Eternal Return v1.0.0 WiN
MOCHA | 14 February 2024 | 9.7 MB
They say you should never give away the secret ingredient. Well, we just did!
Viewed 13246 By Music Producers & DJ´s.
They say you should never give away the secret ingredient. Well, we just did!
Here is our first plugin – the Sausage Fattener! People always ask us how we get our greasy sound…here is the answer. Hook up this fat bastard to your favorite DAW (AU and VST on both PC/Mac) and get dirty. The plugin is already used by Tiësto, Kaskade, Diplo, Laidback Luke and others (see below for more). The Sausage Fattener only has two knobs. But don’t be fooled. With those seemingly simple parameters you can create loads of different sounds. Use the Sausage Fattener on a single channel with moderate settings as a musical compressor. Turn it up and you have a dirty bastard of distortion. But you can also use the plugin on a bus (for example all the drums and the bass) or the whole track as a mastering plugin The Sausage Fattener is used by Tiësto, Kaskade, Diplo, Laidback Luke, Chuckie, Sebastian Ingrosso, Dirty South, Hardwell, Angger Dimas, Frank E, Zedd, Lazy Rich, Dimitri Vegas and Like Mike, Marcus Schossow, John Dahlbäck and many other DJ/producers.
KrushPro includes our acknowledged bit-crusher processor, as well as a new ‘Wavecrushing’ distortion module, built upon an innovative wavesets processing algorithm. New timbral possibilities are also brought by the addition of a dual frequency shifter/ring modulator fx module and two input/output filters sections. Many modulations options have been added, and KrushPro is the first plugin with full stereo modulations capabilities. All the modulators are stereo, and every modulation slot has a stereo balance knob. Being able to modulate the parameters differently on the left and right channels brings something new to the table, and allow the creation of unheard stereo effects!
The VREV-63 is the ripping reincarnation of the legendary tube driven spring reverb from the sixties: the godfather of surf guitar sound! Hooked up in front of an amp, the drippy and splashy sound of this mysterious box has inspired countless reggae, dub, garage, rockabilly, jazz and spaghetti western artists. Play off the hook on incredibly long and inspiring reverb tails!
Some pieces of classic studio equipment just don’t need an introduction: Here is the VPRE-72! The archetypal preamp was released in the early 1950s and built by several iconic brands such as Maihak, TAB, Siemens and TFK. A legend in itself to the present day, the V72 also became the blueprint for the later V76 and the classic REDD.47 preamps used on numerous Beatles sessions.
A premium suite of software instruments for unparalleled sonic exploration; from evocative emulations and hybrid synth engines, to authentically modeled keyboards and beautifully captured acoustic sounds – enhanced for today’s production workflow. Immerse yourself in an unparalleled music-making experience with iconic sounds and essential tools to suit your style, performance needs and production workflow. 39 instruments, 3 exclusive expansion packs, thousands of world-class presets – 1 canvas for infinite sonic exploration.
Designed to mimic the “wa wa” sound from a Wah pedal. WF3607 features 6 modes of filtering effect taken from the familiar crybaby sound to synth-like filters. In the 1920s guitar players were fascinated by the “wa wa wa” sound made by trumpet players by opening and closing their mutes. Its filtering effect alters the resonance of the instrument and it feels to increase the expressiveness of playing. More than 40 years later, an accidental invention resulted in a device that forever changes the sound of guitar. This pedal eventually known as the Cry Baby*. Next, in the 1970s, an aborted synthesizer project resulted in an similar “wah wah” effect, which later known as Mu-Tron* III envelope filter. These two devices revolutionized almost every genre of music as we know it today.