Trident A-Range v2.5.10 WiN

Team R2R | 09 Jan 2021 | 10.5MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Rare, real, raw.

The Trident A-Range equalizer is a legendary piece of equipment. Only thirteen A-Range consoles were ever made, but it remains a holy grail for sound engineers and producers around the world due to the list of classics that were originally recorded on the A-Range — David Bowie’s Ziggy Stardust, records by Queen, Elton John, Rainbow, Metallica… the list goes on. Sweet but edgy sound, and organic, musical interactions between the bands make this a more powerful companion than it may seem. Balance guitars, vocals, drums, and much more, with the rare and raw sound of Trident.

TLA-100A v2.5.10 WiN

Team R2R | 09 Jan 2021 | 17.1MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Compression Simplified.

A studio essential for four decades and counting, this classic compressor is all about gentle, natural-sounding gain reduction, sublime leveling, and ease of use. Everything you put into the TLA-100A comes out the other side sounding big yet compact. It effortlessly keeps the dynamics of your material controlled, without strangling the sound. An exquisite emulation of the original 1980s hardware, the TLA-100A plug-in offers extras not previously available to the hardware user, such as a Low Cut filter, the Saturation knob, and Parallel Inject. The plug-in pluses take the TLA-100A to the next level while enshrining the warm, smooth sound of the original.

Transient Shaper v2.5.10 WiN

Team R2R | 2021.01.09 | 15.97 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Transient shaping has become a vital technique in music mixing. The abilities to sharpen or soften the onset of a sound and to lengthen or shorten the decay have been very useful for giving each sound just the right size and position in the mix. Transient Shaper takes this concept one step further, by letting the user affect either the entire frequency range — which is what most similar tools do — or the treble frequencies or bass frequencies individually.

Console 1 SSL XL 9000 K-Series

Team R2R | Jan 08 2021 | 5 MB

PLATFORM: WiN64 – SSX

If you’re looking to complement the legendary rock ‘n’ roll sound of the SSL 4000 E included with Console 1, then check out the super clean sound of the equally revered XL 9000 K. Developed in close collaboration with SSL engineers, the unconstrained depth and sonic possibilites makes it an indispensible tool for R&B, Hip Hop and Electronica producers, as well as for audiophile Jazz and Classical recordings.

Eden WT800 v2.5.9 WiN

Team R2R | 2021.01.07 | 16.53 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

There are a handful of classic names in bass guitar amplification, but few have the combination of pedigree and sheer modern versatility that comes with the Eden WT-800. Featuring a full range of tools from compression and five-band EQ, to easy bi-amping and an ‘enhance’ knob for quick and effective scooping of mid-frequencies, the ‘World Tour’ amp really can do it all, around the globe.

Marshall K.King Signature WiN

Team R2R | 07 Jan 2021 | 16.3MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Thrash metal is visceral, energetic, aggressive. Getting the right depth and texture of sound, the right bite in the attack, the right snarl on the tail, is essential. You need an amp like a wild animal, like a fighter, like a beast. Kerry King has spent four decades at the vanguard of the scene, blazing trails and busting guts with his edgy in-your-face sound, so naturally his signature amp – the custom Marshall 2203KK, a.k.a. “The Beast” – is the only place to start if you’re after super high gain and punchy articulation in a single rig.

Metal Amp Room v2.5.9 WiN

Team R2R | 07 Jan 2021 | 11.9MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

Metal Amp Room was designed to bring you the most brutal, evil and aggressive sound that is possible to squeeze out of your DAW. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics with adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. Focusing on usability and sound quality, this is a plug-in that is proud not to include a gazillion amps, effects racks, patch cords, or a blow-dryer. Just two channels, two cabinets, two mics per cabinet, and a wickedly fast noise gate for palm mute galore. Every setting is a setting that will sound good, so it’s almost impossible to get a useless sound. Metal Amp Room is a real workhorse, a plug-in that will handle all your metal needs without ever getting in your way.