God Mode v2.0.1 WiN MAC

FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

..:: VST, VST3, AU, AAX, x86, x64 ::..

The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.

Perfect Plate XL v1.0.3 WiN MAC

FLARE | 08 September 2021 | WiN: 6.13 MB | MAC: 12.3 MB

Go supernatural with the Perfect Plate TXVerb™ powered technology

The goal of the denise Perfect Plate reverb is to easily manipulate your tracks in supernatural ways with supernatural sound quality. The Perfect Plate XL offers refined control over the key aspects that determine a plate’s sound, resulting in new possibilities to shape and combine plate reverb styles: make drums sound huge, like played in a oil tanker, give vocals a classic dreamy vintage reverb or make them sound like a resonating synth drone that rotates in the stereo field. We do this by utilizing our TXVerb™ technology known from the Perfect Room, praised by many engineers as the best natural reverb out there. To go even further beyond the realms of traditional reverb, we added tailor-made effects to work seamlessly with our core TXVerb™ technology. We challenge you to go supernatural with the resonator, drive, rotator & detune – and don’t forget about the internal ducker!

Pana v1.0.0 WiN MAC

TEAM V.R | 15 December 2021 | 28 MB

.: AU | VST | VST3:.

Introducing Pana Natural positioning made easy. Pana – a pan knob for the human ear. Pana is a sophisticated stereo tool designed to let you do more elegant, natural audio positioning than what regular balance panning might accomplish. Panning an audio signal can be done in several ways, where the most common is to alter the volume on one channel. This is a CPU efficient way (and many times the best) to achieve a sense of positioned audio. Almost every DAW and mixing console have this feature built-in. Another way is to add a short delay to one of the channels – the Haas method. This renders a richer sound, but can also make a sound come off as somewhat unnatural. A more elegant way is to apply a low pass filter to one of the channels. This maintains the audio energy on both channels, but at the same time makes it sound positioned. This works very well on transient rich sounds like drums or other percussive instruments.

Cruelle v1.4 WiN MAC RETAiL

ZEUS | 15 December 2021| 7.25 MB

Cruelle is a brutal distortion plugin designed to turn sounds into screaming feedback tones and glitch artifacts. Combining an analog style filter with audio rate modulation and an aggressive digital distortion module with adjustable shape and feedback, Cruelle allows you to quickly create wild patches thanks to its intuitive and clean user interface.

Pana v1.0.0 macOS

MORiA | 15 December 2021 | 15.3 MB

.: AU | VST | VST3:.

Introducing Pana Natural positioning made easy. Pana – a pan knob for the human ear. Pana is a sophisticated stereo tool designed to let you do more elegant, natural audio positioning than what regular balance panning might accomplish. Panning an audio signal can be done in several ways, where the most common is to alter the volume on one channel. This is a CPU efficient way (and many times the best) to achieve a sense of positioned audio. Almost every DAW and mixing console have this feature built-in. Another way is to add a short delay to one of the channels – the Haas method. This renders a richer sound, but can also make a sound come off as somewhat unnatural. A more elegant way is to apply a low pass filter to one of the channels. This maintains the audio energy on both channels, but at the same time makes it sound positioned. This works very well on transient rich sounds like drums or other percussive instruments.

FinalMix v.1.01 VST x86 WiN

TEAM TALiO | 08-13-2004 | 2.7 MB

With an extensive palette of sonic tools, including 3-band dynamics processing, 6-band (pre and post) parametric EQs, adjustable cross over points and individual band key filtering, Final Mix lets you zero in on exact frequencies to adjust or emphasize crucial elements of your mix. Final Mix employs three individual dynamics processors (low, mid and high) with noise gating and soft clip limiting to provide ultra smooth compression or expansion. Each dynamics band features individual threshold, attack and release times. A graphical contour edit screen for each band allows you to easily set a desired ratio and to create your own hard knee or soft knee, or even draw in an expander curve. Each dynamics band features its own key filter that allows you to emphasize or de-emphasize a portion of the signal within the band. The Soft Clip feature adds a smooth, analog-style clip response when your signal gets close to overload. Other features such as Noise Gate, Band Linking and more ensure that Final Mix will be an integral part of your mixes from here out.

TBPA Plugins Pack 2021.10 MAC

SPTNDC | 07 October 2021 | 275 MB

(AU, VST3, VST, STANDALONE)