‘911 Tropical Bass’ contains creative samples suitable for genres like Tropical Bass, Jersey Club, Moombah, Trap, Hip Hop and more. You’ll find 430 sounds including phat basses, twisted beats, automated synths, vocal cuts, and punchy one-shots. Let’s not forget the swelling drum loops and fills and 30 sound effects ready to be drag and dropped into your favourite DAW. Enjoy!
Bunker 8 have returned to the dark sinister Trap genre with full force, ‘Atmos-Trap 2′, a bigger, dark, more twisted collection of Trap Beats than ever before! Inspired by producers like Noah 40, Metro Boomin’ Drake, Future, Travis Scott and mixed with dark cinematics, groaning bed tracks, ‘Atmos-Trap 2’ might be just the right mix of heavy, skippy angst you are looking for. Bunker 8 has supplied the bed tracks to countless television, soundtrack, cinema and gaming experiences. These Construction Kit loop collections have sinister echoed bed tracks, subbed out basses, broken lifeless pianos and keys and pulsing arpeggios. All 11 Construction Kits have been carefully edited and sample accurate sliced so that each loop is completely seamless and will perform flawlessly on any DAW/development you happen to choose. Bunker 8 have been developing sample content for over 18 years, they have provided industry leading content to the best producers, soundtrack composers, video game audio specialists and composers in the industry. This is a huge collection spread out over 11 Construction Kits, everything that you need to pull yourself directly into this dark, inky corner of Trap Music. Careful attention has been paid to sample accurate edits, break out mix groups of Drums, Bass, Melodics, Synths, FX, as well as complete edited mixes of the entire content.
‘Accelerator 7’. Bunker 8 have returned to the twisted, metal, full force, hyper speed infused chaos that is “Accelerator”. This is a huge collection spread out over 9 Construction Kits, this is everything that you need to drop your next high BPM, balls to the wall masterpiece. All 9 Construction Kits have been carefully edited and sample accurate sliced so that each loop is completely seamless and will perform flawlessly on any DAW/development you happen to choose. Bunker 8 have been developing sample content for over 18 years, they have provided industry leading content to the best producers, soundtrack composers, video game audio specialists and composers in the industry. content. Just drop into your latest compositions and be careful to look over your shoulder when you do. Careful attention has been paid to sample accurate edits, break out mix groups of Drums, Bass, Melodics, Synths, FX, as well as complete edited mixes of the entire content. In addition, there are complete MIDI files, Type 1, with the entire MIDI note and edited into ready for your DAW.
VEEVUM TRILOGY is a collection of Ambient/Cinematic instruments for modern producers and composers.. VEEVUM ONE features sounds sampled with R S-50 in both 30hz and 15Hz versions. VEEVUM A/D sounds derive from custom patches created using Analog and Digital Synthetizers. VEEVUM REAL includes recordings of real acoustic instruments and hybrid permutations.
Cinematic and Electronic Hits, Percussive Slams, Deep and Soft Impacts, Percussive Tones, Stingers, Sonic Clash. For DOPESICK we wanted to create a blend of organic cinematic, sci-fi and modern electronic sound design for the creation of percussive impacts and rhythmic sonic cues for film scores, hi energy movie trailers, IDM, Futuristic Hip-Hop and different forms of electronic music that require sophisticated sound design at its best. DOPESICK feataures a vast array of timbres with a high degree of playability and musicality: raw hits, heavy alien impacts, cinematic/electronic hits, stingers and sequences, one-shots tones, trailer kits plus a bonus folder for a total of 270 samples in 96/24 HD resolution with embedded SoundMiner metadata, 25 hybrid drum loops and one Ableton Rack.
The Marimba is a 52 note, 10,221 sample, 6.2 GB (3.2 compressed) virtual Instrument, playable in the full version of Kontakt 4.2.2 and above The phase alignment of the audio was essential to the sound to ensure a focused tone, this had to be done for each note. The end result represents a forensic, audiophile yet characterful recreation of a world class instrument. Please Note: The full version of Kontakt 4.2.2 or above is required. Not for Kontakt Player.
The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”
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