UK Pop EZkeys MiDi

P2P | 03.01.2020 | 3.16 MB

LONDON CALLING.

EZkeys MIDI inspired by modern British pop. Adele, Ed Sheeran, Coldplay, Amy Winehouse, Sam Smith, James Bay, Ellie Goulding – the modern British pop wonder is more than a fact, it’s a force in motion, unstoppably charging through the worldwide charts. Inspired by this wealth of music, the UK Pop EZkeys MIDI pack dives headfirst into the treasure chest of British pop to come up with new ideas that you can use to craft your tracks from. Expect classy, timeless pop with a modern twist and, of course, that unmistakable UK pop feel.

Sixties Pop Grooves MiDi

P2P | 03.01.2020 | 7.34 MB

SIXTIES POP CHOPS.

Pop grooves and fills inspired by the ’60s pop and rock revolution. Transitioning from rhythm and blues, rock ’n’ roll and soul to a more open sound, the ’60s pop era is one of blurred lines when it comes to drums. Suddenly, drummers were caught in the midst of a musical and cultural revolution bursting with innovation, calling for new ideas, grooves and personality. Pop and rock players like Bobby Orr, Mick Avory, Keith Moon, Levon Helm, Charlie Watts, Mitch Mitchell, Ringo Starr and others in many ways rewrote the role the drums used to have in a pop or rock song. “From a drum perspective, the ’60s is an era of extreme forward musical thinking. I’d like to think of this decade as the musical cradle that shaped the modern pop and rock drum hero. Finally, the drums did more than just play along. Much like in a jazz setup, they were in the forefront of the sound and a pivotal part of the overall expression”, says drummer Norman Garschke.

Dune 1 v1.4.0 WiN MAC

TEAM R2R | 01.01.2020 | WiN: 5.8 MB | MAC: 9.4 MB

PLATFORMS: WiN32/64 – VSTi | MacOSX – AU/VSTi

DUNE is a subtractive/virtual-analog type synthesizer which introduces new, innovative features. The differential unison engine (DUNE) takes the concept of subtractive synthesis to the next level, by allowing full control of each unison voice. This greatly extends the range of possible sounds, reaching deep into FM and Wavetable synthesis. Whether you’re looking for lush pads, fat basses, punchy kicks, cutting leads, multi-layered pads and textures, complex FX sounds or morphing – anything is possible in Dune.

PsymmetrixDelay v1.2.4 MAC

DDP | Jan 01 2020 | 8.8 MB

AU, VST2, VST3, 64Bit

PsymmetrixDelay is a tempo synced delay, featuring LFO controllable pan & pre/post feedback filter stages, with buffer locking for extreme stutter effects.

Zebra 2 v2.9.0 WiN MAC

TEAM R2R | 01.01.2020 | WiN+MAC: 205.45 MB

PLATFORMS: WiN32/64 – VSTi/VST3/AAX | MAC – AU/VSTi/VST3/AAX

Synthesizer Workhorse with Stripes

Zebra is our wireless modular synthesizer. It combines many different types of synthesis with a powerful modulation engine. Imagine — you can create any additive, freehand or spline-based waveform you like, apply a vast selection of spectral effects, morph between those waves and send them through classic synth filters. Perhaps use that entire sound as modulator for an FM oscillator, or route it through a comb filter — the building block of physical modeling synthesis. All generator modules, all signal paths, all effects are stereo.

MFM2 v2.2.1.3898 WiN MAC

TEAM R2R | 01.01.2020 | 21.99 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

More Feedback Machine has always been a synonym for ultra-flexible delay effects ranging from bread & butter to weird rhythmic deconstruction. In the early days of native plugins, MFM1 was well ahead of its time. MFM2 carries on the tradition and extends it into the future. The idea behind MFM was to give the musician as much control over 4 individual delay lines as possible, have them interact, and offer easy ways to modulate delay parameters in realtime.

AOR Ballad Grooves MiDi

P2P | 01.01.2020 | 7.42 MB

GET YOUR BALLADS BACK ON TRACK.

A profound collection of timeless rock grooves inspired by AOR ballads from the golden age of the ’70s and ’80s. While the AOR genre already had gained a big following in the late ’70s and early ’80s rock scene, what made it break through to the mainstream tier and not only conquer the worldwide airwaves but also the movies is largely attributed to ballads. Bands and artists like Peter Cetera, Journey, Foreigner and Toto all had massive worldwide hits with their ballads, putting slick, meticulously produced AOR on the commercial map in an all-new way. Now, rock wasn’t all about being loud, it was just as much about musicality, songwriting, craft and skill – all the common traits of AOR. Drummers became a central part of the sound of this era. Players like Jeff Porcaro, Steve Gadd, Jim Keltner and John Robinson would go on to inspire a whole new generation of drummers around the world.