Fusion EZX SOUNDBANK

P2P | 19 March 2025 | 14.41 GB

In fusion, where jazz, rock and funk seamlessly blend with an eclectic mix of other styles, the drums are, and have always been, the definitive heartbeat. This EZX for EZdrummer 3 and Superior Drummer 3 aims to unravel some of the defining mile markers in the genre’s history and provide you with the ultimate collection of tailored drums. If you’re looking for big, resonant kits that can handle the entire dynamic range from the subtle to the explosive and offer tones covering the bright, crisp, earthy and warm, this EZX is for you. The Fusion EZX was recorded by engineer Stefano Civetta (Nile Rodgers, Ed Sheeran, Earth, Wind and Fire) and drummer Pete Riley (Guthrie Govan, Keith Emerson, Richie Kotzen) at School Farm, a brand new state-of-the-art studio in Essex, England. With its SSL Duality console, stellar mic locker, 24 channels of Neve preamps and, most importantly, spacious but not overpoweringly reverberant live room, it was the perfect choice for capturing the vibrant energy of the drums in this EZX. In total, four unique kits are included, each handpicked, tuned and curated to offer its own niched tone and flair to the project. To add, one of the kits was recorded with two different drum head setups, essentially giving you a total of five completely different flavors of tone. Further, with the kits boasting seven toms each, extras such as side snares, octobans, cowbells, a gong bass drum, several extra kit pieces and a breadth of cymbals ranging from 6-inch splashes to 23-inch rides, stacks and chinas, this is an EZX that covers an enormous width.

EZX2 Dream Pop WiN MAC

P2P | 30 September 2025 | WiN: 535.7 MB | MAC: 555.6 MB

The Dream Pop EZX presents a truly unique fusion of organic and electronic percussion that bridges the gap between nature and technology. A sonic panorama where wood meets metal, man battles machine and complex textures of modular synthesis clash with the crude, unfiltered tone of nature. This is the perfect canvas for ethereal soundscapes and contemporary music where you let your own creativity be the primary architect.

Electronic Edge EZX WiN MAC

P2P | 14 June 2021 | 1.6 GB

In the Electronic Edge EZX, drum machines, acoustic percussion, foley and melodic instruments merge, meld and converge in a universe of never-before-heard hybrids of sound. In this zero-gravity audio cosmos, layering, texturing, pitch shifting, granular processing and circuit bending all intersect and pivot at the zenith of cutting-edge sound design to deliver a truly one-of-a-kind percussive battery for modern music production. In total, the EZX covers 30 mix-ready kit presets made up from in excess of 370 unique and individually engineered percussive components. You’ll find kicks, snares, risers, hi-hats, toms, atmospheric and FX sounds, claps, cymbals and more – all free-floating at the divides between electronic and acoustic and between modern and vintage and as far from anything conventional you can imagine.

Pop EZX v1.5.1 EXPANSiON

AudioP2P | 19.06.2012 | 465 MB

R2R | 03.06.2014 | UPDATE: v1.5.1: 39.12MB

..: ADDED FULL VERSiON TODAY v1.5.1: 762.75MB :..

For the past decade and counting, Toontrack has recorded drums in some of the world’s best studios, with some of the most esteemed engineers, with the most in-demand players and with only the best of the best in terms gear at their disposal. With sounds recorded in legendary studios like New York’s Hit Factory, London’s 2Khz Studio or where Nashville’s A-list clientele go, Blackbird Studios, the Pop! EZX is the culmination of years of relentless recordings and a true testament to the company’s search for the perfect sound.

EZX Indie Folk HYBRiD

AiRiSO | June 2013/November 2024 | FULL: 906 MB | UPDATE:65.9MB

Indie folk. The wayward son of rock, the black sheep of folk and the flagman of lo-fi. Always in the forefront, blazing trails through uncharted territory, far left from the dense mainstream. Questioning, innovating, constantly one step ahead of the establishment while still rooted in unmistakable tradition. These are drums for indie folk, for music where no given set of rules apply.

Modern Metal v1.0.1 EZX

P2P | 11 May 2022 | 3.45 GB

A LESSON IN AGGRESSION.

The Modern Metal EZX was recorded by engineer/mixer/producer Will Putney at his own Graphic Nature Audio studios in New Jersey. Featuring five carefully captured kits, each handpicked for their unique tonal qualities, paired with Will Putney’s raw but still sonically immaculate production style, this EZX paints a unique document of hard-hitting, aggressive-sounding drums with a tangible edge, nerve and energy. In addition to the kits and the large assortment of cymbals, extra kicks and snares, the Modern Metal EZX also includes a comprehensive library of presets as well as a selection of MIDI grooves and fills designed for anything from heavy rock to death metal, hardcore and progressive metal. Ultimately, the Modern Metal EZX presents the embodiment of modern metal drums at their finest – fit for anything from hardcore to metal and any subgenre descriptor that may be wedged in between.

New Orleans v1.0.1 EZX

P2P | 05 February 2026 | 15.3 GB | UPDATE: 262 MB

If you’re chasing the soul of drumming, all roads lead to New Orleans. This is the city where the drum kit as we know it was born, where jazz and funk first took shape and where rhythm has never been just a musical element – it’s the living pulse woven over centuries by African, Caribbean, French and Creole traditions, merging into that magical heartbeat we call groove. For this EZX, we traveled there to capture an all-encompassing drum library under the supervision of one of the city’s foremost experts on drumming, gear and groove: Terence Higgins (Dr. John, Allen Toussaint, Dirty Dozen Brass Band). The New Orleans EZX was sampled by Terence Higgins himself and recorded by multi-award-winning engineer, producer and mixer Misha Kachkachishvili at his Esplanade Studios, one of the absolute hubs of today’s New Orleans recording circuit. Located in the vibrant Tremé neighborhood and housed in a completely remodeled 14,000-square-foot early 1900s church, it’s the largest recording studio in Louisiana. The main recording room in Studio A alone boasts a staggering 3,400-square-foot space with ceilings up to 26 feet high. Naturally, the ambience is awe-inspiring. For this recording, however, the drums were partially sectioned off using gobos to create a lively yet viscerally close feel.