Sub Cut lets you apply precise low cuts under 220Hz. Remove unwanted sub bass or make room when layering bass sounds. AUTO mode analyses audio in real-time and continually adjusts the cut by following the notes of your source material. Isolate problematic frequencies in your mix or in your studio. Click on the waveform to quickly flip between your audio and test tones while adjusting your cut.
BOREALIS is a dynamic reverb plugin designed for the studio, stage, and beyond. It transcends conventional reverb plugins by allowing you to create an interplay between your dry input and its wet output, using its envelope follower and unique modulation possibilities. BOREALIS offers an array of 14 unique reverb algorithms, from lush convolution reverbs sampled from epic spaces to shimmering algorithmic reverbs and vintage diffused delays. The plugin’s extensive modulation capabilities, including complex non-linear modulators and a deep envelope follower, enable access to highly responsive and organic results. We have also included a mastering section in BOREALIS that allows you to shape both dry and wet signals, fine-tune your sound and makes it an essential tool to inspire and transform your musical creative process.
Select a resample rate to quickly remove high end detail. Beatgrader’s algorithm models off-line resampling techniques to deliver a unique lo-fi, underwater sound in real-time. Includes a saturation control to add weight. Beatgrader is good for removing the high end to make room for vocals or other elements. It can be applied to beats or works equally well on musical elements. It’s also useful as a sound design tool. Beatgrader’s algorithm models off-line resampling techniques typically used to deliver a unique lo-fi, underwater sound. Beatgrader does this in real-time with low latency and CPU so it can be dropped into any channel. The UI is high definition and resizable. Beatgrader works natively on M1 Macs, Intel Macs and Windows.
BLEASS Tides washes away the dry, uninspiring echoes of conventional delay processors with wave after wave of richly characterful reflections. The plugin’s fluid approach to delay processing means delay times can be altered without the unpleasant warping results produced by other delay processors, with the option of a controlled tape-like timing shift, or a simple crossfade between differently timed delays. Better still, with an enhanced modulation system provided by BLEASS’ latest plugin technology, you can take full advantage of this delay time fluidity with stereo LFOs, envelope followers and macro controllers that allow you to explore new horizons of exciting delay effects. There’s more to creating unique and enthralling delay lines than timing alone, and so BLEASS Tides provides many different ways of shaping and adding character to its repeats. An input filter combining low- and high-pass resonant bands allows you to easily mould the incoming signal and thereby sculpt the resulting echoes. Then, for even deeper and more exhilarating shaping, Tides’ feedback path features five insert points into which any of 11 different effect processors can be loaded. These include distortions, filters, pitch and frequency shifting, ring modulation, and even an additional delay processor, all of which can be brought to life with the plugin’s stereo modulators.
Synestia is an advanced multi-effect plugin for the utmost in creative sound processing. It combines 8 inspiring effects: physical-modeled resonators, filters, modulated delays, distortion and more. Modulation lies at the heart of Synestia, generating complex rhythmic patterns and evolving atmospheric soundscapes. All parameters can be controlled by any combination of a wide range of dynamic modulators. Synestia’s Sympathetic resonators can be played by MIDI control, with MPE and microtuning support. And all modulators can be triggered by MIDI notes, opening all kinds of possibilities for rhythmic effect control. A flexible and unique approach to patching opens unexpected possibilities, and brings signal routing under the control of dynamic modulation.
AXTRO-DS-08 is a .wav drum machine and an 808 modified drum machine! This plugin has twelve slots to load .wav files and twelve 808 pre-made drums…but modified! I have built twelve 808 drums, but modified …(not an emulation) that you can sequence with the powerful sequencers. It is also featured with 12 slots where you can load .wav files and also sequence. Choose which type you want to use for each drum, 808 drum or .wav file. For the .wav slots, you have reverse control and EG. Each of these slots, and also the 808 modified drums, count with BP Filter, LFO for LP and Pan plus independent effects: Compressor/EQ/Delay/Distortion and Master Reverb. There are also Master Effects: 15-Band Stereo EQ and Multiband Compressor plus a Peak Meter and a Freq. Analyzer! There is also a recording station that goes up to 16 bars, where you can record what happens in the plugin.
AXTRO-MS is a multi-sampler plus a wavemorph synth! This plugin runs .wav / .sf2 and .sfz files. It also has a wavemorph oscillator where you can draw up to 3 waveforms and morph between them.! It brings a powerful Note Sequencer for each mode/sampler and 8 effects: Compressor, Equalizer, Distortion, Delay, Chorus, Flanger, Phaser and Reverb.. Run all samplers at same time or individualy. You can also record your loops and save them as .wav files to use them in other productions. The plugin brings a good soundbank for each mode. This soundbank is given when you acquire AXTRO-MS!
