Retro Pong v1.2.103 WiN MAC
TALULA | 29.04.2020 | 35.6 MB
..:: AU, AAX, VST, VST3, x86, x64 ::..
This plugin will be available in 6 hours… (But TALULA & ViP Team open access now!)
Viewed 7004 By Music Producers & DJ´s.
This plugin will be available in 6 hours… (But TALULA & ViP Team open access now!)
Our brand new amp simulator called Caliburn which we are confident to say that this is our best amp yet. This time, it’s inspired by Britain’s Marshall* Amps crafted using our most current 3rd generation modeling technology, resulting a satisfying responsive feel, more dynamic guitar playing experience you’ll love. Supports various audio plugins: VST/VST3/AU/AAX which compatible with any kind of Digital Audio Workstation softwares. Standalone version are also available. In the history of music, British made amplifiers has undeniable influences to the evolution of rock music. The loud, chimey clean, and thick crunchy mids of those amps were popularized by big acts such as Jimi Hendrix, Led Zeppelin, and The Who. It is the sound of rock music that lasts through generations until today. If there was only one name that represents the sound of rock music, it’s absolutely this one: Marshall* Amplifiers. Founded by Jim Marshall in 1962, Marshall* amplifiers have taken the lead to be the top choice of many guitarists, such as Jeff Beck, Tom Morello, Andy Summers, Slash, Angus Young, Yngwie Malmsteen, to Kerry King of Slayer*.
3rd gen Tube Simulation technology following the much hyped Caliburn. Matchlock is inspired by Fender* combo amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists.
Brings five most desirable types of delay pedal effect software to your DAW, complete with modulation parameter to add life and movement to the repeats or echoes. It’s probably one of the most essential effects in audio effect processing, even before widely used in music. It all started in the 1940s, where studio engineers utilized multiple tape machines to create repeats of a signal for creative uses. Along with the advancement of technology, this particular kind of effect is still developed continuously with more features, new sounds, and modern routing possibilities. On the other hand, many players still seek for classic delay sound that can be heard on a great number of timeless records.
Clipped-MAX is multifaced clipping tool designed for a wide range of mixing and mastering applications – from subtle to extreme. Clipped-Max includes 4 distinct clipping modules that can be rearranged to produce a variety of effects. Built into Clipped-MAX is minimal and linear phase oversampling that extends to 128x. The modules for Clipped-MAX include SHIFTER, STEREO, M-BAND, and MASTER. The SHIFTER module is based on Clipped-MAX’s predecessor, ClipShifter. The clipping threshold can be dynamically altered based on the incoming signal. The STEREO module splits the incoming signal into mid and side channels, and each channel has separate clipping controls before being combined into left and right output signals. The M-BAND module splits the signal into 2 to 6 different EQ bands for separate clipping. Each band’s clipping amount and clipping algorithm is separate and configurable. The MASTER module includes eleven different clipping algorithms, including an intersample peak option for monitoring and stopping intersample peaks.
Easy & Creative Tone: Toned-MAX is a versatile digital equalizer plugin with analog modeling. Although Toned-MAX can be used creatively on individual tracks, it shines at mastering and bus tracks. More than a basic EQ, Toned-MAX includes many different visual features for monitoring the signal, and controls for shaping the output.