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  • Vocoder V v1.1.1 1594 WiN-MORiA
    December 18th, 2021 ⚡
    Categories:
    Audio Software, VST, VST3, WiNDOWS, x64, x64

    Vocoder V v1.1.1 1594 WiN-MORiA

    Vocoder V v1.1.1 WiN

    MORiA | 30 August 2021 | 915.49 MB

    STANDALONE/VST/VST3/x64

    Vocoder V ULTIMATE VOICE ELECTRIFIER Vocoder V takes the iconic 16-Band Vocoder and retrofits it with advanced synth, sampler, and modulation capabilities. Venture beyond the classic robot voice with a sound that truly speaks for itself. Vocoder V is not your standard vocoder. It’s not your standard synthesizer either. This is your new voice-transforming playground. Unlike the traditional vocoder, it combines carrier and modulator – synth and voice analyzer – into one powerful unit.


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  • Production Suite Pro 2021.12 WiN CE-V.R [REV.2]
    December 18th, 2021 ⚡
    Categories:
    AAX, Audio Software, VST, VST3, x64, x64

    Production Suite Pro 2021.12 WiN CE-V.R [REV.2]

    Production Suite Pro WiN

    Team V.R | 18 December 2021 | 957 MB

    (Win64; AAX, VST3, VST, STANDALONE)

    Music Production Suite Pro | All the tools you love, always up to date | A suite of professional audio production tools to help you deliver the highest quality sound to your clients. Plug-ins that listen to your audio… and to each other | Music Production Suite Pro is the only audio plug-in subscription that uses AI-powered processing to give you a customized starting point for every step of the mix, from assigning reverb to adding the final mastering polish. With inter-plugin communication, your iZotope plug-ins listen to each other to detect masking between your tracks and vocals, help suggest level balance settings, and even let you mix your tracks in a visual space.


    Viewed 16029 By Music Producers & DJ´s.

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  • Omega 458A v1.1.0 WiN-R2R
    December 16th, 2021 ⚡
    Categories:
    AAX, VST, VST3, WiNDOWS, x64, x64

    Omega 458A v1.1.0 WiN-R2R

    Omega 458A v1.1.0 WiN

    Team R2R | 16 Nov 2021 | 6.2MB

    PLATFORM: VST/VST3/AAX(MOD)

    Rarefied tube emulation with a fat tone that breaks up in delicious ways, growing increasingly crusty but never harsh. This rarefied tube emulation has a fat tone that breaks up in delicious ways, growing increasingly crusty but never harsh, turning cymbals from brass to gold, and gluing bass into a molten fiery blob of love. Pairs perfectly with the Omega Mic Pre.


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  • Retro Pack Bundle WiN-R2R
    December 16th, 2021 ⚡
    Categories:
    VST, VSTi, WiNDOWS, x64, x64, x86, x86

    Retro Pack Bundle WiN-R2R

    Retro Pack Bundle WiN

    TEAM R2R | 25 October 2021 | 47.4MB

    ..:: VST, VSTi, x86, x64 ::..

    Achieve authentic vintage vibes “in-the-box” with the Retro Pack. This bundle of precisely modelled instruments and effects will allow you to recreate that nostalgic mojo without the need for a time machine.


    Viewed 8971 By Music Producers & DJ´s.

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  • God Mode v2.0.1 WiN MAC-FLARE
    December 15th, 2021 ⚡
    Categories:
    AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

    God Mode v2.0.1 WiN MAC-FLARE

    God Mode v2.0.1 WiN MAC

    FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

    ..:: VST, VST3, AU, AAX, x86, x64 ::..

    The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.


    Viewed 19096 By Music Producers & DJ´s.

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  • Perfect Plate XL v1.0.3 WiN MAC-FLARE
    December 15th, 2021 ⚡
    Categories:
    AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

    Perfect Plate XL v1.0.3 WiN MAC-FLARE

    Perfect Plate XL v1.0.3 WiN MAC

    FLARE | 08 September 2021 | WiN: 6.13 MB | MAC: 12.3 MB

    Go supernatural with the Perfect Plate TXVerb™ powered technology

    The goal of the denise Perfect Plate reverb is to easily manipulate your tracks in supernatural ways with supernatural sound quality. The Perfect Plate XL offers refined control over the key aspects that determine a plate’s sound, resulting in new possibilities to shape and combine plate reverb styles: make drums sound huge, like played in a oil tanker, give vocals a classic dreamy vintage reverb or make them sound like a resonating synth drone that rotates in the stereo field. We do this by utilizing our TXVerb™ technology known from the Perfect Room, praised by many engineers as the best natural reverb out there. To go even further beyond the realms of traditional reverb, we added tailor-made effects to work seamlessly with our core TXVerb™ technology. We challenge you to go supernatural with the resonator, drive, rotator & detune – and don’t forget about the internal ducker!


    Viewed 11335 By Music Producers & DJ´s.

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  • Pana v1.0.0 WiN MAC-V.R
    December 15th, 2021 ⚡
    Categories:
    Apple Silicon, AU, macOS, VST, VST3, x64, x64

    Pana v1.0.0 WiN MAC-V.R

    Pana v1.0.0 WiN MAC

    TEAM V.R | 15 December 2021 | 28 MB

    .: AU | VST | VST3:.

    Introducing Pana Natural positioning made easy. Pana – a pan knob for the human ear. Pana is a sophisticated stereo tool designed to let you do more elegant, natural audio positioning than what regular balance panning might accomplish. Panning an audio signal can be done in several ways, where the most common is to alter the volume on one channel. This is a CPU efficient way (and many times the best) to achieve a sense of positioned audio. Almost every DAW and mixing console have this feature built-in. Another way is to add a short delay to one of the channels – the Haas method. This renders a richer sound, but can also make a sound come off as somewhat unnatural. A more elegant way is to apply a low pass filter to one of the channels. This maintains the audio energy on both channels, but at the same time makes it sound positioned. This works very well on transient rich sounds like drums or other percussive instruments.


    Viewed 11316 By Music Producers & DJ´s.

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ABOUT US: MaGeSY ® TEAM
Since 1996 We are a Group of Producers with more than 25 years of experience in the production of Hip Hop, Rap, EDM and different musical genres. We started looking for resources on the internet for our productions and we shared with you all the good that we are finding... Lately, we're doing our best to keep this website free, as much as possible, and not die trying. Don't hesitate. And as R2R says: Support the good developer by buying their product if you're going to use it PRO and as H2o: Try Before Buy. If you can't find what you're looking for, it's because it's not Royalty-Free xD.


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