The TAL-J-8 is a very accurate emulation of the popular 80’s hardware synthesiser and calibrated after our own Jupiter 8 device. All sounds are generated in realtime without the use of any samples with the same endless modulation possibilities like the hardware and useful additional features like the calibration section that can make the filter scream.
BLEASS Tides washes away the dry, uninspiring echoes of conventional delay processors with wave after wave of richly characterful reflections. The plugin’s fluid approach to delay processing means delay times can be altered without the unpleasant warping results produced by other delay processors, with the option of a controlled tape-like timing shift, or a simple crossfade between differently timed delays. Better still, with an enhanced modulation system provided by BLEASS’ latest plugin technology, you can take full advantage of this delay time fluidity with stereo LFOs, envelope followers and macro controllers that allow you to explore new horizons of exciting delay effects. There’s more to creating unique and enthralling delay lines than timing alone, and so BLEASS Tides provides many different ways of shaping and adding character to its repeats. An input filter combining low- and high-pass resonant bands allows you to easily mould the incoming signal and thereby sculpt the resulting echoes. Then, for even deeper and more exhilarating shaping, Tides’ feedback path features five insert points into which any of 11 different effect processors can be loaded. These include distortions, filters, pitch and frequency shifting, ring modulation, and even an additional delay processor, all of which can be brought to life with the plugin’s stereo modulators.
Select a resample rate to quickly remove high end detail. Beatgrader’s algorithm models off-line resampling techniques to deliver a unique lo-fi, underwater sound in real-time. Includes a saturation control to add weight. Beatgrader is good for removing the high end to make room for vocals or other elements. It can be applied to beats or works equally well on musical elements. It’s also useful as a sound design tool. Beatgrader’s algorithm models off-line resampling techniques typically used to deliver a unique lo-fi, underwater sound. Beatgrader does this in real-time with low latency and CPU so it can be dropped into any channel. The UI is high definition and resizable. Beatgrader works natively on M1 Macs, Intel Macs and Windows.
BOREALIS is a dynamic reverb plugin designed for the studio, stage, and beyond. It transcends conventional reverb plugins by allowing you to create an interplay between your dry input and its wet output, using its envelope follower and unique modulation possibilities. BOREALIS offers an array of 14 unique reverb algorithms, from lush convolution reverbs sampled from epic spaces to shimmering algorithmic reverbs and vintage diffused delays. The plugin’s extensive modulation capabilities, including complex non-linear modulators and a deep envelope follower, enable access to highly responsive and organic results. We have also included a mastering section in BOREALIS that allows you to shape both dry and wet signals, fine-tune your sound and makes it an essential tool to inspire and transform your musical creative process.
Sub Cut lets you apply precise low cuts under 220Hz. Remove unwanted sub bass or make room when layering bass sounds. AUTO mode analyses audio in real-time and continually adjusts the cut by following the notes of your source material. Isolate problematic frequencies in your mix or in your studio. Click on the waveform to quickly flip between your audio and test tones while adjusting your cut.
TAL-EQ is a versatile graphical equalizer designed for great sound, a fast workflow, and effortless usability. It features dynamic processing and multiple stereo editing modes. The spectrum view displays the frequency content and all changes in real time. This plugin always runs with zero latency without oversampling and emulates the frequency response of analog equalizers. The topology-preserving filter remains stable even with fast dynamic modulations and is optimized for CPU efficiency. Each band can be fully automated. Undo/redo and A/B comparison are also included, making it easy to find the perfect setting for any audio material. Use the mouse wheel to zoom in and out. Customize the plugin: scale the UI to expand the EQ workspace, adjust the size of knobs and text, or change text and background colors to your liking.
