Stereo Enhancer is a four-band stereo widener engineered for precision control, transparent sound, and adjustable mono compatibility for both mono and stereo sources.
Crumar DS-2 Synthesizer faithfully replicates the unique digital/analog sound of the ahead-of-its-time hardware synth from 1978. This latest collaboration with our friends at Crumar Instruments not only captures the distinctive tone and multitimbral capabilities of the original but also enhances them, offering an impressive combination of innovation and authenticity. The original Crumar DS-2 featured a monophonic synth engine paired with a 44-note fully polyphonic (paraphonic) companion section, creating a unique musical experience when utilized together. “DS” stood for “Digital Synthesizer,” and it was indeed an early hybrid synth with two Digitally-Controlled Oscillators (DCOs), and analog LFOs, VCFs, VCA, and EGs. But these weren’t the same kind of DCOs we would become familiar with in later polyphonic synthesizers. To avoid the tuning problems of traditional analog synthesizers, Crumar employed a cutting-edge concept in the Synth section to create oscillators that wouldn’t drift. The resulting waveforms, however, were completely stair-stepped, producing a gritty tone and wild harmonics.
DEEP/4 is a painstaking recreation of one of the most powerful multi-effects processors ever built: The Ensoniq DP/4. Every algorithm has been rebuilt at the lowest level from the original 24-bit DSP hardware. 43 algorithms, mathematically verified against the original DSP architecture. No guesswork. Import presets directly from the original hardware via SysEx — load classic libraries like Don Solaris’ Essentials Vol1 and hear them exactly as they were meant to sound.
VSS-2 takes filters from the VSE-2, the quad VCA compressor from the VSC-3, the discrete Gyrator EQ from VSE-4, and the tubes from VSM-4. They’re all combined into a carefully curated signal chain that stands with the best of high-end analog consoles. It takes your sound, cleans it up, smooths it out, enhances the tone, and adds warmth. It’s perfect for tightening up vocals, adding punch to drums, or breathing life into flat mixes – the complete Vertigo mixing console in one plugin.
The SST-282 Space Station (1978) defined the reverb sound of artists like Depeche Mode, Tycho, and Hannes Bieger. Its time-modulated algorithm created a lush, dimensional space that remains instantly recognizable to this day. The SST-206 enhances the original’s 7kHz bandwidth to 22kHz with longer delay times – and now you can have it in your DAW without paying $4,000+ for a used hardware unit. The SST-206 is a direct mathematical reconstruction of the original DSP architecture.
When Pristine Mattered More Than Character | After creating the SST-282 Space Station in 1978, Christopher Moore set out to solve what he saw as its flaws (now beloved as its signature character): the spectral smearing, modulation noise, and pitch artifacts caused by its wandering delay taps. The result was the Stargate 626 – double the memory for decay times up to 20 seconds, a completely redesigned reverb algorithm with true pitch stability, wider 15kHz bandwidth, and a smoother, more refined character. This plugin faithfully recreates that classic sound with modern conveniences like tempo sync and preset management. The SG-626 is not an approximation – it is a mathematically accurate implementation of the DSP bit for bit.
Pigments Polychrome software synthesizer. Pigments is a state-of-the-art software instrument that gives you the power of every shade of synthesis. With colorful, expressive sound engines, effortless modulation, professional utilities, and studio-grade FX, explore an infinite spectrum of sound. The fastest way to the sound in your head. Quickly craft the ultra-fat, hard-hitting, soul-stirring sounds you need with a software synthesizer that’s powerful, versatile, and easy to use.
