Mono Upmix v1.0 WiN

TEAM V.R | 20.01.2019 | 6.7 MB

(Win64; AAX*, VST3)

The Mono Upmix Plugin improves the sound color and spatial quality of a Mono signal. This is achieved because it extracts diffuse sound in the Mono recording and puts it decorrelated on L/R.Furthermore, it can add depth to the source. The Mono Upmix Plugins can improve the flexibility when working with Mono sources in a mix. A more natural perception of the source can increase the maximum gain before the spot microphone gets audible.

VB3-II v1.1.1 WiN MAC

TEAM R2R | 12 Jan 2019 | WiN: 7.2 MB | MAC: 14.5 MB

Tonewheel Organ Simulator

PLATFORMS: WiN64 – EXE/VSTi/VST3 | MacOSX – APP/AU/VSTi/VST3

VB3-II is the result of almost 15 years of study, research, experimentation and development of the simulation of a vintage Hammond B3 organ. It is the evolution of the VB3 1.4 with a new sound, a new parameter set, endless possibility of sound customization.

Grind v1.1.0 WiN MAC

SYNTHiC4TE | Jan 05 2019 | 17 MB

AU/VST/VST3/AAX/x86/x64

From subtle tube-style saturation to full-on mangled wavetable distortion, Grind is a Swiss Army Knife of sound design.  Grind consists of three main blocks: wavetable lookup, in to algorithmic saturation/distortion/, and finally to a multi-mode filter. The wavetable module uses the amplitude of the incoming signal to replace the sample with one from 15 different linearly-interpolated wavetables, chosen for their mangling potential. Window size and phase controls provide further tone-shaping possibilities.  The next stop is the algorithm module, with eleven different distortion and saturation algorithms, from simple soft-knee saturation on up to full on sine warping.

SpeakUp v1.0.0 WiN

TEAM R2R | 01.01.2019 | 13.66 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

HAPPY NEW YEAR!

Creating voice-overs has never been easier. Adjusting the volume of a spoken word in a video can be time-consuming, we thought there could be much easier way to edit voice-overs. Just add music and SpeakUp. SpeakUp works in all audio editing software supporting automation, not in FinalCut Pro.

MultiDrive Pedal Pro v1.0.2 WiN

TEAM R2R | 01.01.2019 | 98.97 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

HAPPY NEW YEAR!

Sharpen your sound with the set of 12 legendary stompboxes. You can never have enough pedals in your studio. There are thousands of stomp boxes on the market of different sound, purpose and quality. We chose 12 legendary pedals to revive the legacy of the famous DSound Stomp Boxes and Audiffex Pedals and created MultiDrive Pedal Pro – the perfect combination of distortion, overdrive, fuzz & boost is the right blend for your studio developed by professionals.

PressIt v1.0.1 WiN MAC

Team R2R | Dec 22 2018 | WiN 3.7 MB | OSX 7.7 MB

AAX, AU, VST, VST3, x86, x64

Compress Here, Here and Here.

PressIt is a very sophisticated dynamic tool, best used as a master plugin, or to tighten up bus masters. It works really well on drums, but also background vocals or other stems that need to be tamed will fit well. PressIt consists of three compressors who work independently of each other. They are fed with the low, mid & high frequency band of the incoming audio signal. The compressor units consist of our unique algorithm from Korvpressor, developed together with engineers from KTH (Royal Institute of Technology) in Stockholm. They gently shape the three signals (with full control), and then sums it back into a nice unity. Before the audio leaves the plugin, there’s an optional brick-wall limiter to prevent digital distortion.

Bolt v1.0 VSTi VST3 x64 WiN

TEAM V.R | 23 Dec 2018| 19.19 MB

(Win64; VST3, VSTi)

Bolt is first foray into the world of virtual instruments. It employs a new form of synthesis with unique sonic character and intuitive user interface. Bolt enables a different and fast approach to sound design with an unusually organic and warm sonic character. Harmonics Synthesis generates and shapes the sound directly in the oscillator: It doesn’t require the dedicated filter section typically found on subtractive synthesizers. By turning just one knob, a wave’s shape can be changed from dark and subtle to bright and overtone-rich.