Ephemere v1.0 WiN MAC RETAiL

SYNTHiC4TE | Nov 27 2016 | 9.3 MB

Ephemere is a percussion synthesizer that includes twelve sound generation engines assigned to each note of an octave. The sounds are generated using FM synthesis and can be further sculpted using a multi mode filter and two simple yet flexible envelope generators. Ephemere makes it easy to add variety to your rhythmic patterns by attaching a randomization setting to most of the synthesis parameters as well as a trigger probability per sound. By keeping the synthesis engine simple yet powerful and providing extensive randomization options, Ephemere is an invaluable tool to very quickly design custom synthetic percussion sounds.

MASSiVE X EXPANSiONs

Team R2R | 2020.10.03 | 105.18 MB

Ambient, magical, dark, and arcane – SCENE contains 150 presets for immersive atmospheres and evolving soundscapes. Sequenced, multitimbral, and complex, expect sounds that are as suited to avant-garde scoring as they are to off-kilter electronic music and SFX creation. Each is equipped with clever macro mapping for sound sculpting within a single patch. RUSH: 150 peak-time presets built for serious, melodic front-left fun. Low-end patches cover everything from aggressive EDM and acid, to IDM and bass music. Distinctive and tweakable leads take care of melody, and clever Performer programming makes for dancefloor-ready sounds that’ll make you move. Rush is all about euphoric melodies, building tension, and high-octane atmosphere.

Phasis v1.0.1 WiN

Team R2R | Nov 06 2019 | 58 MB

PHASIS: PHASING REDEFINED

PHASIS offers timeless phasing sounds – adding movement, soul, and creative magic to any signal. PHASIS draws inspiration from classic phasers but adds powerful new features for never-heard-before results. For example, the Spread control changes the spacing of the phaser’s notches, for vocal-style effects. Ultra mode pushes modulation to ultra high rates, producing unique FM-esque tones. Though offering a lush, analog-inspired sound, reminiscent of some of the finest rackmount and pedal-housed phaser effects, PHASIS’ unique Spread control allows wah-wah and formant-style filtering effects, but with a highly distinct sonic flavour. Spread adjusts the density of peaks and notches in the spectrum, and whether set to a single value, controlled live or with automation, or flipped with the Invert button, Spread provides a fresh take on both phasing and vowel-filtering.

Choral v1.0.0 WiN

Team R2R | Nov 06 2019 | 57 MB

CHORAL: CLASSIC CHORUS AND MORE

CHORAL takes sonic inspiration from some of the most prized chorus effects of the last 40 years – including iconic rack-mount and synth-based ‘unison’ effects. Add width, movement, sheen, and shimmer to any signal, or take advantage of an all-new feedback mode, Scatter. It avoids the unpleasant metallic quality of heavy feedback settings in traditional designs, instead creating an entirely new reverb-like effect. CHORAL has four sound modes, each with a distinct character.  The unifying factor of all the classics that inspired CHORAL is that they featured little, if any, customization options. On, Off, and Type, were typically the only controls. CHORAL, on the other hand, offers many custom parameters. The number of chorus voices can be set progressively from one to three, the sync rate can be manually altered, as can the modulation rate, amount, mix, delay time, stereo width, and feedback (the latter offering an entirely new routing option, called Scatter).

Flair v1.0.1 WiN

Team R2R | Nov 06 2019 | 58 MB

FLAIR: A NEW TYPE OF FLANGER

FLAIR turns the classic flanger on its head. Not satisfied simply recreating vintage analog tape and pedal flanging effects – though it does both beautifully – FLAIR adds a revolutionary new Voices mode which uses multiple delay lines to create tuned harmonic flanging layers and resonances. It even features 24 chord settings, offering a variety of chords and note intervals. In addition to the revolutionary features on offer, FLAIR is capable of traditional lush tape and pedal-style flanging, offering all the parameters you would commonly expect, such as tempo-synced pitch modulation. Sound-enhancing features include Detune for offsetting the pitch of the flanging, Feedback for thickening the flanging (complete with adjustable damping control to roll off high frequencies and soften the effect at high feedback values), and Width, for creating stereo flanging.

YAMAHA Vocaloid4FE v4.3.0 WiN

AlexVox | 24 October 2016 | 49 MB

The new engine allows the importation of Vocaloid 2 and Vocaloid 3 vocals, though Vocaloid 2 vocals must have already been imported into Vocaloid 3 for this to work. The new engine includes other features, but not all of them are accessible by Vocaloid 2 and Vocaloid 3 vocals. One of the new features is a “Growl” feature which allows vocals built for Vocaloid 4 to take on a growl-like property in their singing results. Cross-synthesis was also added, allowing the user to switch between two of a character’s vocals built for the same language smoothly using a time-varying parameter. This feature is accessible by Vocaloid 3 and Vocaloid 4 vocals, but not Vocaloid 2. Another feature included is Pitch Rendering, which all imported vocals can use. This displays the effective pitch curve on the user interface. Finally, real-time input has been included in this version and is another feature which all vocals can use.

SOLiD v2.1.0 WiN

Team R2R | 2020.10.10 | 433.44 MB

PLATFORM: WiN64 – VSTi/AAX(MODiFiED)

..:: Virtual Drummer ::..

SOLID’s drum kits were recorded with great attention to detail and love for the genre’s specialities. We recorded real drummers’ performances on a delicate selection of sought-after instruments, selected fitting recording rooms with prime acoustical space, and employed only the finest microphones, outboard gear and mixing equipment.