Different monsters for different genres: the Gorilla plugin includes 3 preamps and the simulation of 3 studio standard bass amps.
The Sonoris Parallel Equalizer (SPEQ) is a minimum phase parametric equalizer in VST, AU, AAX and RTAS format for Windows and Mac. The plugin is suitable for mixing and especially mastering. It has fixed filter types on each band and band 2 to 6 are connected in parallel. The filters are build in a feedback/feedforward manner to provide cutting and boosting, like in analog graphic equalizers. Band 3 to 5 are constant-Q bells and 2 and 6 are shelves. Band 1 and 7 are low/high cuts and connected in series with the rest.
In 2024, KORG is adding three more internationally beloved instruments to the KORG Collection, each of which have left their mark on music history. First, the ARP 2600: a legendary, industry-changing synthesizer introduced in 1971 which had a stunning influence on jazz, rock, pop and funk in the 70s, and was featured in countless Hollywood movies. KORG faithfully recreated and reissued the ARP 2600 in 2020 as the ARP 2600 FS/ARP 2600M, ARP 2600 FS have been carefully modeled and reproduced for the KORG Collection. Second, the VOX Super Continental: This carefully modeled combo organ first appeared in the 1960s featuring extensively in music from the 1960s British Invasion era through to the ska and new wave scenes in 70s and 80s. Lastly the EP-1: The EP-1 models electric pianos that first appeared in the 1960s and have become beloved in the soul, jazz, pop music ever since then. This plugin is based on the MDS (Multi-Dimensional Synthesis) technology developed for Korg’s renowned KRONOS and NAUTILUS synthesizers.
Egoist is a groove instrument. Load any audio file and squeeze the groove out of it!. Try your mp3 library and use it as a sound source! The additional onboard bass, beat and fx units make Egoist the perfect track sketch tool in the studio and on the road. Quick + Easy track sketching, based on sample slicing, Minimal, yet effective bass line, Unique beat box with more than 1000 drums from vintage to electronic
If you think FM Synthesis is complicated, it’s time to think again! BLEASS Omega places all of the sparkle, character, nuance and dynamic expressiveness of FM Synthesis at your fingertips, and does away with the arcane programming interfaces so often associated with FM. Harnessing BLEASS’ signature GUI technology, creating and crafting sounds in Omega is not just easier than with other FM synths, it’s easy – PERIOD! All of the classic capabilities of FM Synthesis are available in BLEASS Omega – expressive electric pianos, deep thundering basses, crystal-clear pads, sparkling bells, and soulful leads. And thanks to the instrument’s analogue-style Waveshaper and multi-mode Filter, BLEASS Omega can inject powerful analogue-like flavour into those pure FM tones, giving searing filter sweeps, growling distortions, and harmonically-rich resonances.
The plugin follows a graphic equalizer model, with the position of the three bands’ fader-style cut/boost controls also giving instant visual feedback of the EQ curve. But unlike a conventional graphic equalizer, BLEASS Motion EQ’s band widths are adjustable, making it easy to select the range of frequencies that will be affected by each band. Not only does BLEASS Motion EQ let you balance the tone of your audio, it can also work as a flexible filter too. Low-pass, band-pass and high pass filtering can be achieved by making use of the band mute controls. You can even create an all-pass filter effect by moving the high and low cutoff frequencies close together.
