AmpliTube 5 v5.5.1 MAC

P2P/R2R KGN | 24 October 2022 | 2.95 GB

.:: AU, 64Bit, STANDALONE, AAX, VST3, VST ::.

AmpliTube software has forged a formidable reputation over the years for offering a comprehensive array of digital tone-tweaking tools, but AmpliTube 5 promises to eclipse its predecessors with with a newly designed GUI that is fully scalable and supports Retina displays, an enhanced user experience, and more gear. A lot more gear. All in, there are 129 new models, making for a total of over 400 gear models in the AmpliTube 5 MAX version, plus cabinet section that has been retooled using new Volumetric Impulse Response (VIR) technology, improving power amp/speaker cab interactions for more authentic tone and feel. The VIR tech was developed by measuring 600 IRs per speaker of every existing and new cabinet model, making for 143,000 IRs in total, allowing for a three-dimensional grid interface for mic placement. You can also now import and load your own IRs. Also new to AmpliTube 5, we’ve got an expanded, fully configurable signal chain that allows you to deploy a wet-dry-wet configuration and experiment with more complicated setups – series and parallel routing? Fill your boots.

GSi Effects Bundle WiN

TEAM V.R | 24 August 2022 | 30 MB

.: Win64; VST3, VST :.

BRA Plugins Pack v2.6.2 WiN

Team R2R | 15 October 2022 | 270.70 MB

..:: AAX*, VST2, x86, x64 ::..

The vintage breeze of classic studio equipment combined with modern day, easy to apply digital processing makes this bundle the perfect chain of tools for everyday mixing.

Ratschack Reverb v2.1.0 WiN MAC

Team ASSiGN | 10 January 2012 | WiN+MAC: 13.8MB

Ratshack Reverb is a detailed model of that classic of classics, the Realistic Electronic Reverb. Now, you can have the sound of everyone’s first analog delay unit, without ever having to change batteries! As anyone who has owned this unit (which is just about everyone…) knows, it was actually an analog delay, and we’ve done our best to exactly replicate the sound and quirks of the original. We’ve even modeled the distortion that occurs by running a line signal in to the mic inputs.

Lore v1.0.23 WiN MAC

Team DECiBEL | 11 October 2022 | 64.5MB

Lore | Experimental Sound Console | AU, VST2, VST3, x64

Lore is an advanced sound design workstation inspired by musique concrète, microsound and other pioneering sound technologies of the past several decades. It combines spectral and granular engines along with several other features designed to unleash the power of microsonic resynthesis.

Shrike v1.0.1 WiN MAC

Team DECiBEL | 11 October 2022 | 36.8MB

Shrike | Advanced Shimmer Modulator | AU, VST2, VST3, x64

Shrike is an advanced shimmer designer. It processes an octave-shifted reverb through a matrix of 4 LFOs to create pulsating, fluctuating space effects. Between the different LFO settings (rate and waveform) you can generate cross-modulation from the controls, getting pulses and swell patterns that never repeat. For example, it is interesting to set different rates per control for overlapping, modulating spaces. Or turn the LFO rates toward the fastest speed for amplitude modulation artifacts. A slapback delay adds to the sound design possibilities as you can adjust it according to your spatial feedback needs.

Ember v1.0.1 WiN MAC

Team DECiBEL | 11 October 2022 | 44.3MB

Ember | Microsound Collage Machine | AU, VST2, VST3, x64

Ember is a sophisticated microsound collage tool that employs granular resynthesis to configure complex sound composites. Inspired by musique concrète pioneers of the past several decades, Ember harnesses modern digital algorithms with classic splicing techniques to create dense and evolving soundscapes. Point it to a folder of sounds and Ember will generate a composite of granular textures that you can later use in your electronic composition process. Ember employs granular resynthesis in the powerful Csound sound programming language to explore a collage of sounds on the particle level. Select a folder containing more than one sound and an output folder. Hit “Render” and Ember pulls a number of sounds from the folder and selects a playback slice from each one. It then creates granular composites of all sounds together with various time stretching, density and spatial algorithms.