Groove Agent 5 v5.0.40 MAC

P2P | 03 May 2021 | 29.48 GB

AU, STANDALONE, VSTi, VST3, x64

Designed for both songwriters and beat producers, Groove Agent 5 includes the very best of electronic and acoustic drums. One of the most detailed acoustic drum kits ever featured in Groove Agent sits alongside a wide variety of percussion, modern electronic drums and MIDI grooves, delivering an inspirational rhythmic composition tool for producers in every genre, from jazz, funk and rock to Trap and EDM. Support for VST, AU and AAX plug-in formats means Groove Agent 5 can be used with virtually any DAW. A new standard of dynamic acoustic drums; new kits for electronic music; new MIDI grooves; live sampling; Decompose feature for your own signature drum sound; 32 velocity layers; updated and resizable user interface… plus much more!

Vienna Ensemble Pro v6.0.18504 MAC

P2P | 29 December 2019 | 132 MB

Vienna Ensemble PRO is the ultimate symbiosis of systems and workflows, providing cross-platform MIDI and audio hosting over LAN, mixing in stereo and surround (up to 7.1) with full parameter automation and optional one-click integration of Vienna MIR PRO. Insert Vienna Ensemble PRO as a plug-in on any instrument track in your sequencer or DAW and use it as a mixing host for Vienna Instruments and all your third-party 64-bit and 32-bit VSTi/AU instruments and effect plug-ins (such as Spectrasonics, Native Instruments, Waves, you name it). The Preserve Instance function keeps all your plug-ins and settings loaded while switching to another cue, song, or project – a huge time saver! When used as a master-slave solution with multiple Macs and PCs you don’t need external MIDI and audio interfaces but a simple Ethernet cable.

GlissEQ v3.13 WiN MAC

Team R2R | 31 Dec 2019 | WiN: 8.5MB | OSX: 20.8MB

Parametric Equalizer

…::: HAPPY NEW YEAR!!! :::…

GlissEQ is a parametric equalizer AAX, AU and VST plugin for professional music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters. To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz. But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don’t necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ.

2021 PLUGiNS BUNDLE R2R

TEAM R2R | 🌟HAPPY NEW YEAR!🎉 | 9.21 GB

.: AAX, VST2, VSTi, VST3: x64 :.

85 Super Great Plugins!

Reviver v1.3.6 WiN MAC

Team R2R | Dec 04 2019 | WiN: 2.1 MB | v1.3.3 MAC: 3.42 MB

Reviver creates harmonic distortion, a sound which is often connected to vintage gear. It does not emulate analog equipment, but instead gives the user full control of overtone generation and volume. Despite this high level of controllability, Reviver’s user interface is intuitive and provides the desired result after just a few mouse clicks.

Elite Pianist WiN MAC

FANTASTiC | 03 December 2019 | WiN: 473 MB | MAC: 369 MB

…::: AU, VSTi, VST3, x86, x64 :::…

Elite Pianist, a virtual instrument catered towards Piano instruments. It is a simple plugin with a user-friendly interface. It contains live recorded piano samples designed for music producers, beatmakers and composers.

Bad Tape v1.0.1 WiN MAC

SYNTHiC4TE | Dec 04 2019 | 21 MB

MAC: VST, VST3, AU, AAX | WiN: VST, VST3, AAX

“A Tape Harming Effect Plugin”.

Its focus is on creating extreme tape artifacts. The inspiration for Bad Tape came from denise team member Enrico ‘nrec’ Tiberi: “I was using a lot of my old Akai 4000 DS MK2 reel to reel tape recorder pressing the tape to slow it down as an effect and that made me want a plugin that could control how to break the sound without having to use my fingers each time and without all the cables and fuss that analog hardware inevitably brings”. Combining a good old vintage tape sound with harming features makes Bad Tape a creative and versatile tool. Want an “out of tune and off the grid” beat or a wonky drum groove? Just keep the detune button pressed and it will create a tape-stop in real time. Press it shortly for slight slow-downs and speed-ups, or use wow and shake to make it go in and out of tune and go off grid periodically. Use the mix knob to create tracks that are heavily saturated and detuned, with additional interesting tape artifacts like hiss, squeal and harm. Bad Tape can be used to color and detune your whole track, or it can be applied to just one bar at the end of a section to help introduce some variation and lead in the next section of your song.