A completely reinvented Harmony Improvisator plugin was released today. It features Intel Mac support, a built-in synthesizer, a harmonic pattern sequencer and other extraordinary improvements. Harmony Improvisator is the most advanced harmonic composition tool on the market. It opens up the manyfold worlds of harmonic theory by making centuries-old knowledge uniquely transparent.
Push forward into unexplored areas of sound design with NUKLEAR, the first virtual instrument based on advanced granular pulse train synthesis! Thanks to extensive research and experience, NUKLEAR is an intuitive and easy-to-use instrument which comes with a multiverse of high quality soundsets.
EQISM.220 is a Parametric Equalizer, with five adjacent bands seperated by filters of 2nd to 20th order. It’s focus is ease & fun of use. The second order filter section is sufficient for most mixing tasks. And it is free. There is no demo noise in the unregistered version as long as you use it. The filters of higher order make EQISM.220 a sound wizard for skilled users. They have the power to cut deep into your sounds and attenuate or amplifie even smallest frequecy bands as exact as you like.
MuSiCX (Multiband Sidechain Compressor & Expander) is a dynamic parametric equaliser with five adjacent bands separated by filters of 2nd to 20th order. Each of these bands’ envelope generators are controlled by pre-filtered signals of any track in a project. The routing between the tracks is done via internal host-independent side chains.
SCAF consists of a filter and an amplifier section. Both can be controlled by any track in your project. The routing between the tracks is done via internal host-independent side chains. The sections are independent so the filter’s cutoff frequency might follow the volume envelope of one track’s signal while an other track conducts the amplifier. You set the start and endpoints for gain and cutoff frequency. So the amp section can work in compressing or expanding mode. And the filter can sweep from low to high frequencies or vice versa while the controlling signals volume rises from zero to full scale.
Your favourite synth (-plugin) has only one oscillator, but you want to have some beat frequencies? Want to make a brass sound more full, fatten up vocals or drums? dTUNE will do this by adding two detuned voices to your original signal. Very easy to use: just set the amount of detuning, how much the 2 signals (up and down detuned) should be spread in the stereo panorama, and how much of them should be mixed to the original (stereo) signal. This is not another chorus plugin. dTUNE doubles the incoming signal, constantly tuning one copy up and one down according to the Amount knob and mixes this to the original signal.
Give your digital tracks a heavenly warmth. Or something a whole lot hotter. Whether you want to burnish your tracks to an angelic warmth or heat things up with some rich, devilish distortion, Antares’s Tube plug-in gives you the tools to create a wide range of modeled analog tube effects. Based on technology from Antares’ multi-award-winning Microphone Modeler plug-in, Tube is incredibly easy to use and so DSP efficient that even a modest native system will support dozens of tracks’ worth. (In informal tests, a Mac PowerBook G4 400MHz was able to provide well over 40 instances of Tube.) And with an astonishingly low price, you won’t have to sell your soul to afford it.
