Cubase 14 unlocks new creative possibilities with groundbreaking features, streamlined workflows, and intuitive design to elevate your music production experience.
Wurlybird 140B is first sample-based electro-acoustic virtual instrument, modeled after the 1964 Wurlitzer 140B, considered by many to be the crown jewel of the legendary Wurlitzer electric piano family. Though the 200-series models are more widely known — and often emulated — many devoted Wurly enthusiasts believe the 140B to have superior action and tone quality. Wurlybird 140B has been crafted by Cherry Audio through deep expert sampling of a professionally restored 140B, along with subtle randomization of key release and pedal sounds, precision modeling of the original preamp, faithfully emulated vibrato/tremolo, and even adjustable background hum. Additionally, Wurlybird 140B includes a broad spectrum of tonal-enhancing stompbox-style effects, ranging from subtle to extreme. The Wurlitzer electric piano is unquestionably one of the most classic rock and pop keyboards ever made. Its distinctly rich “bark” and organic timbre have been heard on countless hits over the years, including Ray Charles’ “What I’d Say,” Queen’s “You’re My Best Friend,” Three Dog Night’s “Joy To The World,” nearly every hit from Supertramp, and a seriously long list of other rock and pop classics. The resonance of this sound endures today, with contemporary artists like Beck and Billie Eilish ensuring its enduring appeal.
Tonewheel organ is back, better, and more affordable, with a whole new look. Blue3 is a meticulously modeled — not sampled — virtual instrument that replicates the most famous tonewheel organs in the world: the B-3, C-3, A-100, L-100, CV, and M-3 models. With 31 tonewheel sets accurately capturing variations between vintage instruments, 91 modeled tonewheels with phase synchronization, and authentically emulated scanner vibrato/chorus, Blue3 delivers the iconic, soulful sounds associated with nearly a century of blues, gospel, rock, and jazz classics. Blue3 features a new, beautifully designed user interface with Main, Edit, Cabinet, and Perform sections. And it goes beyond the traditional B3 sound by adding three studio-quality stompbox-style effects: Tape Echo Delay, Reverb with Spring, Plate, and Hall, and a Seven-band Graphic EQ.
Samplitude Pro X provides recording and mixing engineers with practical functions that revolutionize the standard DAW workflow. Edit in realtime, during recording. Apply effects in a custom way to individual clips. Visualize volume, frequency and phase information for selected tracks. Use batch processing for the automated editing of multiple files simultaneously.
The Snail is a very high-precision frequency-domain analyzer that delivers an intuitive representation of sounds based on the scales and notes aligned in spectrally active zones. It is available as a Standalone application for Mac and Windows OS, and AAX, AU and VST3 plug-in. This plug-in offers a new way of tuning and analyzing an instrument in an extremely accurate way. It displays the intonation and visualizes music and sounds in a way that can help anyone improve their listening and intonation!
Full control over the Pitch. TL Detuner is by far one of the simplest and quickest ways to change your pitch in any desired way. Whether you want to get in tune or shift your pitch somewhere else from where it already is, TL Detuner will easily handle it with just a couple of knob turns with minimal Latency. Straightforward interface will enable you to escape any confusion with numerous unobvious excessive parameters. TL Detuner workflow is done in three steps only. Use the Detune/Fine knobs to shift the pitch in a way you like. Use Tone Stack to emphasize the desired frequencies and remove any possible artifacts. Define the Dry/Wet ratio and the Pan of the modified signal. And that’s about it!
SampleTron 2 combines the powerful sound engine of IK’s award-winning SampleTank 4 with IK’s industry-leading tape modeling technology to recreate the distinctive, ultra-vibey sounds of tape-based samplers from the ‘60s and ‘70s, along with quirky early digital sample players and vocoders. This comprehensive collection features deep sampling of vintage Mellotron® and Chamberlin tapes, a collection of new acoustic “non-Tron” sounds with tape processing, and now enables you to load your own samples and create modern audiophile Tron sounds that are uniquely yours.
