Lancaster v1.0.0 WiN

Team R2R | 27 July 2022 | 269.87 MB

PLATFORM: STANDALONE/VST/VST3/AAX(MOD)

The fourth product on our range of Guitar Amp Simulator products utilizing our 3rd generation of our modeling technology. Amplifikation Lancaster is inspired by Vox* combo amps and thanks to the 3rd gen Tube Simulation engine guarantees satisfying, dynamic natural sounding, realistic amp recording experience for guitarists. Vox* AC30 were built as the demand for louder amps increased in the late 50s where the rock and roll culture began to shine. Known for its bell-like chime and bright jangly sound, undoubtedly the Vox* AC30 is very influential in defining the sound of the British movement with the faces of The Beatles*, Queen*, The Who*, The Clash*, Ritchie Blackmore*, Oasis*, U2*, and Radiohead*. Consistently in production for more than 50 years, the Vox* AC30 went through many incarnations and models throughout its history of different holders. We took three of their most distinguishable tones and compiled them into one amp to rule them all: Amplifikation Lancaster

Vermilion v1.2.0 WiN

Team R2R | 27 July 2022 | 34.81 MB

PLATFORM: STANDALONE/VST/VST3/AAX(MOD)

Amplifikation Vermilion is a guitar amplifier audio plugins inspired by classic guitar combo amplifiers. It offers gorgeous looks and endless tonal possibilities for the serious guitarist who requires versatility. The engine is carefully tuned to match the tone of authentic classic amps and will truly sing to your playing style. The guitar amp simulator Amplifikation Vermillion packs everything guitarists love: jangly cleans, raw tube saturation, bouncy reverb, and a trippy tremolo circuit. The warm, chimey, and slightly gritty clean channel is great for country, soul, funk, blues, and older “roots” styles of music, and even pulls some weight for your indie pop tracks.

Cerberus Bass Amp v1.1.1 WiN

Team R2R | 27 July 2022 | 52.79 MB

.: AAX(MOD), VST, VST3, STANDALONE :.

Cerberus Bass Amplifikation is a three-channel bass amplifier Rack Extension/Plug-in that will deliver thundering lows straight from your computer. With it’s intuitive single screen interface whatever your playing stye is, pick or fingerstyle in any music you play, Cerberus Bass Amplifikation will provide the warmth and mellowness of tube amp, clarity and punch of solid-state power, or turn it up to destruction on the Drive amp type. For further tweaking, Cerberus Bass Amplifikation gives you tonal control through its compressor, contour control, parametric and graphic EQ, and D.I. wetness control. Carefully tuned and carrying enough power to rumble your studio.

EVE-AT1 v1.2.0 WiN

Team R2R | 27 July 2022 | 30 MB

EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.

Flare v1.0.1 WiN MAC

Team DECiBEL | 25 August 2022 | 28.1MB

Flare is a spectral ensemble effect based on the bucket-brigade delay line. It combines a waveshaper, multi-tap delay and tremolo into a simple musical tool with a ton of features under the hood. Dial in a dreamy chorus reminiscent of classic string machines, a Chebyshev style waveshaping distortion, auto-tremolo, spectral blurring and more. The first processing stage is routed through a Chebyshev waveshaper that creates rich harmonics and distortion. Post-waveshaper, the affected signal can be easily tapered with SWEEP – a filter modeled after the Moog diode lowpass. The audio signal’s adventures have only started though! Next begins the time and space warp paradigm. DEPTH controls a bucket-brigade ensemble effect while BLUR brings smearing across the spectral domain. Space and acousmatic modulators also include REVOLVE, DELAY and SHAKE – panning, echo and tremolo effects, respectively. Flare can do a lot of things with minimal UI controls. Tap into its versatility and pull musical things out of your sounds that you never knew were there.

EVE-AT4 v1.2.0 WiN

Team R2R | 27 July 2022 | 8.29MB

Need a shape?

EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.

BFD Crush for BFD3

P2P | 27 June 2022 | 3.77 GB

BFD Crush is an expansion pack for BFD3, BFD2, and BFD Eco, that captures a stunning Crush Drums Sublime AXM drum kit. Tuned and processed by our in-house engineers to sound loud and proud out of the box, this kit is perfect for all progressive and technical rock and metal genres. It comes with a full complement of Meinl Byzance cymbals, which also includes a range of stacked cymbals. Our engineers used a range of exceptional microphones perfectly suited for heavier music. The kick drum was recorded in three variations; dampened, fully open, and without the resonant head, and was captured using the infamous Audix D6, Sennheiser E602, and the AKG D112. An AEA R84 ribbon microphone was also used to provide a different texture to the kick. The kit was recorded with three snares across eight variations, giving you a range of dampened and resonant tones, as well as low and high tunings. Our approach of using a combination of dynamic and condenser microphones on the snare gives you maximum flexibility, and we used a ribbon microphone on the snares too. We complement the kicks and snares with a set of six tom drums – two floor toms and four rack toms – which allow you to choose whether you want a set of three lower tuned toms, or three higher tuned toms. Or why not load all six toms at once for a huge progressive drum kit! These were recorded with the same microphones as the kick drum to allow you to find the perfect balance of tones between the entire shell set.