Ozone 9 delivers the latest in audio technology with new tools for instrument balance and low end, smarter audio assistance, and improved performance.
It’s finally out! SSG7 V, a metal guitar VST that doesn’t require samples! You don’t need large samples for guitar instruments anymore! SSG7V is sample-free and doesn’t require a lot of memory! And since SSG7V has a built-in amp simulator, you can get heavy guitar sounds with just one unit! SSG7 V is a non-sampling guitar VST instrument that does not use sample files. It is equipped with an Auto Release function, which minimizes the use of keyswitches to express rock ticks.A chord mode is also equipped, so you can easily make guitar chords sound by specifying a chord. It also features an internal amp simulator and presets, so you can express cool guitar sounds right away. Experience the world of SSG7V now.
Sculpt out your subs with arrangeable FX.
AmpliTube software has forged a formidable reputation over the years for offering a comprehensive array of digital tone-tweaking tools, but AmpliTube 5 promises to eclipse its predecessors with with a newly designed GUI that is fully scalable and supports Retina displays, an enhanced user experience, and more gear. A lot more gear. All in, there are 129 new models, making for a total of over 400 gear models in the AmpliTube 5 MAX version, plus cabinet section that has been retooled using new Volumetric Impulse Response (VIR) technology, improving power amp/speaker cab interactions for more authentic tone and feel. The VIR tech was developed by measuring 600 IRs per speaker of every existing and new cabinet model, making for 143,000 IRs in total, allowing for a three-dimensional grid interface for mic placement. You can also now import and load your own IRs. Also new to AmpliTube 5, we’ve got an expanded, fully configurable signal chain that allows you to deploy a wet-dry-wet configuration and experiment with more complicated setups – series and parallel routing? Fill your boots.
The Lowdown Bass Synthesizer recreates the super-fat, room-rattling sounds of the most legendary dual-oscillator bass pedal synth ever made. Heard on countless prog-rock and new wave tracks in the 70s and 80s, this floor pedal monster comes to the desktop for the very first time. From the dual “constant-beat” oscillators to the girthy ladder filter, DSP wizard Mark Barton (MRB) has modeled every aspect of the original with exceptional accuracy. Get down to the ground with Lowdown! Outside of a handful of organ-oriented instruments, the original instrument was the first dedicated foot-controlled bass synthesizer, and with its colossal tone, unquestionably the best sounding. It was used by some of the top acts of 70s and 80s, including Rush, Yes, Genesis, U2, and The Police (check out the intro of “Don’t Stand So Close To Me” or Phil Collins’ “I Don’t Care Anymore.”)
We placed the awe-inspiring Yamaha CFX Concert Grand Piano in Abbey Road Studio One, where award-winning engineers used the world’s greatest microphones and equipment to create a stunning virtual instrument library. A truly remarkable virtual piano: The Garritan Abbey Road Studios CFX Concert Grand places the user on the bench before the Yamaha CFX, an incredible concert grand piano characterized by a wide palette of tonal colors and the ability to create the most subtle, expressive nuances. This beautiful instrument is matched with the stunning acoustics of Abbey Road Studios’ legendary Studio One and the finest collection of microphones in the world. All facets of this project – the instrument, the room, the mics, and the recording expertise – work together to create the finest sampled piano ever captured. Experience the passion reflected in every detail.
