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  • Upright Bass v1.6 AAX AU VSTi WiN MAC-DECiBEL
    December 11th, 2021 ⚡
    Categories:

    Upright Bass v1.6 AAX AU VSTi WiN MAC-DECiBEL

    Upright bass v1.6 WiN MAC

    Team DECiBEL | 19 Feb 2020 | 1.25 GB-1.29 GB Each

    Upright bass was sampled from the pluckings of a gigging upright bass player. The bass itself was an inherited instrument from the musician’s grandfather. The exact age of the bass is not known, but it had seen some action, and although a little beat-up, still sounded great! To produce this library, the bass was sampled through a close-miced stereo pair of Shure SM81’s, an AKG D112, a Neumann Tlm 102 and a “di” bridge pickup. During mixing, it was decided that the SM81’s blended with the D112 gave the best overall tone. The bass was sampled over the course of a few 10 hour sessions, where the bass player played plucked notes, slap bass, and slides. Boy, did his fingers burn after those slides!


    Viewed 7036 By Music Producers & DJ´s.


  • AD MP3 Cutter v2.3.3 WiN-FALLEN
    December 8th, 2021 ⚡
    Categories:

    AD MP3 Cutter v2.3.3 WiN-FALLEN

    AD MP3 Cutter v2.3.3 WiN

    Team FALLEN | 08 December 2021 | 1.19 MB

    Description: It is a simple and handy tool for splitting MP3 files. It has advanced features for visual splitting. A file is represented by its waveform image with zoom in and out effects. You can precisely set cut line on desired file point, play and easily change of a cut line position by one mouse click. The program can automatically split a file by equal parts, equal time or by silence.


    Viewed 6306 By Music Producers & DJ´s.


  • U-he Presswerk v1.1.5.12092 AAX VST VST3 x86 x64 WiN-R2R

    U-he Presswerkm v1.1.5.12092 WiN

    Team R2R | 2021.09.25 | 43.33 MB

    PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

    Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.


    Viewed 17778 By Music Producers & DJ´s.


  • De La Mancha SLiX v1.01 VSTi x86 WiN

    De La Mancha SLiX v1.01 VSTi

    Team VORTeX | 10-07-2009 | 364.8 MB

    SLiX is a randomising loop slicer, which switches between up to 4 loops and can shuffle, repeat, reverse and gate the slices of each loop according to user defined probability. Load any 4 loops, sync them to tempo, slice them up and then set probabilities that each loop will play and for each randomising effect per loop. Even the randomness is randomised, with a parameter that varies the probability in a user defined range. slix was co-developed with sink, who also provided the included 295 original loops.


    Viewed 10355 By Music Producers & DJ´s.


  • De La Mancha Dirty Harry v1.1 VSTi x86 WiN-ASSiGN

    Dirty Harry v1.0 VSTi WiN

    TEAM ASSiGN | 02 AUGUST 2010 | 7.7 MB

    Dirty Harry is an unashamedly DIY Lo-Fi Synth based on the samples of my two homemade, lofi noisemakers, the Atari Punk Console and the BugBrand WOM dirty harry offers 20 unique waveforms in all their mono/monophonic glory. For extra grit the oscillators can be syncüfd or ring modulated. Fidelity can be lowered further still with reduction in sample quality, distortion and a unique üebad contactüf emulation. 2 tempo sync LFOs allow modulation of filter, pitch and contact, with one LFO modulating the depth and frequency of the other. There are envelopes for volume, pitch and filter, with different contours and pitch options. Throw in an arpeggiator, pitch drift and portamento and you can see that whilst it may be lofi in sound, it doesnüft lack for sound design feaures.


    Viewed 12160 By Music Producers & DJ´s.


  • AR-1 v1.0.7 VST VST3 AAX x64 WiN-R2R
    December 7th, 2021 ⚡
    Categories:

    AR-1 v1.0.7 VST VST3 AAX x64 WiN-R2R

    AR-1 v1.0.7 WiN

    Team R2R | 24 Sep 2021 | 31.8MB

    ..::Vintage Mu Compressor::..

    AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible.


    Viewed 12463 By Music Producers & DJ´s.


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