Music Tech Magazine April 2015 PDF

ENGLISH | PDF | 116 Pages | 26.7 MB

Music Tech Magazine is the practical magazine about music recording and production, which is renowned for the way it helps readers improve their understanding and expertise in music technology.

Analog Performer SFX WAV

FANTASTiC | 23 MARCH 2015 | 927 MB

Analog Performer SFX is a mind-expanding suite of electronic sound effects. From glitchy blips to screaming rips, noise strikes to harmonic ripples, laughing androids to alien birdcalls, Analog Performer SFX will add colour and chaos to your productions. The library was crafted from exclusive performances on Moog Source synthesiser complemented by his Korg MS-20/MS-50 modular system and Korg SQ-10 analog sequencer. The combination of synth programming and live improvisation gives this library an unmistakable character – hovering between vintage sci-fi and futuristic electronica – that can’t be matched by software synths or computer-based sequencing. A bonus suite of remixed effects by sound designer Iain Morland pushes into further sonic terrain, including sweeps, risers, and hybrid textures.

Layback Throwback MULTiFORMAT

FANTASTiC | 23 MARCH 2015 | 916 MB

LAYBACK/THROWBACK. Channeling the spirit of artists & producers like J-Dilla, ?uestlove, Madlib, D’Angelo and Herbie Hancock, LAYBACK/THROWBACK creates a sonic world all its own. In this unique collection, producer/multi-instrumentatlist, DJ Harrison shares hundreds of looped grooves, melodic and chordal ideas, distinct production choices and sound effects offered as inspirational leaping-off points to get the create juices flowing.

Audio Signal Processing for Music Applications TUTORiAL

P2P 24 | MARCH 2015 | 1.75 GB

In this course you will learn about audio signal processing methodologies that are specific for music and of use in real applications. You will learn to analyse, synthesize and transform sounds using the Python programming language. Audio signal processing is an engineering field that focuses on the computational methods for intentionally altering sounds, methods that are used in many musical applications. We have tried to put together a course that can be of interest and accessible to people coming from diverse backgrounds while going deep into several signal processing topics. We focus on the spectral processing techniques of relevance for the description and transformation of sounds, developing the basic theoretical and practical knowledge with which to analyze, synthesize, transform and describe audio signals in the context of music applications. The course is based on open software and content. The demonstrations and programming exercises are done using Python under Ubuntu, and the references and materials for the course come from open online repositories. We are also distributing with open licenses the software and materials developed for the course.

UAD UA 610 Tube Preamp & EQ Collection Explained TUTORiAL

SYNTHiC4TE | March 23 2015 | 228 MB

A TREASURED PREAMP BROUGHT TO SOFTWARE

Universal Audio’s 610 Tube Preamp & EQ have been one of the most sought after preamps since the early 60s, and studio guru Brock Jon shows you how you can get that classic sound with the UAD emulation! Beginning with a historical overview of just how widely used both the original and current production versions of the UA 610 are, Brock dives first into the Preamp, then the EQ Controls, of the UA 610 A & B plug-ins. He also explains what each individual control does and how they all work together. The next videos offer in-depth information on how to use the various plug-ins on different types of source material. He starts by applying the 610 to Drums, then to Bass Synths. Brock now shows you how to get the most out of the 610 A & B on Strings, Synths, And Vocals. Finally, he uses the 610A & B on the Master Buss to add that extra girth and sparkle. If you’re an experienced UA610 user looking for some new insight or a new UAD user looking for a unique creative tool, watch “UAD UA 610 Tube Preamp & EQ Collection Explained” today and reap the rewards of this industry-standard, classic piece of gear!

Malfunctions WAV Battery3 Kit

TEAM MAGNETRiXX | 23 MARCH 2015 | 147 MB

In detail expect to find over 627 basic drum sounds, 867 layering fx and oneshots and 226 cycles – summing up to 1721 sounds, 236 MB of 48 kHz 24 bit wavefiles.

WVS Abbey Road Collection Explained TUTORiAL

SYNTHiC4TE | March 23 2015 | 521 MB

GET THE ABBEY ROAD STUDIOS SOUND

If you ever wished you could record in world famous Abbey Road Studios in London, studio expert Todd Tatnall takes you there virtually, in his latest series, “WVS Abbey Road Collection Explained”! Todd goes through each plug-in in the collection, meticulously modeled from Abbey Road’s own famous hardware and shows you how to use it and get that classic sound. Todd begins by giving you an overview of all the “virtual gear” in the Abbey Road collection. After showing you how to install and register your WVS bundle, he starts with the EMI TG12345 Channel Strip. Next, he moves to the J37 Tape plug-in, which faithfully emulates Tape Saturation, Wow & Flutter, and Delay. Moving on, Todd now reveals the amazing console plug-ins, the REDD 17 and RED 37-51! From there, he explores REEL ADT and Reel ADT2V, where he shows you how to use WVS’ Automatic Double Tracking Plug-In. Next up, the RS56 Passive EQ with its “Curvebender” mode, and the King’s Microphones, an emulation of the British Royalty’s own mics.