Tonal Balance Control 2 The plugin allows you to make level adjustments to your tracks while checking your tonal balance in real-time. Finalize and fine-tune your master using target curves for different genres.
A new real-time Reverb Assistant guides you in selecting and blending reverbs according to your creative needs. An AI-powered EQ section listens to your audio and helps you avoid artifacts, mud, and masking. Explore a deep Advanced panel and dozens of presets for vocals and instruments, and add your personal touch. Whether you’re a new producer honing your a craft, or a veteran on your latest project, Neoverb will help you get to a great reverb sound in less time.
Elevate every scene, song, and sound with Equinox, a premium reverb plugin for post and music production. Transport, transcend, and transform with a spectrum of sonic possibilities, comprehensive controls, and lightning-fast workflows.
TAL-Sampler is not just a sample player. It’s a full featured analog modeled synthesizer with a sampler engine as sound source, including a powerful modulation matrix and a high quality self-oscillating 24/12/6 dB low pass filter. Don’t expect a 40GB piano sample library with samples for every velocity or something similar. The idea is to bring back the fun sampling was in the good old times with small samples, fast loading times and an intuitive work-flow to create your own sample presets without getting lost in the settings.
The TAL-J-8 is a very accurate emulation of the popular 80’s hardware synthesiser and calibrated after our own Jupiter 8 device. All sounds are generated in realtime without the use of any samples with the same endless modulation possibilities like the hardware and useful additional features like the calibration section that can make the filter scream.
BLEASS Tides washes away the dry, uninspiring echoes of conventional delay processors with wave after wave of richly characterful reflections. The plugin’s fluid approach to delay processing means delay times can be altered without the unpleasant warping results produced by other delay processors, with the option of a controlled tape-like timing shift, or a simple crossfade between differently timed delays. Better still, with an enhanced modulation system provided by BLEASS’ latest plugin technology, you can take full advantage of this delay time fluidity with stereo LFOs, envelope followers and macro controllers that allow you to explore new horizons of exciting delay effects. There’s more to creating unique and enthralling delay lines than timing alone, and so BLEASS Tides provides many different ways of shaping and adding character to its repeats. An input filter combining low- and high-pass resonant bands allows you to easily mould the incoming signal and thereby sculpt the resulting echoes. Then, for even deeper and more exhilarating shaping, Tides’ feedback path features five insert points into which any of 11 different effect processors can be loaded. These include distortions, filters, pitch and frequency shifting, ring modulation, and even an additional delay processor, all of which can be brought to life with the plugin’s stereo modulators.
Select a resample rate to quickly remove high end detail. Beatgrader’s algorithm models off-line resampling techniques to deliver a unique lo-fi, underwater sound in real-time. Includes a saturation control to add weight. Beatgrader is good for removing the high end to make room for vocals or other elements. It can be applied to beats or works equally well on musical elements. It’s also useful as a sound design tool. Beatgrader’s algorithm models off-line resampling techniques typically used to deliver a unique lo-fi, underwater sound. Beatgrader does this in real-time with low latency and CPU so it can be dropped into any channel. The UI is high definition and resizable. Beatgrader works natively on M1 Macs, Intel Macs and Windows.
