Bombay Glassware KONTAKT

SYNTHiC4TE | Dec 04 2018 | 235 MB

An inspiring and beautiful instrument. Simple to use with a straight to the point interface. Rich and enchanting struck and finger-bowed Gin glasses. With reverse effects, sequencing capabilities, delay and verb (also reversible). Allow Bombay Glassware to inject class and mysticism into your compositions! BOMBAY GLASSWARE is a library for the full version of Kontakt, which has captured beautifully the sounds of both struck and finger bowed Glasses. With a rich, resonant and enchanting sound. Perfect for injecting an element of high end sizzle and mysticism, or use the pitch stretched lower end of the finger bowed patch to reach low and resonant, hybrid synth like sounds.

Nave Q Studio Kit

SYNTHiC4TE | Dec 04 2018 | 926 MB

WAV GOG TCI KONTAKT

This is the Nave Q Studio Drum Kit, a Galvanised Steel Drum Kit made by Q Drum Co. Recorded at The Nave Studios in Leeds, North Yorkshire. This is huge natural sounding drum kit, with an even bigger sounding room. Great for big rock productions as well as those looking to add size and depth to more metal style drums.

Minipoly v2.01 KONTAKT

P2P | 05.12.2018 | 376 MB

The Minipoly contains amazing raw analogue and tape oscillator samples, great filters, a chord system and six effects. The TAPE SAW OSC are long sawtooth waves recorded for each key on tape of a Roland RE-301 Chorus Echo. You can hear wow and flutter and even tape dropouts – quite similar to a Mellotron. The SAW OSC, Square OSC and White Noise waves are directly recorded minimoog samples – and sound much crisper than the ‘taped’ waves. All oscillators are mono waves, but when DUAL MODE is activated (switchable LED for each OSC) a second sample is added to each note and both waves are panned hard to L-R. This will produces a strong stereo image. Mix mono and dual oscillators to control/adjust the stereo width of the sound.

Klusterjunkk v2.1 KONTAKT

SYNTHiC4TE | Dec 04 2018 | 171 MB

Scratches, thumps, slaps and scrapes on springs, chains, jugs, tubs, bits, bottles, buckets, tubes, plastics, pots, prongs, and pebbles. An essential collection of gloriously noisy instruments designed to add dirt and interest to your tracks—played solo or stacked on top of your existing drum kits. The idea behind this collection was “controlled noise”: busy textures, resonating tones, rough, ever-changing rattles and clatter, all made controllable and playable. It’s the African bone rattle, Turkish hand cymbals, and Balinese Gamelan reimagined and reinvented using discarded junk from the consumer economy. Engrossing sounds and inspiring instruments. Whether you’re a producer on the hunt for a new sound or a composer looking to flavor a cinematic score with something different and unusual, KLÜSTERJUNKK is a seriously useful toolbox. Go on, get your hands dirty.

Konstruktor v1.1 KONTAKT

SYNTHiC4TE | Dec 04 2018 | 386 MB

Hybrid Convolution Rhythm Engine

Konstruktor is a hybrid drum designer and kit builder that blends acoustic sound sources with synthesized waveforms. Together with both fully acoustic and fully synthetic elements, this kit builder creates truly hybrid drums with a unique, fresh new sound. Model each kit component with its own convolution plugin: almost 400 custom impulses that color, shape, distort, and augment the drum samples. Thicken kick drums, smear and widen snares, turn hi-hats into mini rhythm engines. Glitchbomb, Drumrust, Echoglitz, Boomscope…

Fabrikator v1.1 KONTAKT

SYNTHiC4TE | Dec 04 2018 | 602 MB

Building on the strengths of Konstruktor, and keeping with the ethos of raw, unpolished percussive sound, Fabrikator explores the texture and motion of acoustic-synthetic sounds colored with convolution. The task was to design distinctive synthesized percussion that would complement the new acoustic palette while offering fresh material for the convolution engine: sounds and textures that would react in new and unexpected ways. Different design and mixing methods were applied to produce nine categories of synthetic percussion: over 200 multi-articulation sample instruments in total. Sound treatments include valve and fuzz-wah filters, frequency disintegration and granulation, harmonic and digital distortion, and pitch/time and modulation effects.
Fabrikator offers a rhythmic sound palette and convolution engine with practically endless combinations.