Vitalizer is an unmasking EQ that allows you to make music and speech more comprehensible, loudness more intense, and the stereo width of songs wider. By shifting the timing of louder frequencies, soft and overlapping frequency content is made audible. Lows become more powerful and defined, while highs become vivid and brilliant.
The Opticom XLA-3 is a powerful and flexible optical compressor. Glorious tube sounds and opto-electric vibe, featuring steel covered military-grade components. Slap it across the drum buss for solid and seamless LA-2A style leveling. Force vocals through the input to add grit and attitude to a wimpy take. A unique “Amp Mode” allows you to to add harmonic color to your signal without even touching the dynamics. The original XLA-3 hardware features three compression responses. Each treat sounds in a totally different way.
Whats new in BLACKQ – Version 3 ? A NEW AND IMPROVED VERSION OF BLACK Q – V2, NOW FEATURES OVERLAPPING BANDS AND NEW FREQUENCY RANGES AS WELL AS OVERSAMPLING FOR MORE “ANALOG” BEHAVIOR. The Philosophy behind Smooth Tube EQ. At T.E we are obsessed with “Sound”. We recently brought a vintage unit to life by building the hardware version over 6 months, changing tubes, transformers and signal paths.
Tubular is a step forward in guitar amp simulation technology. Wave digital filters enable us to simulate complete amplifier schematics explicitly. Physics-based tube equations are solved every sample. Tubular includes 20 amps, 10 cabinets, 10 speakers, 11 pedals, a noise gate, and stereo modulation, delay, and reverb rack effects.
TkDelay is a versatile delay audio plugin. From classic delays to experimental sounds, tkDelay will accompany your needs and creativity.
The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility
