Fingerimba KONTAKT

OHSiE | 28 March 2024 | 1.27 GB

Sensitive Thumb Piano

8 INSTRUMENTS / 1388 SAMPLES

Samplings of the most beautiful thumb piano we’ve ever heard. The library’s centre-patch is a hyper-sensitive emotional pianissimo thumb-piano. Our deeply sampled Fingerimba includes an intimately recorded sansula and a tickling home assembled kalimba with tines mounted on a piano resonating plate. We opted to record the instruments at a comfortably-soft dynamic, which we felt produced the warmest notes. Fingerimba is simple to look at, easy to play, and with advanced options available behind every control.

Vivid Strings: Celli KONTAKT

P2P | 02 September 2024 | 4.42GB

Vivid Strings – Celli Section

Vivid Strings is a meticulously crafted chamber strings sample library, featuring the rich and intimate sounds of a range of elite performers including those from the prestigious Royal Philharmonic Orchestra. Recorded in a dry studio environment, this collection captures the essence of each string instrument in vivid detail, offering a close, intimate sound that retains the unique character of the players. The library includes a diverse range of articulations, including scripted Legato, Sustain, Tremolo, Arc Vibrato, Staccato, and more, each recorded with precision to bring depth and realism to any composition.

Alien Guitars Vol.1 & Vol.2

AI | 30.11.2004 | WAV:1.06 GB | TZ7iSO: 07.12.2005 | AKAi:828.16 MB

You won’t find traditional funky, wah wah or metal guitars on this disc. Instead, these guitars were struck, beaten, brushed with chains, prepared, yelled into and abused – then, through post-production, their screams turned into mutant sound entities! Composers working in styles from hard edged electronic music to avant garde scoring will find Alien Guitars an indispensable tool for bringing an organic, but other worldly edge to their productions. Alien Guitars brings perfect bizarre sounds and awesome textures from beyond the scope of what is real.

Oz KONTAKT

OSHiE | 28 March 2024 | 5.10 GB

70 PATCHES / 2969 SAMPLES

Vintage Japanese Tonewheel Organ

Routed to Amps, Exotic Circuits And Speakers. OZ is built upon the Acetone crown-jewel GT-7 presented through 5 mix-signals and a ton of effectuated variations. Not made for the organ-purists. This e-organ boasted a two floor keyboard, true tonewheel, and a plethora of knobs and faders for commanding layer volume, instrument type, envelope, modulation, filter parameters and a fabolous sounding vibrato. Tape echos, warp pedals, modular boxes, circuit bent toys and amps of all sizes and forms. Equipped with upto five mix-tracks, OZ empowers you with extensive sound-shaping controls, granting the freedom to mold and transform the sound to your liking. With the “Glide” control slider, you can produce legato and portamento transitions. The interface is simple to look at, easy to play, and with advanced options available behind every control

800 Production Effects AKAi KONTAKT

KRock | 07 December 2013 | 633.28 MB

This CD-ROM includes more than 800 stereo effects designed for film, commercials, multimedia, and dance production. Useful for beginnings and endings, dance FX, drum’n’bass, science fiction, nature, scratches, noises, alarms, voice FX, and numerous atmospheres.

Horny Club Sounds BUNDLE

Teams: CHiC/DViSO | xx.xx.2003 | AKAi: 447MB | CDDA: 370MB

500 house & funky disco sounds, vocals, & shouts, hits & stabs, synths, basses, strings, pianos, chords, layers (chords, strings, atmos), effects, organs, guitar & bass licks and single sounds, 1000 club-drum-grooves, (125,130 and 135 bpm) absolute accurate tuning! These sounds are remarkably fresh and they’re not just suitable for house. From mysterious warbles to Euro synths and outrageous disco stabs, there’s something here for everyone.

EWQL Voices of the Apocalypse KONTAKT

Introninja | 06 May 2014 | 917 MB

Various patches can also be used as regular instruments, and the vowel sounds are useful as general choral fodder, so long as you bear in mind that these samples are intended to be dramatic and intense. The percussive consonants also offer creative potential, and many extra patches are provided with non-pitched shouts, fierce staccato ‘ahs’, and cluster crescendos that are just crying out to be used in a horror score.