Comp670 is the Overloud recreation of a very rare legendary tube compressor. It has a unique and distinctive tone thanks to large amount of transformers in the signal chain which gives it a very warm tone.
DOPAMINE is the emulation of two classic tape encoding processors, used as enhancers. It is designed to revive individual tracks as well as complex mixes while preserving their natural tone. DOPAMINE does not introduce unpleasant artefacts like the exciters do: in fact it dynamically balances the harmonics that naturally exist in the original audio rather than generating non-existent harmonics by synthesizing them.
ECHOSON is the new weapon to unleash the creativity and bring to life new and original sounds. Many contemporary engineers use it on vocals, keyboards and drums to achieve a unique tone. ECHOSON, the revolutionary simulation of a legendary Drum Delay, originally manufactured by the Italian company Binson. ECHOSON goes beyond the mere simulation of the original unit, by adding features not available in the hardware. One of the main addition is the option to double the processor panel to have it working on a stereo pair of audio channels with cross-feedbacks between the channels. The original units have been manufactured in the ’60s and ’70s by an Italian company. They are currently in high demand thanks to their unique tone which adds a touch of personality to modern recordings.
Esspresso is a fast, beautiful & powerful de-esser for everyone doing audio recording. De-essers have previously been aimed towards highly professional audio producers that needs full control over the sibilance (high frequency noises) in their mix. These noises can bring trouble to your overall sound – for example if you want a ”crisp” tone to the voice and add the EQ, the S’s will eventually distort and make it hard to balance the mix. The uniqueness of Esspresso is that the detection frequency range isn’t coupled with the suppressors frequency range. That means you can listen to a specific frequency and compress another one, which is often what you’ll want from a professional de-esser. With a fast and accurate frequency response view, you will easily get full control over annoying S-sounds that otherwise can ruin the mix.
Coil is an analog warping effect, a sample decimator, phaser and more. Coil was originally designed to be a glitch driven distortion effect – a probabilistic device that emulates degradation in digital and analog systems. Building on that concept, Puremagnetik has developed Coil as a simple, fun, useful toolbox for giving your audio some welcomed mistakes. It includes algorithms for augmenting your sounds with tape warp, bit and sample rate reduction, phase cancellation, filtering and more, all contained within six simple macro controls.
Arkinaut is a fictitious electroacoustic instrument, inspired by ancient sounds and materials (zither, wood stone, glass and crystal), while employing modern synthesis techniques. It excels at producing timbres ranging from plucked and bowed strings to mallets and more. It was designed to create percussive and bowed articulations combined with idiophone transients and synthesizer modulations. With an array of controls to set resonator type, transient characteristics, timbre tone and vibrational material, Arkinaut lets you sculpt a vibrating string instrument tailored to your taste. Choose from “Metal”, “Wood” or “Elastic” resonators and use the “Mallet” to add struck bar transients such as those found in a vibraphone or marimba. Arkinaut’s internal workings employ Karplus-Strong algorithms fed into a soft overdrive. An optional ring modulator provides augmented and chaotic tone design that can create a wide palette of timbres. The final stage of the signal passes through a Moog-style low pass filter and a fixed delay “doubling” module that simulates string loosening.
Techivation T-Clarity is an audio plug-in designed to clean muddiness and boxiness in audio. It is a powerful tool for making your mid-range sound more solid and consistent. T-Clarity enhances the quality of mid-range frequencies musically, and it’s an essential tool along with the T-De-Esser for any audio processing tasks. What is a muddy and boxy sound? It’s very common to have an unpleasant sound from 200 to 500Hz in most recordings and mixes, and those unwanted audio effects are usually referred to as muddy sounds. A muddy sound is mainly caused by not having the right balance in the sounds. Boxiness is a similar unpleasant sound coming from a frequency range of 250 and 900Hz in many recordings.
