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  • Ableton Live Hacks III: Finishing Ideas TUTORiAL
    December 28th, 2018 ⚡
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    Ableton Live Hacks III: Finishing Ideas

    P2P | 27 December 2018 | 283 MB

    Welcome to Ableton Live Workflow Hacks! This is the third and final course in this series. In this segment, we explore tricks that will help you out near the end of the production process. The mixing hacks covered will help you apply processing and set levels more efficiently in your mixdowns. We will also touch on some frequently overlooked techniques for file management, such as organizing the browser for easy access to sounds, properly Collecting and Saving projects, and using Live’s File Manager to locate missing files and seamlessly replace samples throughout a project.


    Viewed 3868 By Music Producers & DJ´s.


  • Ableton Live Hacks II: Developing Ideas TUTORiAL
    December 28th, 2018 ⚡
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    Ableton Live Hacks II: Developing Ideas

    P2P | 27 December 2018 | 252 MB

    Welcome to Ableton Live Workflow Hacks! This is the second of 3 courses that focus on workflow hacks. In this segment, we will look more in depth at workflow tips designed to help you progress your ideas further. After initial ideas have been put down into a project, this segment will primarily deal with developing and enhancing sounds, working quickly in Live’s Arrangement view, and adding automation. By the end of this course, you will be able to add more polish to your sounds, efficiently add movement and interest to your tracks, and use key commands and loop brace edit commands to navigate the Arrangement much faster.


    Viewed 2872 By Music Producers & DJ´s.


  • Ableton Live Hacks I: Creating Ideas TUTORiAL
    December 28th, 2018 ⚡
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    Ableton Live Hacks I: Creating Ideas

    P2P | 27 December 2018 | 188 MB

    Welcome to Ableton Live Workflow Hacks! This is the first of 3 courses that focus on workflow hacks. This first segment is designed to help you increase your speed and efficiency when starting new song ideas. We will cover techniques that you can employ in Live’s Session View, such as how to record, overdub, and live loop new parts without stopping the flow of the music. We will also take a look at some tricks for more efficient writing of MIDI parts, such as utilizing MIDI effects, step recording in MIDI notes, and making the most of Drum Racks to organize sounds and samples quickly.


    Viewed 3717 By Music Producers & DJ´s.


  • Regal Rhythm KONTAKT
    December 28th, 2018 ⚡
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    Regal Rhythm KONTAKT

    P2P | 26.12.2018 | 6.86 MB

    Regal Rhythm is a very simple drum box with a typical vintage analogue sound. The six on-board preset rhythms cover the kind of staples you’d expect from more of a home-orientated (rather than studio grade) piece of kit, and there’s a slightly fuzzy, soft-edged tone to the whole thing that can work very nicely for chillout, downtempo tracks. It also comes in a neat royal red colour scheme that should cheer up anyone’s morning – and check out that real wood veneer ???? The sounds are limited but solid: kick drum, plus two flavours of snare, as well as the combinable presets (which of course tempo-sync to your host DAW). Saturation, compression and bit-crusher controls let you have a bit of extra fun with the tone.


    Viewed 3106 By Music Producers & DJ´s.


  • Bass 3 KONTAKT
    December 28th, 2018 ⚡
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    Bass 3 KONTAKT

    P2P | 27.12.2018 | 45 MB

    Now this little thing is funky! The Hohner Bass 3 was an all-analogue minisynth that produced three preset bass tones: Guitar, String and Tuba. Don’t let the names fool you: this isn’t orchestral, nor is it folky. It’s just raw and wild: a thunky twang gives the Guitar patch its bite, the String setting is all low tone for instant depth, and the Tuba is snarly with a ton of overtones to help it cut through a mix (or to be low-pass filtered to get even more scope). It all came packaged in a little black leatherette suitcase that you could close up to take on the road; and opened, it could be perched atop your Rhodes on stage so you could riff with your right and hold down the bass with your left. It was like opening up a neat little package and finding the Biggest Sound In The World was hiding inside.


    Viewed 4409 By Music Producers & DJ´s.

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  • VL Calc KONTAKT
    December 28th, 2018 ⚡
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    VL Calc KONTAKT

    P2P | 26.12.2018 | KONTAKT | 76.15 MB

    Something that was weirdly great about the 80s was the emergence of “things that are also other things”. For example: pencil erasers that also smell of candy. Or toy cars that are also toy robots. Or school calculators that are also tiny synthesisers. Casio’s VL Tone series of calculators really embodied an oddball notion taken to extremes: once you’ve solved the square on the hypotenuse as being equal to the sum of the squares of the other two sides of the triangle, why not kick back with some funky toonz? (Luckily there was a headphone jack built in, so that the surprisingly loud two-inch speaker didn’t distract the rest of the class from their studies.) Not only were there six preset sounds to fool around with, you could even – get this – program your own, by inputting laborious strings of numbers with the calculator switched to a special mode. With control over envelope, tone shape, vibrato and so on, you could come up with your own VL Tone patches, in a move which Casio presumably hoped was a kind of gateway drug to their bigger, more professional keyboards.


    Viewed 5912 By Music Producers & DJ´s.


  • Mini-505 KONTAKT
    December 28th, 2018 ⚡
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    Mini-505 KONTAKT

    P2P | 26.12.2018 | 4.11 MB

    When it comes to drum machines, Roland have been in on the action right from the start. With the TR-808, they helped define EDM and hip-hop, while the 909 swiftly became a staple of the techno / house movement. But by 1986, old analogue beatboxes were making way (sometimes by being slung in skips) for the crispy ‘realism’ of digitally sampled drums. Everyone and their drummer cousin wanted a set of Simmons pads and a brain, and of course Roland were only too happy to provide. Cue the TR-505, a smaller and more plasticky drum machine than its big brothers, but sporting 12-bit sampled sounds that brought a whole new mood to the mix at an attainable price-point – and immediately found itself a niche with the emergent acid scene. The TR-505 has a thuddy great kick that responds very nicely to compression, a light and crispy snare sound, some really neat percussive elements (including congas, timbales, claves, rim shots and the inevitable cowbell), and of course those fizzy, zingy sampled cymbals that put the old brigade of drum machine in the shade. Factor in tight hats and some very 80s toms and you’ve got yourself a little powerhouse capable of shunting out big-feel beats on a garage-friendly budget.


    Viewed 4886 By Music Producers & DJ´s.

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