VM-Comp v2.0.3 WiN

Team R2R | 30 October 2025 | 40.2 MB

PLATFORM: VST2/VST3/AAX(MODiFiED)

The most faithful emulation of a modern yet legendary tube compressor/limiter – perfect glue for mixing and mastering… An industry-standard tube compressor | Variable-bias tube compressors deliver smooth, transparent gain control, and naturally “glue” buses, mixes, and masters together. Unfortunately, the original hardware is expensive and difficult to integrate with in-the-box workflows. Software emulations exist, but most owners of the hardware agree that they cannot be compared to the original unit, as there’s always “something” missing. With its unique Topology Preservation Technology, Pulsar VM-COMP sounds objectively identical to the hardware in every production context, but also introduces improvements such as visual sidechain EQ editing and extended timing ranges.

VSM-3 v1.4 WiN

Team R2R | 14 February 2019 | 33 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

VSM-3 plugin delivers the beloved badass harmonic generators of Sound’s acclaimed VSM-2 Mix Satellite. The plugin even adds some features not found on the original hardware like the THD Mixer’s dry/wet control, and the ability to run the Crusher and Blender in parallel or serially. The VSM-2 sound is now an A-List option for adding character and emphasis to tracks and busses. Its M/S chops in particular open up exciting possibilities for stereo signals! For the mastering engineer, the VSM-3 provides all the unique saturation power of the VSM-2 in an economical and convenient plugin. While there are plenty of saturation/distortion plugin options available, only the VSM-3 offers the singular sonic personality of the over-built VSM-2.

IPA 25 v1.0.14 WiN

Team R2R | 30 October 2025 | 40.3 MB

PLATFORM: VST2/VST3/AAX(MODiFiED)

Multi-VCA Dynamics Processor

Classic VCA compression with modern VCA control. Modeled after a classic VCA design, the IPA 25 is a flexible dynamics system with visual control and modular signal flow.

MP-EQ v2.0.3 WiN

Team R2R | 30 October 2025 | 64.2 MB

PLATFORM: VST2/VST3/AAX(MODiFiED)

The most complete passive EQ plugin. Musical and intuitive, a must-have for mixing and mastering. A DIFFERENT EQUALIZING EXPERIENCE | MP-EQ is an emulation of a legendary analog EQ found in almost every mastering studio worldwide. Designed as a synthesis of the best passive equalizers of the past 70 years, its fully parallel topology offers a unique and musical frequency response compared to digital EQs with the same settings. Because of this design, the bands naturally interact, producing a more musical overall response. Its entirely passive circuit, featuring custom hand-wound inductors, tubes, and transformers, delivers creamy highs, balanced mids, and organic warmth through magnetic saturation. MP-EQ faithfully recreates every sonic detail of the original hardware while adding modern features like visual curve editing, drive control, linear phase mode, or auto-gain.

Analog Alchemy

FANTASTiC | 30 October 2025 | 326 MB

280 One-Shots, Accents, and presets for Arturia Analog Lab, Output Portal, Soundtoys EffectRack, and XLN Audio RC-20. Sampled from live guitars and real analog hardware…

Cycling 74 Max v9.1.0 WiN

BOBDULE | 30 October 2025 | 723.15 MB

A Playground for Invention, Max is an infinitely flexible space to create your own interactive software.

splitS v1.1.2r1 WiN

SEnki | 30 October 2025 | 4.7 MB

While de-essers and dynamic EQs can be very useful, they are rarely sufficient for effectively managing sibilance in vocal recordings. Producers and engineers alike commonly find themselves spending long hours manually editing these problematic sounds. While often unavoidable, this method is very time-consuming and diverts attention from what really matters. splitS is here to give you your time back! splitS is not a de-esser, but rather a straightforward mixer that allows you to balance sibilances, and separate a vocal track between sibilance and non-sibilance in a split of a second. The signal is left absolutely intact if no volume change is applied, as the cut between sibilance and non-sibilance is made on the full range signal. No compression, no EQ, no crossover. Since v1.1, the S-Range feature can detect the peak level of each S event, letting you set a maximum volume — or exclude soft events from the S channel.