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The Delta III is simple to use, but far from simplistic. We think it’s the most complete “virtual analogue” synth currently available. If your sounds need to cover the full range from decent to devilish then it’s the ideal instrument!
daOrgan features all of the controls found on the original B3 as well as a sophisticated rotary speaker simulation. These features have been incorporated into an easy-to-use interface, capable of producing a wide range of classic and modern organ sounds.
The HarpTime VST synthesizer was designed to reproduce the sound of the plucked folk harp, and uses an advanced physical modeling synthesis in which twelve strings are all individually modeled to allow true sympathetic resonances. The harp has a beautiful sound which is usable in very many musical styles (mediaeval period music, classical, folk, ambient, film music and ballads, for example). However, samples can only reproduce a limited, and somewhat ‘static’ snapshot of a particular real instrument being played. In comparison, physical modeling allowed us to build a VSTi which reproduces the characteristic of a variety of real harps, with more flexibility, control, and dynamics than a sample set will normally provide. HarpTime can reproduce the beautiful of the Celtic harp, as well as that of many similar types, such as Japanese (koto), Paraguayan and African harps.
Peti uses hybrid FM synthesis technology and was developed primarily to emulate the sounds of the Harmonium, a member of the Reed Organ family, which is also known as the “pump organ”. The Harmonium, in its smaller form, is widely used in north Indian music, and its full, sweet sound is often used in pop and rock music, but Peti is not limited to this instrument alone. Peti is also capable of emulating a wide variety of reed organ variants, and can model timbres which resemble the many instruments in this family, ranging from from accordions to pipe organs, and even the famous melodica often used in reggae dub music. Peti was designed to allow the user complete control over a simulated Bellows mechanism, with 11 different modes providing ‘automatic’ or ‘manual’ pumping, with appropriate modulation of the sound-generation engine’s parameters. It also features two separate ‘reed bank’ simulators, allowing it to create the widest possible range of reed organ timbres via its sophisticated hybrid-synthesis system. Peti’s sound engine is also capable of emulating other key features of the Harmonium, including the body resonance of the instrument itself, the noise of air in the bellows and chambers, a ‘musette’ tremolo feature, and ‘key coupling’, which traditionally allows a single note to trigger two voices.
This pack brings you 25 rich choir loops. This pack will give you that unique sounding choir that will fill up your track perfectly. No matter what type of music your are working on, this pack can definitely bring a new dimension to your production.