This is a simple tube-emulator, giving some saturation (or distortion) to your audio. Use it as an insert on single tracks or master. Not much more to say to this one, just try it out.
Our award-winning Waveshaping Synthesizer. z3ta+ is our top-of-the line instrument, which extends the capabilities of our virtual analog synthesizers line by introducing our exclusive Bandlimited Waveshaping technology. As a complete instrument, z3ta+ is oriented to the professional musician and sound programmer looking for uncompromised sound quality and features. “A lot of virtual sound generators are competing for your disposable income, and the process of choosing one is further complicated because there are so many worthy contenders. Yet within this crowded field, the z3ta+ still stands out. The sound quality is clean and defined, the interface is, well, clean and defined, and the programming flexibility is enough to keep diehard synthesizer fans off the streets and out of trouble.” – Keyboard “You will be hard pressed to find satisfying results that you won’t be able to achieve with z3ta+, whether huge, warm-sounding pads that subtly change over time, bright, shimmering FM sounds, wavetable-style patches with plenty of internal motion within them, deep, thick basses, fat, punchy leads or not-of-this-universe effects for your sound design needs.” – Grooves
The real battle for getting a clear and vibrant mix is often fought in the midrange frequencies. The Tube-Tech ME 1B is a tube-driven passive equalizer that addresses the midrange—and only the midrange. So gear up, soldier and go, go, go! The ME 1B is Tube-Tech’s unique take on the classic Pultec MEQ-5 midrange equalizer. There’s a lot of mojo going on in the Pultec designs, but the biggest mojo of it is that it is so well-designed that almost whatever setting you use, it will sound good. Just like the Tube-Tech PE 1C “Pultec” Equalizer, the Tube-Tech ME 1B is a passive, tube-based equalizer. It was designed to accompany the PE 1C equalizer, and provide control over the frequencies that the PE 1C cannot adjust. On its own it’s a great tool to shape the midrange of any audio material, and together with the PE 1C it becomes a versatile and full featured equalizer.
The user interface of the ME 1B is pretty straightforward. You have three different sections, the Low Frequency Peak, Mid Frequency Dip and the High Frequency Peak. The only confusing thing is that the mid section never boosts, but always attenuates the selected frequency. The other two sections, low and high frequency, always boost the frequencies. But as soon as you start to use the ME 1B in conjunction with the Tube-Tech PE 1C ‘Pultec’ Equalizer you’ll find that these equalizers complement each other perfectly.
The Classic Channel is not your everyday channel strip, with a surgical equalizer and fast bus compressor. The Classic Channel is a vintage style and warm sounding channel strip put together from the most famous and classic Tube-Tech gear: The “Pultec” equalizer PE 1C, the mid-range equalizer ME 1B and the tube driven opto compressor CL 1B.
In the 1800s, a Swede named Alfred Nobel invented dynamite. In the 1980s, an American named Paul Buff created Dyna-mite. Could the two have ever imagined that, someday, worlds would collide and produce the most perfectly unruly processor plug-in known to man? Dyna-mite is a powder keg of character. And what did we do when we got it in Swedish lab? Throw more fuel on the fire, of course. Not only is it more versatile and easier to use than ever, but now it’s bigger. We added two highly-concentrated plug-ins, based on the Dyna-mite sound. Hit the deck—it’s Dyna-mite Original, Slam, and Gate!
This Mk II version of our beloved Tube-Tech Classic Channel benefits from all the sonic improvements to its component parts – a ground-up remodel of the CL 1B, and revamped EQs using our very latest signal processing technology.
