🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • gEQ12 v4.0.1 AAX VST3 VST x86 x64 WiN-R2R
    July 17th, 2021 ⚡
    Categories:

    gEQ12 v4.0.1 AAX VST3 VST x86 x64 WiN-R2R

    gEQ12 v4.0.1 WiN

    Team R2R | January 15 2020 | 4.8 MB

    PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED

    gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.


    Viewed 14020 By Music Producers & DJ´s.


  • 808 Bass Module III AU VSTi VST3 WiN MAC RETAiL

    808 Bass Module III v3.4.0 WiN MAC

    P2P | 14 May 2020 | WiN: 318 MB | OSX: 418 MB

    AU/VSTi/VST3/x86/x64

    808 Bass Module III is a powerful 808 bass ROMpler for Windows and Mac users. 808 Bass Module III contains 185 ready-to-use and freshly designed layered presets, to bring grit and rumble to your productions. The sounds are now even more powerful and are ready to play in the key of your project.


    Viewed 23944 By Music Producers & DJ´s.


  • Horror Box XL AU VSTi VST3 WiN MAC

    Horror Box XL v1.4.0 WiN MAC

    SYNTHiC4TE | 14.05.2020 | MAC: 431 MB | WiN: 373 MB

    We are pleased to present our new Plugin that we have called: Horror Box XL, big brother of our recent Halloween gift: Horror Box. Horror Box XL has an improved interface, more controls, more layers and an incredible collection of high quality sounds created with analog and digital synthesizers. Horror Box XL includes 101 Sounds created meticulously so that you have instant inspiration and start creating incredible atmospheres, melodies or disturbing and dark drones …


    Viewed 20806 By Music Producers & DJ´s.


  • RealRick v4.0.5.7471 AAX STANDALONE VSTi VST3 WiN-R2R

    RealRick v4.0.5.7471 WiN

    Team R2R | 15 Jan 2021 | 514.3MB

    PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX

    In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.


    Viewed 17322 By Music Producers & DJ´s.


  • OB-Xa V v1.0.0 macOS
    July 17th, 2021 ⚡
    Categories:

    OB-Xa V v1.0.0 macOS

    OB-Xa V v1.0.0 macOS

    P2P | 20 May 2020 | 224 MB

    AU, STANDALONE, VSTi, VST3, AAX, x64

    The OB-Xa V takes the immense analog power of the fat, aggressive sounding OB-Xa from the 80s charts to the modern era. Faithful to the sound of the original and supercharged with new features, OB-Xa V will take you for a wild sonic ride. Longing to sound like the biggest icons of the 80s? Jump into the dream world of the future by activating the brand new features of the evolved synth. Immerse yourself in this quirky synth and whip up new songs with the fat, creamy sounds that made it famous. Not only will you feel the original sound of punchy bass, thick analog pads and drones, and cyclical effects at your fingertips, you’ll also have access to brand new features that will bring out this iconic sound deeper than ever. OB-Xa V is here to let you spin that audio hurricane!


    Viewed 16075 By Music Producers & DJ´s.


  • Guitar Plug-in Suite WiN-R2R
    July 16th, 2021 ⚡
    Categories:

    Guitar Plug-in Suite WiN

    TEAM R2R | 23.02.2020 | 271.84 MB

    PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

    All-in-one Guitar Plug-In Suite. The most advanced modelling algorithms, users can experience real-time simulations. Our software uses internal circuit simulations from the schematic’s of the specific amplifier’s…


    Viewed 16012 By Music Producers & DJ´s.


  • TE-100 v1.1.1 AAX VST VST3 x86 x64 WiN-R2R

    TE-100 v1.1.1 WiN

    Team R2R | August 23 2020 | 15 MB

    PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

    The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”


    Viewed 11460 By Music Producers & DJ´s.


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