There are 6 main processes (Delay, Amp, Waveshaper, EQ, FX1, FX2). You can change the order of these processes. Also, you can modulate those parameter values with 4 modulation units and 4 macro controls.
Transform your loops into a Loopmix makes it fun and easy to instantly remix and rearrange your audio loops! It offers up an array of devices and processors that slice, dice, rearrange, pitch, reverse and remix loops in a truly innovative way. kaleidoscope of new sounds. Load up to 6 loops and let Loopmix generate infinite loop variations. Hit Random, or use its signature Randomization Algorithms: Remix, Infinity, Temporary Randomization and much more…
INSTRUMENT BACKGROUND. Among the many transistor organs of the past, also known as “Combo Organs” (mostly because some of them also had a rhythm section and built-in speakers), the Farfisa Compact DeLuxe, along with its big brother the Compact Duo, was one of the most used organs at least in the european beat scene of the early and mid seventies. The electronic circuit of this kind of organ is relatively simple, at least on paper: rather than using a mechanical tone generator like the tonewheel models (Hammond and Pari), the transistor organs used a circuit called “Top Octave Synthesizer”, TOS for short, responsible of the generation of 12 waveforms, one for each note of the last octave of the organ keyboard. The basic waveform was usually something halfway between a ramp and a triangular. The lower octaves were produced by means of “divider” circuits that could halve the frequency of each waveform, going so forth for each lower octave down to the pedalboard tones. At each division, something was lost and something was gained in terms of harmonic content. The result was that the same notes of different octaves had oscillators perfectly in sync, so all C notes were in sync, all C#, all D and so on. This same technique was also used in so-called “string machines” or “stringer keyboards” that emulated orchestral sounds (violins, trumpets, etc.).
The result of decades of dedicated research, analysis, and modelling, these 15 superb effects will totally transform the way you record and mix your music. Combining history’s finest outboard effects, console components, and pedals with fresh, contemporary features and abilities, FX Collection is an essential tool for the modern producer. We have spent years searching the globe for the finest hardware effects and studio gear around. This is the fruit of our labor.
GSi Drum-80 reproduces that exact scenario. It contains two separate sound engines that can play at the same time. One engine recreates the sounds of the famous electronic drum module known as the Simmons SDS-V (very similar to the later SDS-8 model); at the same time, the exclusive GSi WLF Engine plays a multi-sample of real cymbals recorded exclusively for Drum-80. We all know and use electronic drums today, but at the beginning of the 80’s the first electronic drums were a real novelty that revolutionized not only the sound of music of those years, but also the workflow in the recording studio. Many producers preferred to record the sound of electronic drums rather than acoustic drums because it saved time and money, avoiding having to mount microphones, find the right positions, spend hours equalizing and correcting the recorded material. With an electronic drum set it was quicker: it was enough to connect the cables and maybe find the right sound for the song, which was a perfect scenario especially for many low-cost productions, for example those of pop music.
Speldosa (Swedish for “Music Box”) is the essence of the shared beliefs, and their fascination with minimalism. A simple melody played on a music box can contain an equal amount of emotional power as any symphonic work. There is something about the music box sound that never ceases to fascinate. The instrument itself has been meticulously recorded by Wintergatan and transformed into a playable digital instrument plugin. It features four different models (Modern, Vintage, Antique, and Eternal = Reversed), two different Room models, and an algorithmic reverb. Box went on to become the sonic signature for my two bands, Detektivbyrån and Wintergatan, both recognised for their unique sound. The Speldosa has been the secret sauce in my music career and i hope other musicians finds it as useful as i have.
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