Schlap v1.0.7 WiN MAC

FLARE | 07 August 2021 | WiN: 3.96 MB | MAC: 7.41 MB

..:: AU, AUv3, VST3, x64 & AAX ::..

If you want your tracks to be energetic, in-your-face and bold, make ’em “Schlap”. Schlap is a characterful, colourful and aggressive sounding program-dependent compressor. It takes inspiration from hardware RMS compressors of the past and evolves them into a modern setting. The compressor uses a program-dependent attack and release influenced by old hardware making the compression sound characterful and dynamic. The RMS detection means that Schlap detects the average loudness of a signal, resulting in sudden short peaks being uncompressed so that they can attack hard and sound heavy hitting. Also inherently in RMS detection, there is a slight delay in compression which allows the initial, early transients to sneak through uncompressed so they keep their punch. You’ve got a safe, controlled track you think you’re happy with, but you have to ask yourself… “Does it Schlap?”

Pendulum v1.1 WiN MAC

Team R2R | 2013.04.22 | WiN: 1.25 MB | MAC: 1 MB

Torsion Pendulum is a simulator of nonlinearity. It can be used for distortion audio signal and harmonics saturation. There are two algorithms used for simulation of nonlinearity.

IIEQ Pro v3.6.8 macOS

SPTNDC| 10 October 2021 | 9.1 MB

PLATFORM: MAC64 – AU/VST/VST3

IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.

Tape Pro v1.2.1 WiN MAC

FLARE | 07 August 2021 | WiN: 30.1 MB | MAC: 245 MB

..:: AU, AUv3, VST3, x64 & AAX ::..

Endless Creativity. Tape Pro is a multi-effect tape audio plugin that introduces warmth, frequency shaping, modulation, noise and delay. Whether you want to accurately replicate a microcassette tape running at 1.2cm/s, or you want to drive a mastering grade tape machine with strange distortion shapes into a high feedback delay engine, Tape Pro is the plugin for the job. Tape Pro has a module for each sound feature of tape. The first of these in the signal chain is the Saturation module. The variety of distortion types to choose from turn Tape Pro into a valuable creative tool – get the exact saturation sound you want with; Tape, Digital, Rectify, Half-Rectify, Sine and Smooth. Next, the Response module uses a variety of different impulse responses recorded from real tape machines to recreate the authentic character to its sound. Our collection of responses from 12 different tape machines will have you covered; Cassette Type 1, Type 2 and Type 4, Worn, New and Mod Copi-Delay, Master SA812, Master TM15, Microcassette at 1.2cm/s and 2.4cm/s, Semi-Pro RB77 7.5ips and 15ips.

Smoov v1.0.9 WiN MAC

FLARE | 07 August 2021 | WiN: 3.95 MB | MAC: 7.20 MB

..:: AU, AUv3, VST3, x64 & AAX ::..

Is a chaotic track starting to get to you? Maybe you should make it a little more “Smoov”. Smoov is a soft, clean and transparent sounding program-dependent compressor. It takes inspiration from hardware compressors of the past with a focus on peak detection, meaning that it can quickly and effortlessly react to incoming signals and blend them in with the surrounding audio field. When a busy track needs taming, Smoov softly settles your tracks. The compressor uses a program-dependent envelope influenced by old hardware making the compression sound smooth and dynamic. The peak detection means that Smoov detects the actual amplitude of a signal, resulting in an extremely fast response to tame and control anything that is thrown at it. You’ve got a big, groovy track you think you’re happy with, but you have to ask yourself… “Is it Smoov?”

BRA Plugins Pack v2.5.7 WiN

Team V.R | 9 October 2021 | 255 MB

..:: AAX*, VST, x86, x64 ::..

The vintage breeze of classic studio equipment combined with modern day, easy to apply digital processing makes this bundle the perfect chain of tools for everyday mixing.

MagicDeathEyeStereo v1.1.1 MAC

SPTNDC | October 9 2021 | 13.4 MB

PLATFORM: MAC32/64 – AU/VST/VST3

The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”