Tech Tips Vol.42 TUTORiAL

SYNTHiC4TE | April 25 2019 | 460 MB

Welcome to Tech Tips Volume 42 where we welcome back Berlin based Techno and Ableton guru Christian Vance for 10 more awesome tips, tricks and techniques. This time he’s focussing on slicing and chopping drum loop samples using different methods in Ableton to create your own unique beats. From selecting the right sample to using the tools available at your fingertips, these 10 tips will inspire you to make your own personal loops to use in your projects. We also check out how you can save on CPU, re-use old stems and edit previous tracks to take your own creations in a new direction. Christian’s ever popular courses are about breaking away from the norm and making the DAW do the hard work while you focus on having fun! Accessible to beginners and seasoned producers alike, these 10 tips are not to be missed!

Future Grime & Trap WAV

FANTASTiC | 25 April 2019 | 485 MB

Packed full of crisp drums, moody basslines, menacing string stabs, electro musical loops and advanced fx. All of our content has been key tagged and expertly programmed for your convenience. This pack is ideal for the Grime and Trap producer but could also be used in genres such as Afrobeats, Drum & Bass, Dubstep, Future Garage, Future Trap, Chill Out and Ambient. Inspiration for this collection came from the likes of Stormzy, Kojo Funds, Abra Cadabra, Lethal B, Skepta, Giggs, D Double and Skepta.

Create a Music Production Template in Logic Pro X

P2P | 25.04.2019 | 454 MB

Duration: 41M | Genre: eLearning | Language: English

How to make your own Logic Pro X Template for Music Production, Music Composition, Mixing & Mastering. Hello Logic Pro X users, Mike here. In the following guide I will share with you my complete process of setting up your own Master Project Template for Music Composition and Music Production in Logic Pro X. If you have a well crafted project template in Logic Pro X, you will have an amazing way to speed up the start of a new track, and your workflow when composing, producing, mixing, mastering etc.

Hats v1.1.0 WiN MAC

Team R2R | Dec 30 2016 | WiN: 46 MB | OSX: 98 MB

AU VSTi AAX x86 x64

Hats is a drum synthesizer plugin dedicated to hi hats and cymbals sounds. It features two independent sources: synthesized noise and sample section. Instead of generic white or pink noise, the noise section features 6 square wave oscillators with different pitches and phases, like the famous TR808. The result is a noise sound with a controllable metallic character. The factory bank comes with more than 50 samples, ranging from rare analog drum machines to real acoustic hi hats and cymbals. Some of the samples were also processed with a classic Aphex Aural Exciter and recorded to tape with a vintage Revox B77 MkII.

TransReckon v1.0.1 WiN MAC

Team R2R | Dec 30 2016 | WiN: 6.5 MB | OSX: 10.4 MB

TransReckon is a transient processor that will help you to add punch to your drum lines or put some instruments forward (or backward) in an extremely efficient way and with unexpected ease. TransReckon provides ‘Length’ and ‘Sensivity’ controls, a ‘Listen’ mode, a ‘Flat Sustain’ option and an integrated brickwall limiter. These options help to go further with the transient shaping process. They can be used to reduce artefacts when processing specific instruments (guitars, …) but they also offer new creative possibilities (gate and “pre-delay” effects on a natural reverb).

EARebound v1.0.2 WiN MAC

Team R2R | Dec 30 2016 | WiN: 8 MB | OSX: 12 MB

AU VST x86 x64

EARebound is a full-featured multi-delay plug-in which has been designed to meet a specific need : to quickly create rhythm lines from percussive sounds recorded in various environments (natural, urban, industrial, …). Recording these sounds, processing them through (carefully selected) effects in order to obtain multiple versions of them, loading and mapping them in a sampler, placing them in space, … takes a considerable amount of time and can be an obstacle to spontaneous creativity. In addition, even if we are satisfied with the results after hours of hard work, this rhythmic grail cannot be easily modified, as we would like, during live situations.

ANALOG87 v1.2.0 WiN MAC

Team R2R | Dec 30 2016 | WiN: 15 MB | OSX: 41 MB

The ANALOG87 series features 6 plugins.

These have been designed and fine tuned “by human ears” and except for PR-EQUA87, you will not get a lot of visual feedback from them… just good sound.  They have been thought with this idea in mind : “your ears deserve trust” Not too long ago, we were listening to our mixes with our eyes closed, tyring to get the most information from our trained ears. We were not afraid of digital artifacts. No lights were blinking telling us how bad our equalization was and we were talking about how warm, smooth, punchy was the music and not how red, blue, and yellow it could be. Of course as time progressed, our computers provided visual feedback, making it easier for us to find mistakes that would have previously taken 10 hours of repeated listening to detect.