realm. Compared with the M1, the 01/W featured many enhancements including a more dynamic 16-track sequencer (the M1 only had 8-tracks), 254 real world sampled instruments to the M1’s 100, polyphony was doubled from 16 to 32 voices, and greater overall control.

Big Room EDM Drops 3 WAV MiDi

DISCOVER | 21 MARCH 2015 | 351 MB

‘Big Room EDM Drops 3’ is the third instalment of this huge and exciting new series. Bringing you more of the best tools for your next Big Room EDM track, you’ll find 50 cone-shaking Big Room EDM kicks in key, 50 wet Big Room EDM drop loops and 50 Dry versions so you can apply your own effects, plus 50 Big Room EDM Drops as MIDI files for ultimate flexibility to change note data or apply your own sound. Inspired by Martin Garrix, Jay Hardway, DVBBS, Borgeous, Showtek, Dimitri Vegas, and many more top artists from around the world.

Urban Ballads ELASTIK

AUDIOSTRiKE | 21/03/2015 | 1.99 GB

Urban Ballads is an all new jam packed release which includes 22 Construction Kits providing 3.6 GB of smooth, sexy high quality R&B Music. It grants you access to the melancholic and emotional facet of modern and classic R&B music. Including tempos between 50 – 77 BPM, you’ll find primarily slow and calm Kits with applicable accents, which are perfect for creating the freshest, most modern love tunes, ballads or R&B tracks on the market today.

Logan KONTAKT

DISCOVER | 21 MARCH 2015 | 386 MB

1977 was a great year. Star Wars came out in the cinemas. The Queen had her Silver Jubilee (where I got to dress up like a policeman in our school parade). And the Logan String Melody II was released. The String Melody had come out a few years earlier, in 72, but hadn’t been much of a hit. The mk II changed all that, earning itself a spot in the pantheon of All Time Greats. It looked stunning, with lavish 1970s real wood veneer and a delightfully responsive waterfall keyboard that made it a real player’s instrument. But that wasn’t why it was a hit. The reason is very simply to do with the sound it makes. It doesn’t sound much like a real string ensemble, but it sounds amazing regardless, and it’s graced a thousand hit tracks as a result. It’s thick, warm, rich, thoroughly analogue, and yet at the same time airy. It’s controllable, with drawbar-style faders to combine registrations, and attack and release controls too. And the five “Preset” buttons offer different settings of vibrato and chorus effect across all those synthesised strings, giving you huge, swirly, gorgeous acreages of pads that stretch on into the sunset… And we’ve sampled every last wonderful resonance of it for you!

Deep Vocal House 2 WAV

AUDIOSTRiKE | 20/03/2015 | 217 MB

Deep Vocal House 2 comes fresh out the sample emporium bringing with it a whole host of next level loops and samples. A throbbing 368MB of amazing Deep House sounds that will get your productions pounding on the dance floors and moving up those essential charts. All loops and samples have been professionally crafted and processed by our in house team so that your work vibe stays peaking without wasting time. All music loops are key labelled for ease of use and all loops are tempo-synced to 122bpm so you can mix and match for endless creative options. Bass-heavy kicks, speaker-cracking tops, sub-pounding bass lines, crescendo-building FX and hook-heavy synths are just a part of what this one stop collection has to offer. Deep Vocal House is the perfect choice for Deep House, Tech House, House or any 4/4 style needing that deep-driving and chunky sound. Inspired by the sounds of Huxley, Dusky, Pleasurekraft, Hot Since 82, Crosstown, Booka Shade, Joris Voorn, Defected, Get Physical, Spinnin Deep & Aus Music.

Lambda KONTAKT

DISCOVER | 21 MARCH 2015 | 2.24 GB

First produced in 1979, the Korg Lambda ES50 was a monumental wedge of polished wood and analogue electronics designed to take the string synth concept to a higher level. It distinguished itself from string synths that had gone before on a number of fronts: it was fully polyphonic, not paraphonic; it had a host of real-time tonal and envelope controls over the sound; it combined string and ensemble sounds with key sounds like pianos, EPs and clav; and most of all, it included a rich, analogue, swirling, stereo chorus effect. This fact alone set it head and shoulders above its contemporaries. The Lambda’s chorus (which it calls “Chorus Phase”) makes for a superbly lush, expansive sound, thickening the strings and other patches, filling out the soundstage, and warming a whole mix with a single button-press. It’s a little touch of analogue magic! The tones are a great selection of sounds. The Lambda divides its tones into Percussive (for which read “keyboard”) and Ensemble (for which read “orchestral). On the Percussive side of the panel we get a great EP, a nice sharp Clav sound, a thick and funky Piano, and a very useful high-pitched Harmonics sound that combines well with the other sounds.