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  • Audio Damage Replicant VST AU UB v1.02 PC v1.04 MAC
    September 20th, 2013 ⚡
    Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS

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    Audio Damage Replicant VST AU UB PC MAC

    Team AiR-DYNAMiCS | 2007 | PC: 1.30 | MAC: 3.11 MB

    Replicant is a delay-based effect in the “beat slicer/looper” vein, with some tricks of its own that separate it from the herd. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today’s modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you’re looking to add some chance to your programming, you’ve come to the right place.



    Viewed 14920 By Music Producers.


    • Audio Damage Vapor v1.0 VST PC
      September 20th, 2013 ⚡
      Categories: Audio Damage, VST, WiNDOWS

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      Audio Damage Vapor v1.0 VST PC

      Team AiR | Date: 11/2007 | 1.91 MB

      What on earth is diffusion chorus? As the name implies, it has diffusion (sort of a red-headed step-child of reverb) and modulating delays (which, as we all know, equals “chorus”). Vapor takes this underused effect, usually only available in high-end hardware boxes, and makes it available to anyone. Vapor’s main purpose is to add top-end shimmer to pads, strings, and rhythm guitar to make those sounds cut through the mix. However, at more extreme settings, unique modulation effects can easily be attained.



      Viewed 11416 By Music Producers.


      • Audio Damage Liquid VST AU UB 1.0.1 MAC HAPPY NEW YEAR
        September 20th, 2013 ⚡
        Categories: AU, Audio Damage, macOS, UB, VST

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        Audio Damage Liquid VST AU UB 1.0.1 MAC

        Team PDS | 2010 | MAC OSX | AU UB  | 4.67 MB

        Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for “stereo-izing” monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.



        Viewed 7501 By Music Producers.


        • Audio Damage Kombinat v1.0.1 AU VST PC MAC
          September 18th, 2013 ⚡
          Categories: AU, Audio Damage, macOS, VST, WiNDOWS

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          Audio Damage Kombinat v1.0.1 AU VST PC MAC

          Team DYNAMiCS | 09/17/2008 | PC: 2.06 MB | MAC: 3.98 MB

          From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat is a complete toolbox of sonic warfare. This plugin is, in our opinion, the single most annihilating effect available today. With seven different options in each of the three distortion engines (plus pass-through), Kombinat is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild saturation to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps in series? This is your box.



          Viewed 14625 By Music Producers.


          • Audio Damage BigSeq2 VS PC and MAC ONLY SKiN
            September 18th, 2013 ⚡

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            Audio Damage BigSeq2 VS

            Gora | MAC ONLY SKiN | by Desings Massive | 6 MB



            Viewed 11399 By Music Producers.


            • Audio Damage BigSeq2v1.0 VST WiN-REGGED
              September 18th, 2013 ⚡
              Categories: Audio Damage, VST, WiNDOWS

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              Audio Damage BigSeq2 VST v1.0 WiN

              Team Regged | 02/2012 | 1.8 MB

              BigSeq2 is a massive extension to the feature set of our popular BigSeq gate effect. With twelve sequencers controlling ten effects in six blocks, BigSeq2 is capable of everything from short staccato gate sequences to long, evolving filter sweeps and frequency shifts, and everything in between. The six effect “Blocks” contain ten effects in total, and these Blocks can be re-arranged simply by dragging them, giving you full control over the routing of the effects. Each effect Block has a gate sequencer and a modulation sequencer. The gate sequencer turns that effect on and off (or in the case of the delay Block, activates the “send” control), while the modulation sequencer can affect any and all parameters in that block.



              Viewed 9662 By Music Producers.


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