Glockenspiel KONTAKT VSTi AU

DiSCOVER | May 08 2016 | 358 MB

Kontakt: 185 MB • WiN VSTi x86 x64: 111 MB • MacOSX/AU: 60 MB

The ear-ringing (not bell-ringing) descendant of the carillon is the not-very-intimidating-looking Glockenspiel. However, one must beware its ability to surpass even the piccolo in pain due to high notes. Our glock is slightly more on the mellow side, but, recorded up close, provides a great rich fill of the harmonics, not to mention a lovely quiet end for those cute songs about winter and snow fall when a celeste just won’t do. Unlike most sampled glocks, you get to hear the full natural impact of the mallet and get a full range of dynamics. If you don’t like the impact, just add a high-pass filter, we won’t mind.

Dan Tranh KONTAKT VSTi AU

DiSCOVER | May 08 2016 | 821 MB

Kontakt: 170 MB • WiN VSTi x86 x64: 430 MB• MacOXS/AU: 221 MB

The Dan Tranh is a traditional zither originating from Vietnam. It is considerably longer than its European and American cousins, and is also Tuned as a Pentatonic Instrument. 16-17 metal strings run the length of the instrument with bridges halfway for each string. In traditional performance on this instrument, one hand plucks the strings on one side of these bridges using plectrums (finger-picks) and the other hand bends the pitches of the notes as desired on the other side of the bridges. This allows an incredibly dynamic and unique performance which is very hard to sample and replicate.

Hand Chimes KONTAKT AU VSTi

DiSCOVER | May 08 2016 | 171 MB

Kontakt: 100 MB • WiN VSTi x86 x64: 44 MB • MacOSX/AU: 26 MB

Hand Chimes are a strange quirk of musical evolution. Created as a cheaper and more durable alternative to hand bells, these giant mutant ninja tuning forks have a mellow sound that is best described as a cross between a xylophone, a music box, and a celesta.These sound excellent in all sorts of textures, but as we found out, they’re really great with arpeggios (listen to the demos down to the right). You can also get great effects by pushing the attack back. Use them as an alternative to celesta when you get tired of that sound, or almost like mallet percussion.

Timpani KONTAKT AU VSTi

DiSCOVER | May 08 2016 | 184 MB

• Kontakt: 108 MB • VSTi Win x86-x64: 35 MB • MacOSX/AU: 40 MB

The Timpani, also known as Kettle Drums, are a set of 3-5 large, bowl-shaped drums tuned to pitches that create a strong, resonant sound, perhaps best known from its bold appearance in Also Sprach Zarathustra. Over six hours of raw recording went into this virtual instrument, originally yielding 1,300 samples. We’ve paired it down to the best of those and balanced it out across velocities and notes to create a highly playable instrument with a broad dynamic range and an exceptionally punchy top velocity.

Marimba KONTAKT AU VSTi

DiSCOVER | May 08 2016 | 512 MB

• Kontakt: 284 MB • Winx32-64-Bit: 147 MB • MacOSX/AU: 80 MB

The Marimba is a relative of the xylophone, distinct for its large, typically semi-tubular resonators found underneath the keys, and larger range than its smaller counterpart. Its history is complex, having early origins in Africa and Central America, but it found a prominent home in the halls of America’s Vaudeville at the start of the 20th Century. The marimba is unique from many modern instruments in that its playing style is still evolving quite rapidly, with new applications and playing techniques coming forth every few years.

EDM Step Styles Producer Kits

TEAM MAGNETRiXX | 19 August 2013 | 3.11 MB

MiDi Reason Kong Kits

Step Styles – Producers kits gives you immediate access to 18 groove inducing drum and instrument kits for experimental Dubstep, Drumstep and DNB production. The kits have been crafted to each provide a particular unique production element and can be combined in any order to create full tracks or themed sections to add to your own sequence.

Midnight Melodies 2 WAV

FANTASTiC | May 07 2016 | 493 MB

Professional Sound Designer and Musician is back with another must have original sample & drum library that is a MUST have for your production arsenal.  Welcome back to Midnight Melodies Revisited the Wurlitzer used in Midnight Melodies Vol. 1, he love the sound of this so much he decided he had to record some more! This time played chords and melodies at the same time. These were played at 90 BPM and drenched with the lonely tones of the Wurlitzer. He played a series of 7th and 11th chords in A minor – C minor – E minor, for layering and also painstakingly layered the Wurlitzer with a Roland SH 101 to create some very lush Pads. Used the Minimoog Voyager to create a variety of synth and bass one shots.