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We’re thrilled to unveil our latest plug-in: GRFX – Granular Effects. Our granular dream began with FRMS and now lives on with GRFX. Deconstruct ordinary sounds and reassemble them into lush pads, pulsing rhythms, organic textures, and rogue signals from outer space. Sparse or dense, harsh or shimmering, GRFX is your sandbox for bending reality—layering, modulating, and warping your sound with the ephemeralities of the universe. The granulation engine is equally capable of thick cosmic clouds and probabilistic patterns and sequences, with detailed control over the grains’ properties and shapes. The Harmonic Triangle is the centrepiece of GRFX—an interactive three-way panelfor transposing your sounds into chords, drones, arpeggios, and microtones. Highly playable and prone to happy mistakes, especially when joining forces with the 4 dedicated, cross-modulatable LFOs. Modulation is drag-and-drop simple, with instant modulation amount control and a global Modulation Panel. Using a probability-based routing control, send the grains to the FX chain—featuring 2 multi-effect engines—or directly to the Mixer. Top it off with 2 dedicated sends—Delay and Reverb—each with individual route input controls for layered textures and complex sonic spaces.
F.A.L has an experience of many years working for different big names in the audio business during which he created dozens of renowned analog modeling titles. It was initially intended as an engineering company that works for various partners, but it soon became apparent that it could also serve as a channel for our own ideas and allow us to pursue our vision. The same expertise that went into the aforementioned products goes into everything that we create.
Yuri Semenov: YS – MY VoxBox_ Audio plugin for mixing. This is not an exact copy of the famous device, but its basic characteristics from the user manual were taken as a basis. The compressor has a switch for attack and release settings in a step-by-step mode with five fixed settings and smooth. XFRM adds harmonics coloring the sound. De-Esser can work in a full wide spectrum mode (Wide) of operation on narrow bands of the detector and divided into four narrow bands in the mode (Split) only for the selected frequency. In limiter mode, this module works like a classic L2a. Three-band equalizer has fixed frequency settings. Low and high frequencies are switched from “bell” to “shelf” Display of low and high frequency cutoff filter controls are switched by a toggle switch (Filter-EQ).
Absynth 6 marks the return of a legendary semi-modular synthesizer. Built for textures that transform and breathe, it invites you to shape sounds that are entirely your own. Deep enough for complex sound design, and intuitive enough for newcomers, it opens up distinctive, living sounds for cinematic cues, ambient soundscapes, and electronic productions.
Lowtility is a stereo tool designed to control the low end of your mix. It features a variable-slope low pass filter, along with a separate section for finely tuning the stereo width of the bass frequencies. With the with stereo meters, you can visualise how the left and right channels interact, making sure you don’t have any phase-cancellation issues.