🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • EZX2 Seventies Rock v1.0.0 WiN MAC-R2R

    EZX2 Seventies Rock v1.0.0 WiN MAC

    TEAM R2R | 28.12.2016 | 1.32 GB

    The 1970s rock scene was one of diversity and constant reinvention. On one end of the scale, bands like Led Zeppelin and The Who not only paved way for a new breed of loud, beat-driven rock – but also revitalized the drum hero of the jazz age and introduced a never-before-heard sonic ideal of big, massively saturated drums. On the opposite end, acts like the Eagles and Fleetwood Mac took on a noticeably more polished production suit. Still, both sounds were very much products attributed to the advances of recording technology. The Seventies Rock EZX sets out to capture that scope – from the farthest end of epic, earth-shattering and reverberant down to classic, dampened and low-key.


    Viewed 12087 By Music Producers & DJ´s.


  • UK Drum and Bass MULTiFORMAT

    UK Drum & Bass MULTiFORMAT

    FANTASTiC | Nov 08 2016 | 963 MB

    UK Drum and Bass – a lethal collection of hi-octane samples from the legendary pioneer of sound. Packed with the production clarity and quality you know and love, with adrenaline-fuelled Drums, hard-hitting Synths, incisive Percussion and subwoofer destroying Bass! If you want to hear what the future of electronic music sounds like….this is it. Collection of sounds from 140-175BPM with wide-ranging elements suitable for Grime, Techno, Drum & Bass, Jungle and more!


    Viewed 9782 By Music Producers & DJ´s.


  • EMX Lo-Fi v1.0.0 WiN MAC-R2R

    EMX Lo-Fi v1.0.0 WiN MAC

    TEAM R2R | 28.12.2016 | 20.48 MB

    Modern sound design and mixing contemporary music often revolves around using vintage sound ideals and elements – tube sizzle, grit, distortion, vinyl noise. It’s an uprising against the digital revolution and an attempt to sand the surface off of what sometimes can come out too polished. This is where this collection of settings for EZmix 2 comes in – but with a twist. It goes beyond the obvious tape saturation settings, the compressors or the tube amps and rather focuses on the details – creative ingredients that can elevate your mix and lend you completely new ideas and landscapes of sound. Maybe a broken phone line setting on a vocal part, some vinyl noise on your intro or a bit crushed bass to spice things up?


    Viewed 9858 By Music Producers & DJ´s.

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  • EMX Metal Tones v1.0.0 WiN MAC-R2R

    EMX Metal Tones v1.0.0 WiN MAC

    TEAM R2R | 28.12.2016 | 11.74 MB

    Having shaped the sound of acts like Whitechapel, DevilDriver, Trivium and Coal Chamber, Mark Lewis has risen to become one of the top names in modern metal production. One of his signature traits, always a given in any production bearing the Lewis sonic seal, is the wall of guitars – deafening, yet defined, balanced and distinguishable. In this collection of settings for EZmix 2, he revisited some of his classic productions to detract the essence of what made the guitars live and breathe. In addition, he created all-new tones from scratch. Expect anything from subtle finesse to raw, unadulterated power – tones capturing the entire range of the extremes.


    Viewed 10574 By Music Producers & DJ´s.

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  • EMX Metal Bass Beasts v1.0.0 WiN MAC-R2R

    EMX Metal Bass Beasts v1.0.0 WiN MAC

    TEAM R2R | 28.12.2016 | 10.11 MB

    Tobin Esperance (Papa Roach), Evan Brewer (Entheos), Josh Paul (ex-Suicidal Tendencies) and Ryan Martinie (Mudvayne). Four top players from completely different ends of the scene deliver a collection of bass tones showcasing an incredible width. From tube-sizzling heavy rock tones and loud, distorted hi-gain metal settings to the complexly textured, mellow and organic. The Metal Bass Beasts EZmix Pack pinpoints the essence of rock and metal bass today and gives you a vast library of unique one-click settings, tailored for songs where the bass is all but just a frequency.


    Viewed 9729 By Music Producers & DJ´s.

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