6050 Ultimate Channel Strip v6.2.0.10 WiN

Team AudioUTOPiA | 29 Oct 2016 | 82.6 MB

..:: AAX*, VST2, VST3, x86, x64 ::..

The 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters. The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.

Drawmer S73 & Drawmer 1973 WiN

Team AudioUTOPiA | Feb 29 2016 | 181 MB

..:: AAX*, VST2, x86, x64 ::..

S73 Intelligent Master Processor / 1973 Multi-Band Compressor

For the mastering engineer, a multi-band compressor is a powerful tool. But as Spiderman’s uncle Ben famously says: with great power comes great responsibility. A multi-band compressor that is not used diligently may create more problems than it solves. This is why we created Drawmer S73 Intelligent Master Processor (IMP).

Axis EQ v1.0.3 VST2 WiN

Team AudioUTOPiA | March 13 2016 | 47 MB

..:: AAX*, VST2, x86, x64 ::..

There’s a reason the eq that inspired this plugin has endured 45 years of musical fashion & trends: it does all the right things to sound. But even a stunning classic isn’t safe from my meddling tastes! For starters, this eq’s curves are a bit tighter than the original. Next, I added a Saturation knob to overdrive a customized op-amp. That knob generates a very creamy, lush distortion, I’ll often use the Sat on its own, no EQ’ing. It’s fat, and very much a signature Sly-Fi sound!

Kaya v1.0.4 VST2 WiN

Team AudioUTOPiA | March 13 2016 | 42 MB

..:: AAX*, VST2, x86, x64 ::..

There’s only one Kaya… literally. S. Husky Hoskulds made it by taking an old Ampex tube tape deck and hardwiring the preamp directly to the tape head. He calls his unit ‘Pa’, a minimal box with swampy distortion and a very heavy bottom. I started with Pa’s dirt, then added controls to make it more flexible. An assymetric Treble control can rebalance the sound towards the top, or tilt it down into murky darkness. An Abuse knob does exactly what you’d expect it to do. Blend allows you to tuck in the overall effect for subtler applications. What I love about Kaya is it never harshes out, it’s always warm even when it’s gone nuclear. A one-trick pony, but what a trick it is.

Deflector v1.0.2 WiN

Team AudioUTOPiA | March 13 2016 | 33.3 MB

..:: AAX*, VST, x86, x64 ::..

There seem to be two types of mix engineers: those who own a pair of the original units this plug is inspired by, and those who want to. I can’t give you the original, but I can give you my twisted take on it. For starters, I tweaked the distortions to make them fuzzier, because I have a fondness for dirt & grime. I added a 250Hz sidechain HPF option which leaves all bass frequencies uncompressed, as well as a 6kHz sidechain ‘push’ to smooth out harsh, aggressive stuff. Most compressors press sounds back, this one pushes them forward. The original is in every million dollar studio, now my version can be in yours

EFX Pedal Plugin Bundle VST WiN

TEAM 0TH3Rside | August 23 2016 | 29.71 MB

DNX 03 v2.2 VST x86 WiN

HY2ROG3N | 30.11.2016 | 16 MB

..:: Multiband Compressor ::..

DNX-03 is a three-band stereo Compressor (win vst plugin) inspired by the analog models, with some added features such as noise reduction and wide stereo control for each individual freq-band. The DNX-03 is able to split the incoming signal into three frequency-bands using a 6dB per octave crossover. First-order filters are considered by many audiophiles to be ideal for crossovers. Each band is passed through a compressor and then through a stereo processor where compression,gain and stereo image can be altered and improved. The outputs of the compressors and processors are then re-combined and fed to the master output.