Moduler Mastering Rack v1.00 VST WiN

TEAM ASSiGN | 05 SEPTEMBER 2010 | 5.10 MB

Modular Mastering Rack is a complete mastering package for your DAW. Contained in the package is a master track processing plugin which consists of an EQ, a Compressor, and a Limiter. (This processor should be placed on your master channel). Also included in the package are all three processors from the modular rack but as seperate plugins. (These seperate plugins can be used throughout your mix on drum channels or instrument channels). In total you will recieve four plugins (3 individual processors and 1 master channel modular rack). This is a complete mastering package for your DAW.

Punisher v2.0.0 WiN MAC

SYNTHiC4TE | May 24 2021 | 14 MB

VST2/VST3/AU/AAX/x86/x64

Punisher is tape-style saturator with a unique way to control the coloration of the drive effect. You can use it to add flavour and character to synths, vocals and drums, or to entire beats or mixes. Most saturator plugins have very limited features for affecting the coloration of the drive effect. Punisher uses a unique internal push/pull equalizer curve to tailor your saturation effect to your track. This way you can, for example, only target the high end of a drum beat, preserving the kick transients in a very natural way. Or only target the mid range of a synth to retain its definition. Punisher is part of the upcoming denise ‘God Mode’ plugin, that allows full control over the internal push/pull equalizer curve and a blend of three different distortion types.

Slappy v2.0.0 WiN MAC

SYNTHiC4TE | May 24 2021 | 11 MB

VST2/VST3/AU/AAX/x86/x64

Slappy is a hysteresis saturated slapback delay for a great sound and quick results. You can use it for creating that classic slapback effect on guitar, vocals and drums. Regular digital saturation can sound harsh in the high end. Our hysteresis saturation, as used in our Bad Tape plugin as well, uses a smoothing algorithm that creates a warm and analog sound known from vintage tape machines.

Noize Retro v2.0.0 WiN MAC

SYNTHiC4TE | May 24 2021 | 8 MB

VST2/VST3/AU/AAX/x86/x64

Generate vintage noise that adapts to the volume of your track, in real time. Noize Retro is part of denise’s adaptive Noize series. Learn more about the God Mode with sample editor and eight different noise types.

Defacer v1.0 WiN MAC RETAiL

P2P | 27.05.2019 | 26.4 MB

…::: AAX, AU, VST2, VST3, x86, x64 :::…

Defacer is an all-purpose 2 channel audio mangler designed to destroy and rearrange any sound you throw at it. Use it to make guitars sound like a broken synth or add a touch of robot-ness to vocals, when the sound calls for it, Defacer is there! Featuring low-pass filters & distortions on each channel you are free to destroy audio to your heart’s content. Try it on all kinds of sources!

MAATgo v1.0.2 WiN

Team R2R | 14 Mar 2021 | 8.5MB

PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX

A universal monitor controller and visualization plug-in for computer audiophiles. If music is your profession, your passion or both, MAATgo is for you. MAATgo is explicitly built for everyone who listens to HRA (High Resolution Audio) files and streams on their computer. In the Golden Age of consumer hi–fi, some preamplifiers had not only a “balance” knob, but stereo/mono blend controls and even an oscilloscope to instantaneously display amplitude, frequency and the phase relationship between left and right channels. Marantz, Panasonic, Pioneer and SAE sometimes included an oscilloscope in their receivers, while the Apt Corporation’s legendary and groundbreaking Holman Preamplifier had a range of channel re–routing switches and a continuous stereo/mono blend control. This was not “feature creep,” needless features just to fill out a list. The Apt’s re–patching and intermix controls served a very useful purpose.

MagicDeathEye v1.1.4 WiN

Team R2R | Nov 12 2020 | 6.7 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks. Nothing is smashed here, everything breathes and shines while the MagicDeathEye will smoothly glue your audio signal together in that warm and almost elegant way only expensive tube compressors can. Already now a legendary piece of hardware, the MagicDeathEye compressor is just to good to be exclusively available only to some of the greatest studios in the world. After almost a year of careful circuit and signal analysis. Staying extremely close to its hardware role model while still keeping the CPU load at a very reasonable level, we sincerely believe that the answer to the ever-old question “Do I really need another compressor plugin” is a resounding yes for this one!