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  • Tape Cassette 2 v1.2.2 WiN MAC-FLARE
    October 10th, 2021 ⚡
    Categories:
    AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64

    Tape Cassette 2 v1.2.2 WiN MAC-FLARE

    Tape Cassette 2 v1.2.2 WiN MAC

    FLARE | 07 August 2021 | WiN: 6.06 MB | MAC: 66.3 MB

    ..:: AU, AUv3, VST3, x64 & AAX ::..

    Nostalgic Saturation Tape Cassette 2 is an audio plugin that emulates the warmth, noise and character of old tape cassettes. Following up from our well received Tape Cassette 1, we’ve updated the plugin with a sleek interface and more changes under the hood too. Along with a brand new selectable Type 1 Cassette Impulse Response (IR), we’ve improved the saturation algorithm, wow & flutter engine and implemented real sampled tape noise, all which results in a wonderfully warm and more accurate vintage sound. In addition to this you now have two VU meters to monitor your audio as well as selectable oversampling. Now you can easily add that classic sound to an entire track or use it directly on individual channels for added movement, texture, and warmth. Alternatively you can take it further than the material limitations of tape and push the parameters into a far more experimental soundscape, as a sound design tool.


    Viewed 18578 By Music Producers & DJ´s.

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  • Schlap v1.0.7 WiN MAC-FLARE
    October 10th, 2021 ⚡
    Categories:
    AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64

    Schlap v1.0.7 WiN MAC-FLARE

    Schlap v1.0.7 WiN MAC

    FLARE | 07 August 2021 | WiN: 3.96 MB | MAC: 7.41 MB

    ..:: AU, AUv3, VST3, x64 & AAX ::..

    If you want your tracks to be energetic, in-your-face and bold, make ’em “Schlap”. Schlap is a characterful, colourful and aggressive sounding program-dependent compressor. It takes inspiration from hardware RMS compressors of the past and evolves them into a modern setting. The compressor uses a program-dependent attack and release influenced by old hardware making the compression sound characterful and dynamic. The RMS detection means that Schlap detects the average loudness of a signal, resulting in sudden short peaks being uncompressed so that they can attack hard and sound heavy hitting. Also inherently in RMS detection, there is a slight delay in compression which allows the initial, early transients to sneak through uncompressed so they keep their punch. You’ve got a safe, controlled track you think you’re happy with, but you have to ask yourself… “Does it Schlap?”


    Viewed 8940 By Music Producers & DJ´s.

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  • IIEQ Pro v3.6.8 macOS-SPTNDC
    October 10th, 2021 ⚡
    Categories:
    AU, DDMF, macOS, VST, VST3, x64, x64

    IIEQ Pro v3.6.8 macOS-SPTNDC

    IIEQ Pro v3.6.8 macOS

    SPTNDC| 10 October 2021 | 9.1 MB

    PLATFORM: MAC64 – AU/VST/VST3

    IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.


    Viewed 11986 By Music Producers & DJ´s.

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  • Tape Pro v1.2.1 WiN MAC-FLARE
    October 10th, 2021 ⚡
    Categories:
    AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64

    Tape Pro v1.2.1 WiN MAC-FLARE

    Tape Pro v1.2.1 WiN MAC

    FLARE | 07 August 2021 | WiN: 30.1 MB | MAC: 245 MB

    ..:: AU, AUv3, VST3, x64 & AAX ::..

    Endless Creativity. Tape Pro is a multi-effect tape audio plugin that introduces warmth, frequency shaping, modulation, noise and delay. Whether you want to accurately replicate a microcassette tape running at 1.2cm/s, or you want to drive a mastering grade tape machine with strange distortion shapes into a high feedback delay engine, Tape Pro is the plugin for the job. Tape Pro has a module for each sound feature of tape. The first of these in the signal chain is the Saturation module. The variety of distortion types to choose from turn Tape Pro into a valuable creative tool – get the exact saturation sound you want with; Tape, Digital, Rectify, Half-Rectify, Sine and Smooth. Next, the Response module uses a variety of different impulse responses recorded from real tape machines to recreate the authentic character to its sound. Our collection of responses from 12 different tape machines will have you covered; Cassette Type 1, Type 2 and Type 4, Worn, New and Mod Copi-Delay, Master SA812, Master TM15, Microcassette at 1.2cm/s and 2.4cm/s, Semi-Pro RB77 7.5ips and 15ips.


    Viewed 9074 By Music Producers & DJ´s.

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  • Smoov v1.0.9 WiN MAC-FLARE
    October 10th, 2021 ⚡
    Categories:
    AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64

    Smoov v1.0.9 WiN MAC-FLARE

    Smoov v1.0.9 WiN MAC

    FLARE | 07 August 2021 | WiN: 3.95 MB | MAC: 7.20 MB

    ..:: AU, AUv3, VST3, x64 & AAX ::..

    Is a chaotic track starting to get to you? Maybe you should make it a little more “Smoov”. Smoov is a soft, clean and transparent sounding program-dependent compressor. It takes inspiration from hardware compressors of the past with a focus on peak detection, meaning that it can quickly and effortlessly react to incoming signals and blend them in with the surrounding audio field. When a busy track needs taming, Smoov softly settles your tracks. The compressor uses a program-dependent envelope influenced by old hardware making the compression sound smooth and dynamic. The peak detection means that Smoov detects the actual amplitude of a signal, resulting in an extremely fast response to tame and control anything that is thrown at it. You’ve got a big, groovy track you think you’re happy with, but you have to ask yourself… “Is it Smoov?”


    Viewed 8357 By Music Producers & DJ´s.

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  • MagicDeathEyeStereo v1.1.1 macOS-SPTNDC
    October 10th, 2021 ⚡
    Categories:
    AU, DDMF, macOS, VST, VST3, x64, x64, x86, x86

    MagicDeathEyeStereo v1.1.1 macOS-SPTNDC

    MagicDeathEyeStereo v1.1.1 MAC

    SPTNDC | October 9 2021 | 13.4 MB

    PLATFORM: MAC32/64 – AU/VST/VST3

    The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”


    Viewed 20493 By Music Producers & DJ´s.

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Since 1996 We are a Group of Producers with more than 25 years of experience in the production of Hip Hop, Rap, EDM and different musical genres. We started looking for resources on the internet for our productions and we shared with you all the good that we are finding... Lately, we're doing our best to keep this website free, as much as possible, and not die trying. Don't hesitate. And as R2R says: Support the good developer by buying their product if you're going to use it PRO and as H2o: Try Before Buy. If you can't find what you're looking for, it's because it's not Royalty-Free xD.


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