With incredible audio saturation capabilities, the T-Warmer will add weight and warmth to your tracks while keeping them sounding musical.
Nani Plugin is new distortion plugin, as funny as it may look, it actually does a great job.
T-Imager is the ultimate musical stereo-imaging solution for enhancing the sound’s wideness, depth, and width. Boost the stereo imaging of your mixes with no artifacts, and make your sounds sit nicely together.
There is plenty of scientific jargon that could explain the technologies behind the T-Exciter, but you’ll understand it as soon as you turn the knob and notice the extra clarity, crispiness, and air it adds to the sound, making it more pleasant and musical to the ear.
T-Compressor is a simple yet powerful dynamic processor with several unique possibilities to help you create incredible sounds. It offers unique and quick audio compression solutions, such as the serial compression feature, and wired compression setting control.
Originally part of the first Korg Legacy Collection and later the Korg Legacy Collection: Analog Edition 2007; the MS-20 is now available individually. As the original manufacturer, Korg is uniquely qualified to recreate our vintage analog synthesizers as software instruments. Magesy Korg’s proprietary Component Modeling Technology (CMT) recreates the original circuit path and analog signal flow, to provide results that are completely faithful to the original hardware. The MS-20 is designed to run as a stand-alone program; or as a VST, AU or RTAS Plug-in, making it compatible with nearly any DAW software studio package. The MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it gives you modern advantages such as up to 32 voices of polyphony and up to 16-voice unison (with detune/spread function). Flexible external modulation settings and MIDI clock synchronization have also been added, giving you even greater creative potential.
The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.
